[MEI-L] Extension and Final CfP: 11th International Conference on Digital Libraries for Musicology (DLfM 2024)

[David M. Weigl]

** EXTENSION OF DEADLINE: Full and short paper submissions to DLfM are 
now due on February 22nd.
** An initial abstract submission with a provisional title and author 
list remains due on February 12th.

Final CfP: 11th International Conference on Digital Libraries for 
Musicology (In Association with IAML 2024), June 27, Stellenbosch 
University Konservatorium, Stellenbosch, South Africa

CALL FOR PAPERS AND POSTERS

DLfM welcomes contributions related to any aspect of digital libraries 
and musicology, including topics related to musical archiving and 
retrieval, cataloguing and classification, musical databases, special 
collections, music encodings and representations, computational 
musicology, or music information retrieval (MIR).

As this will be the first iteration of DLfM taking place on the African 
continent, we strongly encourage proposals from individuals working on 
music in Africa within various disciplines and from a range of 
perspectives, particularly addressing this year's theme:

Musicology of the Global South: The Role of Digital Libraries

The organizing committee especially encourages submissions of papers and 
posters that address this theme, however, we welcome all submissions 
addressing all topics that fall under the scope of DLfM. Specific 
examples of topics traditionally covered at DLfM can be found at 
https://dlfm.web.ox.ac.uk.

DLfM 2024 proceedings of full and short papers will be published in the 
ACM Digital Library through ICPS. We are aware of a growing number of 
institutional and funder requirements for Open Access publication, and 
recognise that authors will need to comply with any policies which apply 
to them. Further advice is available from the ACM at 
https://www.acm.org/publications/openaccess#h-green-open-access

IMPORTANT DATES (AoE)

* Abstract submission deadline with provisional title and author list: 
February 12th, 2024
* Paper (full paper and short paper) submission deadline: February 22nd, 
2024
* Notification of paper acceptance: April 8th, 2024
* Poster submission deadline: April 22nd, 2024
* Camera-ready submission deadline (full and short papers): May 13th, 2024
* Conference registration deadline: June 17th, 2024
* Conference: June 27th, Stellenbosch, South Africa

Note that at least one author must be registered by the CAMERA-READY 
submission deadline, May 13th, in order for accepted submissions to be 
included in the conference programme.

SUBMISSIONS

Paper submissions

* Paper length: We invite full papers (up to 8 pages excluding 
references) or short papers (up to 4 pages excluding references).
* Submissions: work is submitted to DLfM via EasyChair 
(https://easychair.org/conferences/?conf=dlfm2024).
* Format: Submissions must be in English, formatted according to the 
appropriate ACM template (see template below), in PDF format, and A4 
size. Authors will need to follow ACM's instructions for formatting 
carefully. Assistance will be provided from the proceedings chair.
* Templates: Authors must use either the LaTeX template 
(https://portalparts.acm.org/hippo/latex_templates/acmart-primary.zip, 
use the 'sigconf', 'authordraft', and 'anonymous' settings for initial 
submission), the LaTeX + Overleaf template 
(https://www.overleaf.com/latex/templates/association-for-computing-machinery-acm-sig-proceedings-template/bmvfhcdnxfty, 
use the 'sigconf', 'authordraft', and 'anonymous' settings for initial 
submission), or the MS Word template 
(https://www.acm.org/binaries/content/assets/publications/word_style/interim-template-style/interim-layout.docx). 
Historically, LaTeX versions have been easier to process into 
camera-ready versions. Therefore, we encourage all authors to use the 
LaTeX (or LaTeX + Overleaf) template if possible.
* Page limits for submitted papers apply to all text, excluding the 
bibliography (i.e., references can be included on pages over the 
specified limits).

Poster submissions

* Submission: The initial poster submission consists of an abstract 
which outlines both the scholarly content and broad details of the 
proposed layout in 500 words or fewer. This is to be sent by e-mail to 
dlfm2024 at easychair.org
* Format: Information on printed poster formats will be provided on 
acceptance of the poster abstract. All accepted posters will also be 
required to submit a digital copy before the conference date to be 
shared publicly on the conference web page.

Review and Ethics

Papers (long and short) will be double blind peer reviewed by at least 3 
members of the programme committee. For accepted paper submissions, at 
least one author must register for the conference (as a presenter) by 
the camera-ready submission deadline, May 13th, 2024.

DLfM conforms to the usual conventions for publication ethics. For 
instance, we endeavour to provide an effective reviewing process that is 
fair to all submissions, with reviews from experts in the subject area. 
In turn, we expect authors to ensure anonymity in the original 
submission as far as practically possible, (for instance by not 
uploading the submission to public website and/or removing any currently 
public unpublished preprints while it is under review) and that 
submissions to DLfM are not under active consideration by another 
conference or journal.

Submission link: https://easychair.org/conferences/?conf=dlfm2024
Contact email: dlfm2024 at easychair.org

CONFERENCE ORGANIZATION

Programme Chair
David M. Weigl, mdw - University of Music and Performing Arts Vienna

General Chair
Martha E. Thomae, Universidade NOVA de Lisboa

Proceedings and Publicity Chair
Anna Plaksin, Paderborn University

Local Chair
Beulah Gericke-Geldenhuys, Stellenbosch University

Programme Committee
Claire Arthur, Georgia Institute of Technology
David Bainbridge, University of Waikato
Houman Behzadi, McGill University
J. A. Burgoyne, University of Amsterdam
Joy Calico, UCLA Herb Alpert School of Music
Jorge Calvo-Zaragoza, University of Alicante
Rafael Caro Repetto, Institute for Ethnomusicology, Kunstuniversität Graz
Kahyun Choi, Indiana University Bloomington
Nathaniel Condit-Schultz, Georgia Institute of Technology
Rachel Cowgill, University of York
Elsa De Luca, CESEM, Universidade Nova de Lisboa
Jürgen Diet, Bavarian State Library
Benjamin Fields, BBC
Ichiro Fujinaga, McGill University
Francesca Giannetti, Rutgers University
Mark Gotham, Durham University
Jose M. Iñesta, Universidad de Alicante
Charles Inskip, University College London
Audrey Laplante, EBSI, Université de Montréal
Kjell Lemström, University of Helsinki
David Lewis, Goldsmiths, University of London
Ewa Lukasik, Poznan University of Technology, Institute of Computing Science
Cory Mckay, Marianopolis College
Stefan Münnich, University of Basel
Joshua Neumann, Akademie der Wissenschaften und der Literatur Mainz
Kevin Page, University of Oxford
Laurent Pugin, RISM Digital Center
Andreas Rauber, Vienna University of Technology
Xavier Serra, Universitat Pompeu Fabra
Sandra Tuppen, British Library
Marnix van Berchum, Utrecht University
Raffaele Viglianti, University of Maryland
Sonia Wronkowska, The