[MEI-L] Drum notation, or...?

[Raffaele Viglianti]

Ok, this all makes sense now. Many thanks!

Raffaele
On Jan 19, 2012 7:04 PM, "Roland, Perry (pdr4h)" <
pdr4h at eservices.virginia.edu> wrote:

> Craig is correct -- the ideal way to get the solfa is to generate it.
>  BUT, <note> is a member of att.solfa, which provides @psolfa for capturing
> solfa along with (or instead of) pitch name.
>
> --
> p.
>
>
> __________________________
> Perry Roland
> Music Library
> University of Virginia
> P. O. Box 400175
> Charlottesville, VA 22904
> 434-982-2702 (w)
> pdr4h (at) virginia (dot) edu
> ________________________________________
> From: mei-l-bounces+pdr4h=virginia.edu at lists.uni-paderborn.de[mei-l-bounces+pdr4h=
> virginia.edu at lists.uni-paderborn.de] on behalf of Craig Sapp [
> craigsapp at gmail.com]
> Sent: Thursday, January 19, 2012 12:55 PM
> To: Music Encoding Initiative
> Subject: Re: [MEI-L] Drum notation, or...?
>
> Hi Raffaele,
>
> > I've never come across it before. Ok, it makes sense, but is it just me
> or
> > is that all a semitone up compared to the notation below?
>
> Only because you are thinking (like a southern European) in a fixed-do
> system.  The Tonic Sol-Fa method placed "do" on the tonic note, which
> in this case is B-flat (or B for Germans :-).
>
> Technically this is a parallel equivalent representation of the
> graphical music notation, so it should not necessarily be represented
> inside MEI (unless you want to duplicate encoding work), but rather be
> generated from the musical data in MEI.  The only piece of
> non-graphical information needed should be the tonic note, then the
> notation can be derived from the MEI data which also generates the
> graphical notation.
>
>
> -=+Craig
>
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