From weigl at mdw.ac.at Fri Jan 12 15:09:33 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Fri, 12 Jan 2024 15:09:33 +0100 Subject: [MEI-L] 2nd CfP: 11th International Conference on Digital Libraries for Musicology (DLfM 2024) Message-ID: <67b3096a-1d45-4087-96cf-d041991592a4@mdw.ac.at> 2nd CfP: 11th International Conference on Digital Libraries for Musicology (In Association with IAML 2024), June 27, Stellenbosch University Konservatorium, Stellenbosch, South Africa CALL FOR PAPERS AND POSTERS DLfM welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). As this will be the first iteration of DLfM taking place on the African continent, we strongly encourage proposals from individuals working on music in Africa within various disciplines and from a range of perspectives, particularly addressing this year's theme: Musicology of the Global South: The Role of Digital Libraries The organizing committee especially encourages submissions of papers and posters that address this theme, however, we welcome all submissions addressing all topics that fall under the scope of DLfM. Specific examples of topics traditionally covered at DLfM can be found at https://dlfm.web.ox.ac.uk. DLfM 2024 proceedings of full and short papers will be published in the ACM Digital Library through ICPS. We are aware of a growing number of institutional and funder requirements for Open Access publication, and recognise that authors will need to comply with any policies which apply to them. Further advice is available from the ACM at https://www.acm.org/publications/openaccess#h-green-open-access IMPORTANT DATES (AoE) * Paper (full paper and short paper) submission deadline: February 12th, 2024 * Notification of paper acceptance: April 8th, 2024 * Poster submission deadline: April 22nd, 2024 * Camera-ready submission deadline (full and short papers): May 13th, 2024 * Conference registration deadline: June 17th, 2024 * Conference: June 27th, Stellenbosch, South Africa Note that at least one author must be registered by the conference registration deadline in order for accepted submissions to be included in the conference programme. SUBMISSIONS Paper submissions * Paper length: We invite full papers (up to 8 pages excluding references) or short papers (up to 4 pages excluding references). * Submissions: work is submitted to DLfM via EasyChair (https://easychair.org/conferences/?conf=dlfm2024). * Format: Submissions must be in English, formatted according to the appropriate ACM template (see template below), in PDF format, and A4 size. Authors will need to follow ACM's instructions for formatting carefully. Assistance will be provided from the proceedings chair. * Templates: Authors must use either the LaTeX template (https://portalparts.acm.org/hippo/latex_templates/acmart-primary.zip, use the 'sigconf', 'authordraft', and 'anonymous' settings for initial submission), the LaTeX + Overleaf template (https://www.overleaf.com/latex/templates/association-for-computing-machinery-acm-sig-proceedings-template/bmvfhcdnxfty, use the 'sigconf', 'authordraft', and 'anonymous' settings for initial submission), or the MS Word template (https://www.acm.org/binaries/content/assets/publications/word_style/interim-template-style/interim-layout.docx). Historically, LaTeX versions have been easier to process into camera-ready versions. Therefore, we encourage all authors to use the LaTeX (or LaTeX + Overleaf) template if possible. * Page limits for submitted papers apply to all text, excluding the bibliography (i.e., references can be included on pages over the specified limits). Poster submissions * Submission: The initial poster submission consists of an abstract which outlines both the scholarly content and broad details of the proposed layout in 500 words or fewer. This is to be sent by e-mail to dlfm2024 at easychair.org * Format: Information on printed poster formats will be provided on acceptance of the poster abstract. All accepted posters will also be required to submit a digital copy before the conference date to be shared publicly on the conference web page. Review and Ethics Papers (long and short) will be double blind peer reviewed by at least 3 members of the programme committee. For accepted paper submissions, at least one author must register for the conference (as a presenter) by the conference registration deadline. DLfM conforms to the usual conventions for publication ethics. For instance, we endeavour to provide an effective reviewing process that is fair to all submissions, with reviews from experts in the subject area. In turn, we expect authors to ensure anonymity in the original submission as far as practically possible, (for instance by not uploading the submission to public website and/or removing any currently public unpublished preprints while it is under review) and that submissions to DLfM are not under active consideration by another conference or journal. Submission link: https://easychair.org/conferences/?conf=dlfm2024 Contact email: dlfm2024 at easychair.org CONFERENCE ORGANIZATION Programme Chair David M. Weigl, mdw - University of Music and Performing Arts Vienna General Chair Martha E. Thomae, Universidade NOVA de Lisboa Proceedings and Publicity Chair Anna Plaksin, Paderborn University Local Chair Beulah Gericke-Geldenhuys, Stellenbosch University Programme Committee Claire Arthur, Georgia Institute of Technology David Bainbridge, University of Waikato Houman Behzadi, McGill University J. A. Burgoyne, University of Amsterdam Joy Calico, UCLA Herb Alpert School of Music Jorge Calvo-Zaragoza, University of Alicante Rafael Caro Repetto, Institute for Ethnomusicology, Kunstuniversität Graz Kahyun Choi, Indiana University Bloomington Nathaniel Condit-Schultz, Georgia Institute of Technology Rachel Cowgill, University of York Elsa De Luca, CESEM, Universidade Nova de Lisboa Jürgen Diet, Bavarian State Library Benjamin Fields, BBC Ichiro Fujinaga, McGill University Francesca Giannetti, Rutgers University Mark Gotham, Durham University Jose M. Iñesta, Universidad de Alicante Charles Inskip, University College London Audrey Laplante, EBSI, Université de Montréal Kjell Lemström, University of Helsinki David Lewis, Goldsmiths, University of London Ewa Lukasik, Poznan University of Technology, Institute of Computing Science Cory Mckay, Marianopolis College Stefan Münnich, University of Basel Joshua Neumann, Akademie der Wissenschaften und der Literatur Mainz Kevin Page, University of Oxford Laurent Pugin, RISM Digital Center Andreas Rauber, Vienna University of Technology Xavier Serra, Universitat Pompeu Fabra Sandra Tuppen, British Library Marnix van Berchum, Utrecht University Raffaele Viglianti, University of Maryland Sonia Wronkowska, The National Library of Poland From atge at kb.dk Fri Jan 19 12:24:35 2024 From: atge at kb.dk (Axel Teich Geertinger) Date: Fri, 19 Jan 2024 11:24:35 +0000 Subject: [MEI-L] What is the position referred to by @endid? Message-ID: Dear list, I have been wondering about what I thought at first to be a bug in the MEI import in MuseScore 4.2. As MuseScore does not operate with timestamps (for now at least), the beginning and end of elements such as hairpins must be expressed using @startid and @endid. Comparing renderings in Verovio and MuseScore, I noticed that in the example below, MuseScore interprets the time position of @endid="#note_2" to be the end of the duration of note 2, while Verovio renders it as the visual position of the note itself, i.e., the beginning of its duration. So what is the correct time position referred to by @endid? Looking through the guidelines, I did not find it defined, tough I may have overlooked it. Anyway, in order to encode positions unambiguously I think it is important that there is no doubt about the meaning of @endid. Best, Axel Example: Rendering in MuseScore: [cid:d4d281b1-d45b-4169-9323-d3c4b19ecd21] Rendering in Verovio: [cid:39388586-20fc-4d99-8455-d4c621550a64] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: hairpin_note_1-2_musescore.png Type: image/png Size: 4745 bytes Desc: hairpin_note_1-2_musescore.png URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: hairpin_note_1-2_verovio.png Type: image/png Size: 7571 bytes Desc: hairpin_note_1-2_verovio.png URL: From Karen.Desmond at mu.ie Tue Jan 23 21:39:56 2024 From: Karen.Desmond at mu.ie (Karen Desmond) Date: Tue, 23 Jan 2024 20:39:56 +0000 Subject: [MEI-L] Call for Applications by March 15, 2024: 2 fully funded PhD Studentships in Medieval Music/DH at Maynooth University, Ireland Message-ID: Call for Applications! Apply NOW for two fully funded four-year PhD studentships on the ERC-funded BROKENSONG project, based at Maynooth University, IRELAND, commencing 1 July 2024. The funding covers tuition fees and offers a generous living stipend for four years. First consideration given to applications received before March 15, 2024. For one of the PhD positions, I'm looking for a medievalist or musicologist with interests in early music, for the second, someone with experience in computer science/data science/encoding with a background in music would be ideal. Please spread the word among your colleagues and students, and encourage candidates to be in contact with me directly with any questions (karen.desmond at mu.ie). PhD Student 1 will be a medievalist or musicologist, with a Bachelor’s, or preferably a Master’s, degree in medieval studies/history, medieval Latin, liturgy and theology, and/or plainchant. Preference will be given to candidates demonstrating competence in Latin and music notation. PhD Student 2 will be either be a music, digital humanities, or computer science graduate with interests in music, or a scholar-performer specializing in medieval vocal improvisation (plainchant or polyphony). They will have a Bachelor’s or Master’s degree in a relevant field and research interests in the analysis of humanities data. Preference will be given to candidates who have expertise in either computational approaches to the analysis of music, image, or text content, or performance-based analysis of early music including improvisation and practice-based research. More details available at this here: https://www.maynoothuniversity.ie/music/news/two-funded-phd-studentships -------------- next part -------------- An HTML attachment was scrubbed... URL: From b.w.bohl at gmail.com Thu Jan 25 15:54:53 2024 From: b.w.bohl at gmail.com (Benjamin W. Bohl) Date: Thu, 25 Jan 2024 15:54:53 +0100 Subject: [MEI-L] Tomorrow: ODD Friday meeting Message-ID: Dear MEI-L:ist:eners, This is a gentle reminder that we have our ODD Friday meeting this week for anything concerning the development of the MEI schemata and guidelines. Date: 26 January Time: 3 pm CET Zoom Link: https://us02web.zoom.us/j/83097885923?pwd=NTZvTXh1S2E1MkdNdi9tV3FKWVpMQT09 The meetings are generally open to anyone and aim at improving MEI, both in terms of technological AND musicological needs. Whether you are a developer or a musicologist, this meeting promises to be a unique opportunity to learn from each other and share your expertise. We look forward to seeing you all there! Best regards, Benni P.S. Please also feel invited to join our ODD meeting channel on MEI-Slack. https://music-encoding.slack.com/archives/C01PBLPP543 P.P.S. If you generally would like to join the ODD meetings but the scheduled time is trouble for you, please let me know for future planning ;-) -------------- next part -------------- An HTML attachment was scrubbed... URL: From weigl at mdw.ac.at Thu Jan 25 16:59:29 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Thu, 25 Jan 2024 16:59:29 +0100 Subject: [MEI-L] Extension and Final CfP: 11th International Conference on Digital Libraries for Musicology (DLfM 2024) Message-ID: <0139b7b7-7f37-4ceb-a117-073f9f892852@mdw.ac.at> ** EXTENSION OF DEADLINE: Full and short paper submissions to DLfM are now due on February 22nd. ** An initial abstract submission with a provisional title and author list remains due on February 12th. Final CfP: 11th International Conference on Digital Libraries for Musicology (In Association with IAML 2024), June 27, Stellenbosch University Konservatorium, Stellenbosch, South Africa CALL FOR PAPERS AND POSTERS DLfM welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). As this will be the first iteration of DLfM taking place on the African continent, we strongly encourage proposals from individuals working on music in Africa within various disciplines and from a range of perspectives, particularly addressing this year's theme: Musicology of the Global South: The Role of Digital Libraries The organizing committee especially encourages submissions of papers and posters that address this theme, however, we welcome all submissions addressing all topics that fall under the scope of DLfM. Specific examples of topics traditionally covered at DLfM can be found at https://dlfm.web.ox.ac.uk. DLfM 2024 proceedings of full and short papers will be published in the ACM Digital Library through ICPS. We are aware of a growing number of institutional and funder requirements for Open Access publication, and recognise that authors will need to comply with any policies which apply to them. Further advice is available from the ACM at https://www.acm.org/publications/openaccess#h-green-open-access IMPORTANT DATES (AoE) * Abstract submission deadline with provisional title and author list: February 12th, 2024 * Paper (full paper and short paper) submission deadline: February 22nd, 2024 * Notification of paper acceptance: April 8th, 2024 * Poster submission deadline: April 22nd, 2024 * Camera-ready submission deadline (full and short papers): May 13th, 2024 * Conference registration deadline: June 17th, 2024 * Conference: June 27th, Stellenbosch, South Africa Note that at least one author must be registered by the CAMERA-READY submission deadline, May 13th, in order for accepted submissions to be included in the conference programme. SUBMISSIONS Paper submissions * Paper length: We invite full papers (up to 8 pages excluding references) or short papers (up to 4 pages excluding references). * Submissions: work is submitted to DLfM via EasyChair (https://easychair.org/conferences/?conf=dlfm2024). * Format: Submissions must be in English, formatted according to the appropriate ACM template (see template below), in PDF format, and A4 size. Authors will need to follow ACM's instructions for formatting carefully. Assistance will be provided from the proceedings chair. * Templates: Authors must use either the LaTeX template (https://portalparts.acm.org/hippo/latex_templates/acmart-primary.zip, use the 'sigconf', 'authordraft', and 'anonymous' settings for initial submission), the LaTeX + Overleaf template (https://www.overleaf.com/latex/templates/association-for-computing-machinery-acm-sig-proceedings-template/bmvfhcdnxfty, use the 'sigconf', 'authordraft', and 'anonymous' settings for initial submission), or the MS Word template (https://www.acm.org/binaries/content/assets/publications/word_style/interim-template-style/interim-layout.docx). Historically, LaTeX versions have been easier to process into camera-ready versions. Therefore, we encourage all authors to use the LaTeX (or LaTeX + Overleaf) template if possible. * Page limits for submitted papers apply to all text, excluding the bibliography (i.e., references can be included on pages over the specified limits). Poster submissions * Submission: The initial poster submission consists of an abstract which outlines both the scholarly content and broad details of the proposed layout in 500 words or fewer. This is to be sent by e-mail to dlfm2024 at easychair.org * Format: Information on printed poster formats will be provided on acceptance of the poster abstract. All accepted posters will also be required to submit a digital copy before the conference date to be shared publicly on the conference web page. Review and Ethics Papers (long and short) will be double blind peer reviewed by at least 3 members of the programme committee. For accepted paper submissions, at least one author must register for the conference (as a presenter) by the camera-ready submission deadline, May 13th, 2024. DLfM conforms to the usual conventions for publication ethics. For instance, we endeavour to provide an effective reviewing process that is fair to all submissions, with reviews from experts in the subject area. In turn, we expect authors to ensure anonymity in the original submission as far as practically possible, (for instance by not uploading the submission to public website and/or removing any currently public unpublished preprints while it is under review) and that submissions to DLfM are not under active consideration by another conference or journal. Submission link: https://easychair.org/conferences/?conf=dlfm2024 Contact email: dlfm2024 at easychair.org CONFERENCE ORGANIZATION Programme Chair David M. Weigl, mdw - University of Music and Performing Arts Vienna General Chair Martha E. Thomae, Universidade NOVA de Lisboa Proceedings and Publicity Chair Anna Plaksin, Paderborn University Local Chair Beulah Gericke-Geldenhuys, Stellenbosch University Programme Committee Claire Arthur, Georgia Institute of Technology David Bainbridge, University of Waikato Houman Behzadi, McGill University J. A. Burgoyne, University of Amsterdam Joy Calico, UCLA Herb Alpert School of Music Jorge Calvo-Zaragoza, University of Alicante Rafael Caro Repetto, Institute for Ethnomusicology, Kunstuniversität Graz Kahyun Choi, Indiana University Bloomington Nathaniel Condit-Schultz, Georgia Institute of Technology Rachel Cowgill, University of York Elsa De Luca, CESEM, Universidade Nova de Lisboa Jürgen Diet, Bavarian State Library Benjamin Fields, BBC Ichiro Fujinaga, McGill University Francesca Giannetti, Rutgers University Mark Gotham, Durham University Jose M. Iñesta, Universidad de Alicante Charles Inskip, University College London Audrey Laplante, EBSI, Université de Montréal Kjell Lemström, University of Helsinki David Lewis, Goldsmiths, University of London Ewa Lukasik, Poznan University of Technology, Institute of Computing Science Cory Mckay, Marianopolis College Stefan Münnich, University of Basel Joshua Neumann, Akademie der Wissenschaften und der Literatur Mainz Kevin Page, University of Oxford Laurent Pugin, RISM Digital Center Andreas Rauber, Vienna University of Technology Xavier Serra, Universitat Pompeu Fabra Sandra Tuppen, British Library Marnix van Berchum, Utrecht University Raffaele Viglianti, University of Maryland Sonia Wronkowska, The From thomaemartha at gmail.com Tue Jan 30 23:54:20 2024 From: thomaemartha at gmail.com (Martha Thomae) Date: Tue, 30 Jan 2024 23:54:20 +0100 Subject: [MEI-L] CfP: Digital Technologies Applied to Music Research - Methodologies, Projects and Challenges Message-ID: <0597D138-9DE2-4335-8586-F824FEAFB15A@gmail.com> Digital Technologies Applied to Music Research Methodologies, Projects and Challenges International Conference: Call For Papers 27-29 June 2024, School of Social Sciences and Humanities - NOVA University Lisbon The ongoing digital revolution holds the potential to unveil unforeseen possibilities which could challenge and overturn traditional research methodologies and allow entirely new opportunities for music research. This conference aims to foster interdisciplinary dialogue between music technology scholars and historical musicologists and to promote scholarly discussions on the applicability and usability of digital technologies to boost music research. For more information, please consult our website: https://cesem.fcsh.unl.pt/en/2024/01/30/call-papers-digital-technologies-applied-to-music-research-2/ Topics 1. Digital technologies that have revolutionized music research 2. Digital archiving of musical heritage 3. Challenges in digital music preservation 4. How digital technologies help make music sources more accessible to researchers and musicians 5. Key challenges in applying digital technologies to music research 6. Ways in which large-scale search and music analysis are reshaping research questions 7. Successful music research projects that utilized digital technologies 8. Music encoding 9. Digital tools for analysing chant and secular monophonic song 10. How the role of digital technologies in music research evolved over time 11. Ways to effectively incorporate digital technologies into historical musicological research 12. How digital technologies enhance, or hinder, the process of music research 13. How digital technologies can benefit the study and preservation of early music 14. Utilizing AI in music analysis 15. Digital ethnomusicology Keynote Speakers · Ichiro Fujinaga, McGill University · Jennifer Bain, Dalhousie University Publication A selection of papers will be invited for open access publication in a special issue and in a book (venues to be announced). Participants will be asked to submit extended versions of their papers and an ad-hoc scientific committee will monitor the quality and originality of the texts. Deadlines Paper and poster proposals should be sent to elsadeluca at fcsh.unl.pt and include the name of the author/s, institutional affiliation, title, abstract (c.400 words for papers, c.200 words for posters) and 3-5 keywords. Deadline for proposals: 18 February 2024. Notification of acceptance: 8 March 2024. Conference: 27-29 June 2024. Submission of final texts of invited papers for the book and the special issue: 30 September 2024. Program committee Elsa De Luca, CESEM-IN2PAST, NOVA University Lisbon (program committee chair) Claire Arthur, Georgia Institute of Technology Jorge Calvo, Universidad de Alicante João Pedro d'Alvarenga, CESEM-IN2PAST, NOVA University Lisbon Zuelma Paula Miranda Duarte Chaves, CESEM-IN2PAST, NOVA University Lisbon Manuel Pedro Ferreira, CESEM-IN2PAST, NOVA University Lisbon Jan Hajic, Charles University Prague Debra Lacoste, Dalhousie University David Lewis, University of Oxford eResearch Centre Alberto Medina de Seiça, CESEM-IN2PAST, NOVA University Lisbon Stefan Morent, Universität Tübingen Fabian Moss, Institut für Musikforschung | Julius-Maximilians-Universität Würzburg Kathleen Nelson, SCM, University of Sydney David Rizo Valero, Universidad de Alicante Santiago Ruiz Torres, Universidad de Salamanca Mark Saccomano, Hochschule für Musik Detmold / Universität Paderborn Craig Stuart Sapp, Stanford University, CCARH/PHI Martha Thomae Elias, CESEM-IN2PAST, NOVA University Lisbon Konstantinos Vasilakos, Xian Jiaotong-Liverpool University Hana Vlhová-Wörner, Czech Academy of Sciences - University Basel The conference will be in-person only, with online streaming of the project conference accessible to registered users. The conference will be followed by a workshop (29 June, afternoon) on the automatic analysis of early music. -------------- next part -------------- An HTML attachment was scrubbed... URL: From klaus.rettinghaus at gmail.com Sun Feb 4 17:31:45 2024 From: klaus.rettinghaus at gmail.com (Klaus Rettinghaus) Date: Sun, 4 Feb 2024 17:31:45 +0100 Subject: [MEI-L] What is the position referred to by @endid? In-Reply-To: References: Message-ID: <57C76D38-3DBE-43EA-94E1-8FFD810CE026@gmail.com> Dear Axel, I believe that this was never decided properly and is open to interpretation of the renderer. From my understanding @tstamp2 and @endid point to a specific visual point along the staff, and then latter basically points to the connected note or chord. You may find several issues and discussion around this in the Verovio repository, e.g., https://github.com/rism-digital/verovio/discussions/3313. Best, Klaus > Am 19.01.2024 um 12:24 schrieb Axel Teich Geertinger : > > Dear list, > > I have been wondering about what I thought at first to be a bug in the MEI import in MuseScore 4.2. As MuseScore does not operate with timestamps (for now at least), the beginning and end of elements such as hairpins must be expressed using @startid and @endid. > Comparing renderings in Verovio and MuseScore, I noticed that in the example below, MuseScore interprets the time position of @endid="#note_2" to be the end of the duration of note 2, while Verovio renders it as the visual position of the note itself, i.e., the beginning of its duration. > So what is the correct time position referred to by @endid? Looking through the guidelines, I did not find it defined, tough I may have overlooked it. > Anyway, in order to encode positions unambiguously I think it is important that there is no doubt about the meaning of @endid. > Best, > Axel > > Example: > > > > > > > > > > > > > > Rendering in MuseScore: > > > Rendering in Verovio: > > > > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinguillermo719 at gmail.com Fri Feb 9 12:54:48 2024 From: martinguillermo719 at gmail.com (=?UTF-8?Q?Guille_Mart=C3=ADn_Hidalgo?=) Date: Fri, 9 Feb 2024 11:54:48 +0000 Subject: [MEI-L] About listing 128 in MEI Guidelines 5.0 Message-ID: Hi to all the community! I'm delighted to have joined you all. I'm starting to read and study the guidelines, and I think something seems odd in listing 128. I'm not sure if it's me not understanding how it works. Firstly, the numbering scheme of the measures seems disorganized to me (the first measure is labeled as "1," the second as "4," then after the three rest measures, the next one is labeled as "5"...). Secondly, regarding the accidentals in the first chord, why is C flat? And finally, why is it possible to hold a whole chord in the third measure within a "cut" measure bar? Thanks and kind regards, Guillermo M -------------- next part -------------- An HTML attachment was scrubbed... URL: From andrew.hankinson at rism.digital Fri Feb 9 13:45:41 2024 From: andrew.hankinson at rism.digital (Andrew Hankinson) Date: Fri, 9 Feb 2024 13:45:41 +0100 Subject: [MEI-L] About listing 128 in MEI Guidelines 5.0 In-Reply-To: References: Message-ID: Hi Guillermo, Could you please include a link to the problem that you’re seeing? Thanks. Andrew > On 9 Feb 2024, at 12:56, Guille Martín Hidalgo wrote: > >  > Hi to all the community! I'm delighted to have joined you all. > > I'm starting to read and study the guidelines, and I think something seems odd in listing 128. I'm not sure if it's me not understanding how it works. > > Firstly, the numbering scheme of the measures seems disorganized to me (the first measure is labeled as "1," the second as "4," then after the three rest measures, the next one is labeled as "5"...). Secondly, regarding the accidentals in the first chord, why is C flat? And finally, why is it possible to hold a whole chord in the third measure within a "cut" measure bar? > > Thanks and kind regards, > > Guillermo M > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l From martinguillermo719 at gmail.com Fri Feb 9 13:59:51 2024 From: martinguillermo719 at gmail.com (=?UTF-8?Q?Guille_Mart=C3=ADn_Hidalgo?=) Date: Fri, 9 Feb 2024 12:59:51 +0000 Subject: [MEI-L] About listing 128 in MEI Guidelines 5.0 In-Reply-To: References: Message-ID: https://music-encoding.org/guidelines/v5/content/cmn.html When you enter, search for the *listing 128 *and you'll see the score and the encoded score. Thanks. El vie, 9 feb 2024 a las 12:46, Andrew Hankinson () escribió: > Hi Guillermo, > > Could you please include a link to the problem that you’re seeing? Thanks. > > Andrew > > > On 9 Feb 2024, at 12:56, Guille Martín Hidalgo < > martinguillermo719 at gmail.com> wrote: > > > >  > > Hi to all the community! I'm delighted to have joined you all. > > > > I'm starting to read and study the guidelines, and I think something > seems odd in listing 128. I'm not sure if it's me not understanding how it > works. > > > > Firstly, the numbering scheme of the measures seems disorganized to me > (the first measure is labeled as "1," the second as "4," then after the > three rest measures, the next one is labeled as "5"...). Secondly, > regarding the accidentals in the first chord, why is C flat? And finally, > why is it possible to hold a whole chord in the third measure within a > "cut" measure bar? > > > > Thanks and kind regards, > > > > Guillermo M > > _______________________________________________ > > mei-l mailing list > > mei-l at lists.uni-paderborn.de > > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > -------------- next part -------------- An HTML attachment was scrubbed... URL: From stefan.muennich at unibas.ch Fri Feb 9 14:54:12 2024 From: stefan.muennich at unibas.ch (=?utf-8?B?U3RlZmFuIE3DvG5uaWNo?=) Date: Fri, 9 Feb 2024 13:54:12 +0000 Subject: [MEI-L] [EXTERN] Re: About listing 128 in MEI Guidelines 5.0 In-Reply-To: References: , Message-ID: <9c2339c5c59f4bf3a8ae95ca307cfcd4@unibas.ch> Hi Guillermo, and welcomome to the community! 😊 Thanks for your interest in the guidelines and your careful study. The issues you observed are very helpful to further improve our documentation. It seems that the encoding in question can be found here: https://github.com/music-encoding/music-encoding/blob/develop/source/examples/verovio/04-score-redefinition.mei (chapter 4.2.4: https://music-encoding.org/guidelines/dev/content/cmn.html#cmnReDef) Maybe I can invite you to open an issue on our music-encoding Github repository: https://github.com/music-encoding/music-encoding/issues (that's were we keep record of open questions, issues and feature requests). If you need help in doing so, please let us know. Many thanks, Stefan --- Stefan Münnich | Dr. des | Research associate University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe Petersgraben 27/29 | CH-4051 Basel | Schweiz Tel: +41 61 207 28 08 E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted. ________________________________ Von: mei-l im Auftrag von Guille Martín Hidalgo Gesendet: Freitag, 9. Februar 2024 13:59:51 An: Music Encoding Initiative Betreff: [EXTERN] Re: [MEI-L] About listing 128 in MEI Guidelines 5.0 https://music-encoding.org/guidelines/v5/content/cmn.html When you enter, search for the listing 128 and you'll see the score and the encoded score. Thanks. El vie, 9 feb 2024 a las 12:46, Andrew Hankinson () escribió: Hi Guillermo, Could you please include a link to the problem that you’re seeing? Thanks. Andrew > On 9 Feb 2024, at 12:56, Guille Martín Hidalgo > wrote: > >  > Hi to all the community! I'm delighted to have joined you all. > > I'm starting to read and study the guidelines, and I think something seems odd in listing 128. I'm not sure if it's me not understanding how it works. > > Firstly, the numbering scheme of the measures seems disorganized to me (the first measure is labeled as "1," the second as "4," then after the three rest measures, the next one is labeled as "5"...). Secondly, regarding the accidentals in the first chord, why is C flat? And finally, why is it possible to hold a whole chord in the third measure within a "cut" measure bar? > > Thanks and kind regards, > > Guillermo M > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l _______________________________________________ mei-l mailing list mei-l at lists.uni-paderborn.de https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From martinguillermo719 at gmail.com Fri Feb 9 16:46:52 2024 From: martinguillermo719 at gmail.com (=?UTF-8?Q?Guille_Mart=C3=ADn_Hidalgo?=) Date: Fri, 9 Feb 2024 15:46:52 +0000 Subject: [MEI-L] [EXTERN] Re: About listing 128 in MEI Guidelines 5.0 In-Reply-To: <9c2339c5c59f4bf3a8ae95ca307cfcd4@unibas.ch> References: <9c2339c5c59f4bf3a8ae95ca307cfcd4@unibas.ch> Message-ID: Dear Stefan, Thanks for the instructions, I have just posted the issue. Kind regards Guillermo M El vie, 9 feb 2024 a las 13:54, Stefan Münnich () escribió: > Hi Guillermo, and welcomome to the community! 😊 > > > Thanks for your interest in the guidelines and your careful study. The > issues you observed are very helpful to further improve our documentation. > > > It seems that the encoding in question can be found here: > https://github.com/music-encoding/music-encoding/blob/develop/source/examples/verovio/04-score-redefinition.mei > (chapter 4.2.4: > https://music-encoding.org/guidelines/dev/content/cmn.html#cmnReDef) > > > Maybe I can invite you to open an issue on our music-encoding Github > repository: https://github.com/music-encoding/music-encoding/issues > (that's were we keep record of open questions, issues and feature > requests). If you need help in doing so, please let us know. > > > Many thanks, > > Stefan > > > > > --- > > *Stefan Münnich *| Dr. des | Research associate > > University of Basel | Department Arts, Media, Philosophy | Musicology | Anton > Webern Gesamtausgabe > Petersgraben 27/29 | CH-4051 Basel | Schweiz > Tel: +41 61 207 28 08 > E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch > > > > This e-mail and any attachments to it may contain confidential > information, which is for the sole attention and use of the intended > recipient. If you are not the correct addressee or have received this email > in error, please notify us immediately and delete this email. Copying and > forwarding this message without consent of the sender is not permitted. > > > > > ------------------------------ > *Von:* mei-l im Auftrag von Guille > Martín Hidalgo > *Gesendet:* Freitag, 9. Februar 2024 13:59:51 > *An:* Music Encoding Initiative > *Betreff:* [EXTERN] Re: [MEI-L] About listing 128 in MEI Guidelines 5.0 > > https://music-encoding.org/guidelines/v5/content/cmn.html > When you enter, search for the *listing 128 *and you'll see the score and > the encoded score. > > Thanks. > > El vie, 9 feb 2024 a las 12:46, Andrew Hankinson > () escribió: > >> Hi Guillermo, >> >> Could you please include a link to the problem that you’re seeing? Thanks. >> >> Andrew >> >> > On 9 Feb 2024, at 12:56, Guille Martín Hidalgo < >> martinguillermo719 at gmail.com> wrote: >> > >> >  >> > Hi to all the community! I'm delighted to have joined you all. >> > >> > I'm starting to read and study the guidelines, and I think something >> seems odd in listing 128. I'm not sure if it's me not understanding how it >> works. >> > >> > Firstly, the numbering scheme of the measures seems disorganized to me >> (the first measure is labeled as "1," the second as "4," then after the >> three rest measures, the next one is labeled as "5"...). Secondly, >> regarding the accidentals in the first chord, why is C flat? And finally, >> why is it possible to hold a whole chord in the third measure within a >> "cut" measure bar? >> > >> > Thanks and kind regards, >> > >> > Guillermo M >> > _______________________________________________ >> > mei-l mailing list >> > mei-l at lists.uni-paderborn.de >> > https://lists.uni-paderborn.de/mailman/listinfo/mei-l >> >> _______________________________________________ >> mei-l mailing list >> mei-l at lists.uni-paderborn.de >> https://lists.uni-paderborn.de/mailman/listinfo/mei-l >> > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > -------------- next part -------------- An HTML attachment was scrubbed... URL: From Anna.Kijas at tufts.edu Tue Feb 20 15:11:40 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Tue, 20 Feb 2024 14:11:40 +0000 Subject: [MEI-L] MEI Community Forum Message-ID: Dear MEI Colleagues, Please hold the date for the next MEI Community Forum on Tuesday, March 19, 2024, at 11 AM (EDT). Register to attend: https://tufts.zoom.us/meeting/register/tJUudOqoqzkpHdVHf0sT0pKUXTS1IKeO5jVh More details will be shared closer to the meeting date. Best, Anna Anna E. Kijas Head, Lilly Music Library Granoff Music Center | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From luca.ludovico at unimi.it Fri Mar 1 20:46:09 2024 From: luca.ludovico at unimi.it (Luca Andrea Ludovico) Date: Fri, 1 Mar 2024 19:46:09 +0000 Subject: [MEI-L] Computer Supported Music Education @ CSEDU 2024 - Deadline extension In-Reply-To: <4005FA4F-459D-4FC8-BB0D-A5439921E0D6@unimi.it> References: <4005FA4F-459D-4FC8-BB0D-A5439921E0D6@unimi.it> Message-ID: [Apologies for cross-postings] [Please distribute] 16th International Conference on Computer Supported Education (CSEDU 2024) Special session on Computer Supported Music Education (CSME 2024) – 5th edition The International Conference on Computer Supported Education is an annual meeting place for presenting and discussing new educational tools and environments, best practices and case studies on innovative technology-based learning strategies, and institutional policies on computer-supported education, including open and distance education. The next edition will be held in Angers, France, on May 2-4, 2024. In this framework, the special session on Computer Supported Music Education aims to investigate the impact of computer-based approaches on music education. We welcome contributions focusing on the design, development, and use of advanced technologies to support learning and teaching actions in music creation, performance, and analysis. Accepted papers, presented at the conference by one or more of the authors, will be published in the Proceedings of CSEDU under an ISBN and indexed by major systems, e.g., Thomson Reuters Conference Proceedings Citation Index (CPCI/ISI), DBLP, EI (Elsevier Engineering Village Index), Scopus, Semantic Scholar, and Google Scholar. Important dates Paper Submission: February 29, 2024 March 4, 2024 (extended) Authors Notification: March 14, 2024 Camera Ready and Registration: March 22, 2024 For further information Special session web page: https://csedu.scitevents.org/CSME.aspx General conference web page: https://csedu.scitevents.org/ Organizer and chair Luca A. Ludovico Laboratory of Music Informatics (LIM), Department of Computer Science, University of Milan luca.ludovico at unimi.it -------------- next part -------------- An HTML attachment was scrubbed... URL: From anna.giust at univr.it Tue Mar 19 18:32:25 2024 From: anna.giust at univr.it (Anna Giust) Date: Tue, 19 Mar 2024 17:32:25 +0000 Subject: [MEI-L] Call for papers Message-ID: Dear colleagues, please consider sending a proposal for the conference "DAIDH 2024: Diversity, Accessibility, and Inclusion in the Digital Text and Cultural Heritage: Challenges and Perspectives". The conference will be held at University of Verona (IT), Department of Foreign Languages and Literatures, from 22 to 24 May. The call for papers is attached, and has been published on the EasyChair Smart CFP Web site. You can access the CFP at the following link: https://easychair.org/cfp/daidh2024 We look forward to see You here in Verona For the organizing committee, Anna Giust Anna Giust Professore Associato di Lingua e Letteratura russa Università degli Studi di Verona Dipartimento di Lingue e Letterature Straniere L.ge P.ta Vittoria, 41 37129 Verona tel. +39 045 802 8465 -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: DAIDH 2024 last version.pdf Type: application/pdf Size: 322338 bytes Desc: DAIDH 2024 last version.pdf URL: From weigl at mdw.ac.at Wed Apr 3 17:47:38 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Wed, 3 Apr 2024 17:47:38 +0200 Subject: [MEI-L] Call for Posters: 11th International Conference on Digital Libraries for Musicology (DLfM 2024) Message-ID: Call for Posters - 11th International Conference on Digital Libraries for Musicology (In Association with IAML 2024), 27 June 2024 CALL FOR POSTERS The 11th DLfM conference (https://dlfm.web.ox.ac.uk), held at the Stellenbosch University Konservatorium in South Africa, welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). This year’s conference will be held in association with the annual conference of the International Association of Music Libraries, Archives, and Documentation Centres (IAML, https://iaml2024.sun.ac.za/). In bringing these two conferences together we aim to encourage new collaborations and foster larger group discussions surrounding prominent issues in the digital humanities. As this will be the first iteration of DLfM taking place on the African continent, we strongly encourage proposals from individuals working on music in Africa within various disciplines and from a range of perspectives, particularly addressing the theme “Musicology of the Global South: The Role of Digital Libraries.” The conference strongly encourages posters that address this year’s theme; however, we welcome all posters addressing all traditional topics that fall under the scope of DLfM. Posters will be permanently placed on the DLfM website, and poster presenters will have the opportunity to present their work in a dedicated poster session. More details will be announced on the DLfM website soon (https://dlfm.web.ox.ac.uk). IMPORTANT DATES (AoE) - Poster abstract submission deadline: April 22, 2024 - Notification of Acceptance: April 26, 2024 - Conference: June 27, 2024, Stellenbosch, South Africa POSTER SUBMISSION An abstract of the proposed poster of no more than 500 words must be submitted by April 22, 2024. Abstracts are to be emailed to:dlfm2024 at easychair.org Details for poster formats will be updated to the DLfM website soon, and instructions will be emailed to authors following the review period. Abstracts will be reviewed and decisions returned by April 26, 2024. Contact email:dlfm2024 at easychair.org CONFERENCE ORGANISATION Programme Chair David M. Weigl, mdw – University of Music and Performing Arts Vienna General Chair Martha E. Thomae, Universidade NOVA de Lisboa Proceedings and Publicity Chair Anna Plaksin, Paderborn University -------------- next part -------------- An HTML attachment was scrubbed... URL: From Anna.Kijas at tufts.edu Fri Apr 12 14:00:00 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Fri, 12 Apr 2024 12:00:00 +0000 Subject: [MEI-L] TEI 2024 conference bursaries and CfP Message-ID: Dear Colleagues, I am sharing this announcement below about the TEI 2024 conference bursaries and CfP on behalf of Gimena del Rio Riande. We are delighted to announce that the TEI and MEI will be offering three travel bursaries for TEI 2024, “Texts, languages, and communities”. Also, thanks to individual sponsors, registration fee-waivers will be offered. You can find more information at: https://tei2024.tei-c.org/bursaries And finally, a reminder of the Call for proposals for TEI 2024, that closes on April 30. Join us in Buenos Aires at Universidad del Salvador, 7-11 October 2024. Pre-conference workshops will run on the 7-8 October, with the conference opening and running for the 9-11 October. Gimena del Rio and Gustavo Fernández Riva On behalf of the Local and Program Committees Best, Anna Anna E. Kijas Head, Lilly Music Library Granoff Music Center | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From margrethe.bue at nb.no Wed Apr 24 11:14:47 2024 From: margrethe.bue at nb.no (=?iso-8859-1?Q?Margrethe_St=F8kken_Bue?=) Date: Wed, 24 Apr 2024 09:14:47 +0000 Subject: [MEI-L] MEC 2024 Program is out Message-ID: Dear list, The MEC 2024 program is now ready: https://music-encoding.org/conference/2024/program/ Registration deadline May 3. Online participation possible. Best wishes, Margrethe S. Bue Music Section Tel. +47 23 27 63 15 Cell +47 419 22 419 https://www.nb.no/ansatte/margrethe-stokken-bue/ [cid:image001.png at 01DA9638.9DD3CF50] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 6834 bytes Desc: image001.png URL: From mkirsch at musik.uni-kiel.de Wed Apr 24 11:31:14 2024 From: mkirsch at musik.uni-kiel.de (mkirsch at musik.uni-kiel.de) Date: Wed, 24 Apr 2024 11:31:14 +0200 Subject: [MEI-L] MEC 2024 Program is out In-Reply-To: References: Message-ID: <43828f30a156f20d0d9f8998ef8add6d@musik.uni-kiel.de> Lieber Herr Lafrenz, Haben Sie ganz herzlichen Dank für die Durchsicht und die Anm., das hilft mir weiter! Wenn ichtatsächlich einen Scan von Ihrem Ballhaus-Bild bekommen könnte? Das wäre sehr schön, vielen Dank auch dafür. Ich muss gestehen: Der Unterschied zwischen Freimaurer-Kult und Freimaurer-Arbeit ist mir leider nicht geläufig. Worin besteht er? Hat das etwas mit dem jeweiligen Ort zu tun? Ich denke, ich werde das Ballhaus-Thema (zumindest für Kiel weiterverfolgen), da fehlen mir wohl noch eine Menge Beobachtungen, die jweils irgendwo schlummern. Gestern z.B. war ich bei einme Vortrag von Herr Prof. Detering, der eine mir bislang vollkommen unbekannte Stadtansicht Kiels zeigte (F.C.A. Lill, 1835), auf der man mit etwas gutem Willen doch die Dach-Silhouette des Ballhauses ausmachen kann. Herzlichen Gruß und vielen Dank für alles, ich halte Sie auf dem Laufenden, M. Kirsch Am 2024-04-24 11:14, schrieb Margrethe Støkken Bue: > Dear list, > > The MEC 2024 program is now ready: > > https://music-encoding.org/conference/2024/program/ > > Registration deadline May 3. Online participation possible. > > Best wishes, > > Margrethe S. Bue > > Music Section > > Tel. +47 23 27 63 15 > > Cell +47 419 22 419 > > https://www.nb.no/ansatte/margrethe-stokken-bue/ [1] > > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l Links: ------ [1] https://www.nb.no/ansatte/margrethe-stokken-bue/ -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 6834 bytes Desc: not available URL: From Anna.Kijas at tufts.edu Fri Apr 26 18:58:23 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Fri, 26 Apr 2024 16:58:23 +0000 Subject: [MEI-L] Multilingual Tutorial Updates Message-ID: Dear Colleagues, A group of us has been (slowly but surely!) working on tutorials in several languages and we invite you to consider participating as a reviewer or author of tutorials in the language(s) you are most comfortable reading/writing. * View our project task chart and workflow: https://github.com/orgs/music-encoding/projects/13/views/1?pane=info. * Notes from our meetings: https://docs.google.com/document/d/1d2o3PIq9s_XrmFyCD4ZVq7JOr6T2tpBtWldzwPjj3C4/edit. We also have a #tutorials channel on the MEI Slack, which you are welcome to join! If you are able to review tutorials in Bosnian or Polish, please reach out to me. Olja and I are currently working on these tutorials. We have a list of people in the project page (translators column) who are willing to translate or author tutorials and can add you if you are interested. We will have a working session at the upcoming Music Encoding Conference during the unconference day (May 23) and more details will be provided closer to the conference date. Best, Anna Anna E. Kijas Head, Lilly Music Library Granoff Music Center | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From margrethe.bue at nb.no Wed Apr 24 11:17:32 2024 From: margrethe.bue at nb.no (=?iso-8859-1?Q?Margrethe_St=F8kken_Bue?=) Date: Wed, 24 Apr 2024 09:17:32 -0000 Subject: [MEI-L] MEC 2024 Program is out Message-ID: Dear list, The MEC 2024 program is now ready: https://music-encoding.org/conference/2024/program/ Registration deadline May 3. Online participation possible. Best wishes, Margrethe S. Bue Music Section Tel. +47 23 27 63 15 Cell +47 419 22 419 https://www.nb.no/ansatte/margrethe-stokken-bue/ [cid:image001.png at 01DA9638.FD300A90] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 6834 bytes Desc: image001.png URL: From dhgy2 at digitalheritagegy.com Sun Apr 28 15:31:59 2024 From: dhgy2 at digitalheritagegy.com (Rohan Sagar) Date: Sun, 28 Apr 2024 13:31:59 -0000 Subject: [MEI-L] {SPAM?} Re: Multilingual Tutorial Updates In-Reply-To: References: Message-ID: Hello Anna, This is a.very exciting project which I would love to be part of, however, I have been experimenting with the writing the html melody which I understand well now but cannot render the chords. Not sure where and what I am missing. Sincerely, Rohan Sagar www.digitalheritagegy.com Mobile/WhatsApp 592 657 0691 > On Apr 26, 2024, at 12:58 PM, Kijas, Anna E wrote: > > Dear Colleagues, > > A group of us has been (slowly but surely!) working on tutorials in several languages and we invite you to consider participating as a reviewer or author of tutorials in the language(s) you are most comfortable reading/writing. > > View our project task chart and workflow:https://github.com/orgs/music-encoding/projects/13/views/1?pane=info. > Notes from our meetings:https://docs.google.com/document/d/1d2o3PIq9s_XrmFyCD4ZVq7JOr6T2tpBtWldzwPjj3C4/edit. > > We also have a #tutorials channel on the MEI Slack, which you are welcome to join! > > If you are able to review tutorials in Bosnian or Polish, please reach out to me. Olja and I are currently working on these tutorials. We have a list of people in the project page (translators column) who are willing to translate or author tutorials and can add you if you are interested. > > We will have a working session at the upcoming Music Encoding Conference during the unconference day (May 23) and more details will be provided closer to the conference date. > > Best, > Anna > > Anna E. Kijas > Head, Lilly Music Library > Granoff Music Center | Tufts University > Pronouns: she, her, hers > Book an appointment | (617) 627-2846 > Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) > Administrative Chair, Music Encoding Initiative > Editor, Technical Reports and Monographs in Music Librarianship (MLA) > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From davide.mauro at uni-paderborn.de Fri May 3 10:49:15 2024 From: davide.mauro at uni-paderborn.de (Davide Andrea Mauro) Date: Fri, 03 May 2024 08:49:15 -0000 Subject: [MEI-L] [CfP] Extended Deadline: Audio Mostly 2024 - Explorations in Sonic Cultures Message-ID: <7ced714f5604fe64e1ad478ac1c16932@uni-paderborn.de> [Apologies for cross-posting, please distribute] *** Extended Deadline for all tracks: May 19, 2024, End of Day, AoE. *** https://www.audiomostly.com Dear colleagues, We are glad to announce that Audio Mostly 2024 will take place in Milan, Italy on September 18 - 20, 2024. This year's conference theme, "Explorations in Sonic Cultures", is intended to invite scholars, researchers, artists, and practitioners from various disciplines to engage in an interdisciplinary exploration of sonic cultures and their profound influence on human experiences and technologies. Sonic cultures encompass a wide range of scientific research on acoustic phenomena, including music, sound art, soundscapes, and sound technologies. We also would like to use this email to remind the authors of the following: - TEMPLATES: https://authors.acm.org/proceedings/production-information An Overleaf template can be found: https://www.overleaf.com/latex/templates/acm-conference-proceedings-primary-article-template/wbvnghjbzwpc Important information regarding submission versions for review: After finalizing the formatting of your paper you must use the option “manuscript” with \documentclass[manuscript]{acmart} command. This will generate the output in single column review format which is required. Accepted manuscripts will be transformed during production to produce properly formatted output, according to the publication specifications. Authors will be provided the opportunity to review and approve the formatted output before the article is published to the ACM Digital Library. As the review process is double-blind the following packages and classes are available in LaTeX to help the authors in preparing their manuscript: \documentclass[manuscript,anonymous,review]{acmart} \usepackage[true]{anonymous-acm} — https://www.acm.org/publications/icps/author-guidance IMPORTANT NOTE TO AUTHORS ABOUT THE NEW ACM OPEN ACCESS PUBLISHING MODEL: ACM has introduced a new open access publishing model for the International Conference Proceedings Series (ICPS). Authors based at institutions that are not yet part of the ACM Open program will generally be required to pay an article processing charge (APC) to publish their ICPS article in the ACM Digital Library. To determine whether or not an APC will be applicable to your article, please follow the detailed guidance here: https://www.acm.org/publications/icps/author-guidance. Further information may be found on the ACM website, as follows: Full details of the new ICPS publishing model: https://www.acm.org/publications/icps/faq Full details of the ACM Open program: https://www.acm.org/publications/openaccess Please direct all questions about the new model to icps-info at acm.org. — On behalf of the organizing committees, Kind regards, -- Davide Andrea Mauro, PhD KreativInstitut.OWL Paderborn University Hornsche Str. 39 32756 Detmold, Germany From Anna.Kijas at tufts.edu Thu May 30 17:43:36 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Thu, 30 May 2024 15:43:36 +0000 Subject: [MEI-L] Post-MEC 2024 Updates Message-ID: Dear Colleagues, Thank you to everyone (virtual and in-person) who participated in MEC 2024 in Denton, Texas (May 21-23) and made the conference possible! * Thank you especially to the Chairs (Margrethe and Maristella) and members of the Program and Organizing Committees, as well as local UNT volunteers who made sure we did not go hungry and guided us around the library spaces! A few important updates that I’d like to share include: * MEC 2025 will take place June 3-6 at City University of London, UK * Organizing Committee Chair: David Lewis * Program Committee Chair: Anna Plaksin * You can view David’s video announcement (also in the slides) * Consider serving on the MEI Board – election cycle will begin in October 2024 * Updates from IG, Tech Team, and Board shared during the MEC 2024 Community Meeting are available online Over the next few months, we will share additional information about MEC 2025, elections, as well as calls for future conference hosts. Please reach out to me or the MEI Board members with any questions. Best, Anna Anna E. Kijas Head, Lilly Music Library Granoff Music Center | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From f.wiering at uu.nl Thu Jun 27 16:31:11 2024 From: f.wiering at uu.nl (Frans Wiering) Date: Thu, 27 Jun 2024 16:31:11 +0200 Subject: [MEI-L] CfP Second international conference on computational and cognitive musicology, Utrecht (Netherlands) 17-18 October 2024 Message-ID: Call for papers Second international conference on computational and cognitive musicology Utrecht University, 17-18 October 2024 [please redistribute this call] This conference, co-organised with the IMS Study group on digital musicology, celebrates two events: the recent foundation of the Music Information Computing  group (https://www.uu.nl/en/research/interaction/music-information-computing) at Utrecht's Department of Information and Computing Sciences, and Frans Wiering’s official retirement (though unofficially he has no intention to already end his career). The special theme of this conference is Early Music Computing. In this second edition of the computational and cognitive musicology series, we seek to strengthen the ties between musicology and the development of interactive technologies for a wide range of applications, such as for music analysis, encoding, visualisation, cultural heritage, education, wellbeing and inclusion. We welcome proposals on topics such as (but not limited to): * Music information retrieval for musicology * Computational music analysis * Music encoding and digital editions * Computational ethnomusicology * Teaching computational and digital musicology * Music information computing for education, health, wellbeing and inclusion * Representativity, fairness and ethics in Music information computing Presentation formats are posters and individual presentations (15 minutes plus Q&A); other formats can be accepted if they fit within the constraints of the programme and location. Potentially, there will be a Computational Musicology Hack Day preceding the conference, on Wednesday 16 October. If you're interested in participating in this day, please let us know (email addresses see below). If you would like to present your research in computational and/or cognitive musicology at this event, please send an abstract (c. 300 words) to Frans Wiering and Peter van Kranenburg (F.Wiering at uu.nl , P.vanKranenburg at uu.nl) no later than the 16 July 2024. You will be notified by 1 August 2024. There will be a light-weight review procedure regarding match to the aim of the conference, originality and quality of the proposal, and variety in content. Since space is restricted, we will also take order of submission into account. We plan to publish a selection of the contributions as a special issue. Please consider participating in this event! We look forward to welcoming you in Utrecht, Frans Wiering, Peter van Kranenburg, Mirjam Visscher and Anja Volk -- --------------------------------------------------------------------- dr. Frans Wiering Associate Professor Music Information Computing --------------------------------------------------------------------- Utrecht University Department of Information and Computing Sciences (ICS) visit: Minnaert Building 4.15, Leuvenlaan 4, NL-3584CE Utrecht post: Princetonplein 5, NL-3584CC Utrecht email:F.Wiering at uu.nl tel: +31-30-2536335 www:http://www.uu.nl/staff/FWiering/0 --------------------------------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From jpater22 at uwo.ca Thu Jun 27 17:15:51 2024 From: jpater22 at uwo.ca (Joanne Paterson) Date: Thu, 27 Jun 2024 15:15:51 +0000 Subject: [MEI-L] CfP Second international conference on computational and cognitive musicology, Utrecht (Netherlands) 17-18 October 2024 In-Reply-To: References: Message-ID: For your peeps?! 🙂 Jo Joanne Paterson Research and Scholarly Communication Librarian https://orcid.org/0000-0002-3998-1470 Western Libraries 519.319.1488 ________________________________ From: mei-l on behalf of Frans Wiering Sent: June 27, 2024 10:31 AM To: mei-l at lists.uni-paderborn.de Subject: [MEI-L] CfP Second international conference on computational and cognitive musicology, Utrecht (Netherlands) 17-18 October 2024 You don't often get email from f.wiering at uu.nl. Learn why this is important Call for papers Second international conference on computational and cognitive musicology Utrecht University, 17-18 October 2024 [please redistribute this call] This conference, co-organised with the IMS Study group on digital musicology, celebrates two events: the recent foundation of the Music Information Computing group (https://www.uu.nl/en/research/interaction/music-information-computing) at Utrecht's Department of Information and Computing Sciences, and Frans Wiering’s official retirement (though unofficially he has no intention to already end his career). The special theme of this conference is Early Music Computing. In this second edition of the computational and cognitive musicology series, we seek to strengthen the ties between musicology and the development of interactive technologies for a wide range of applications, such as for music analysis, encoding, visualisation, cultural heritage, education, wellbeing and inclusion. We welcome proposals on topics such as (but not limited to): * Music information retrieval for musicology * Computational music analysis * Music encoding and digital editions * Computational ethnomusicology * Teaching computational and digital musicology * Music information computing for education, health, wellbeing and inclusion * Representativity, fairness and ethics in Music information computing Presentation formats are posters and individual presentations (15 minutes plus Q&A); other formats can be accepted if they fit within the constraints of the programme and location. Potentially, there will be a Computational Musicology Hack Day preceding the conference, on Wednesday 16 October. If you're interested in participating in this day, please let us know (email addresses see below). If you would like to present your research in computational and/or cognitive musicology at this event, please send an abstract (c. 300 words) to Frans Wiering and Peter van Kranenburg (F.Wiering at uu.nl, P.vanKranenburg at uu.nl) no later than the 16 July 2024. You will be notified by 1 August 2024. There will be a light-weight review procedure regarding match to the aim of the conference, originality and quality of the proposal, and variety in content. Since space is restricted, we will also take order of submission into account. We plan to publish a selection of the contributions as a special issue. Please consider participating in this event! We look forward to welcoming you in Utrecht, Frans Wiering, Peter van Kranenburg, Mirjam Visscher and Anja Volk -- --------------------------------------------------------------------- dr. Frans Wiering Associate Professor Music Information Computing --------------------------------------------------------------------- Utrecht University Department of Information and Computing Sciences (ICS) visit: Minnaert Building 4.15, Leuvenlaan 4, NL-3584CE Utrecht post: Princetonplein 5, NL-3584CC Utrecht email: F.Wiering at uu.nl tel: +31-30-2536335 www: http://www.uu.nl/staff/FWiering/0 --------------------------------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From jpater22 at uwo.ca Thu Jun 27 17:16:19 2024 From: jpater22 at uwo.ca (Joanne Paterson) Date: Thu, 27 Jun 2024 15:16:19 +0000 Subject: [MEI-L] Recall: Re: CfP Second international conference on computational and cognitive musicology, Utrecht (Netherlands) 17-18 October 2024 Message-ID: jpater22 at uwo.ca would like to recall the message, "Re: [MEI-L] CfP Second international conference on computational and cognitive musicology, Utrecht (Netherlands) 17-18 October 2024". From elsadeluca at fcsh.unl.pt Wed Jul 31 13:48:54 2024 From: elsadeluca at fcsh.unl.pt (Elsa De Luca) Date: Wed, 31 Jul 2024 12:48:54 +0100 Subject: [MEI-L] one-year position for an undergraduate software engineer in the ECHOES project Message-ID: Call for the attribution of one *(1) Research Initiation Scholarship* (BII) within the scope of the Project *Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis * (ECHOES) (2022.01957.PTDC). *Duration of the fellowship*: 12 months, starting on November 1, 2024. The Research Initiation Scholarship cannot be renewed. *Application Deadline*: 13 Aug 2024 - 23:59 (Europe/Lisbon) *Offer description*: This studentship is for a software engineer undergraduate student (or equivalent degree). The project ECHOES requires technical assistance from an undergraduate software engineer to continue the implementation in JavaScript of an algorithm for automatic analysis and deploy the Graphical User Interface for automatic analysis. The undergrad student might also help with the implementation in Python of an algorithm to be used in one of the steps of optical music recognition (OMR). *Salary*: The Studentship for scientific initiation corresponds to €601,12 monthly, according to the table of scholarships awarded directly by the FCT, I.P. in Portugal. (http://www.fct.pt/apoios/bolsas/valores). Added to this amount is the voluntary social insurance corresponding to the first category, if the candidate so chooses, as well as a personal accident insurance. *Work can be done remotely.* Info at https://euraxess.ec.europa.eu/jobs/260616 or email Elsa De Luca Please feel free to forward this information to people you think will benefit. Thank you! Elsa De Luca CESEM - Centre for the Study of the Sociology and Aesthetics of Music IN2PAST – Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory School of Social Sciences and Humanities NOVA University of Lisbon https://sites.google.com/fcsh.unl.pt/elsadeluca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From tomthecollins at gmail.com Wed Jul 31 14:21:22 2024 From: tomthecollins at gmail.com (Tom Collins) Date: Wed, 31 Jul 2024 13:21:22 +0100 Subject: [MEI-L] one-year position for an undergraduate software engineer in the ECHOES project In-Reply-To: References: Message-ID: Hi Elsa, Are undergraduates from the U.S. eligible to apply? Best wishes, Tom On Wed, Jul 31, 2024 at 12:49 PM Elsa De Luca wrote: > Call for the attribution of one *(1) Research Initiation Scholarship* > (BII) within the scope of the Project *Echoes from the Past: Unveiling a > Lost Soundscape with Digital Analysis * > (ECHOES) (2022.01957.PTDC). > > *Duration of the fellowship*: 12 months, starting on November 1, 2024. > The Research Initiation Scholarship cannot be renewed. > > *Application Deadline*: 13 Aug 2024 - 23:59 (Europe/Lisbon) > > *Offer description*: This studentship is for a software engineer > undergraduate student (or equivalent degree). The project ECHOES requires > technical assistance from an undergraduate software engineer to continue > the implementation in JavaScript of an algorithm for automatic analysis and > deploy the Graphical User Interface for automatic analysis. The undergrad > student might also help with the implementation in Python of an algorithm > to be used in one of the steps of optical music recognition (OMR). > > *Salary*: The Studentship for scientific initiation corresponds to > €601,12 monthly, according to the table of scholarships awarded directly by > the FCT, I.P. in Portugal. (http://www.fct.pt/apoios/bolsas/valores). > Added to this amount is the voluntary social insurance corresponding to the > first category, if the candidate so chooses, as well as a personal accident > insurance. > > *Work can be done remotely.* > > Info at https://euraxess.ec.europa.eu/jobs/260616 or email Elsa De Luca > > Please feel free to forward this information to people you think will > benefit. Thank you! > > > Elsa De Luca > > CESEM - Centre for the Study of the Sociology and Aesthetics of Music > IN2PAST – Associate Laboratory for Research and Innovation in Heritage, > Arts, Sustainability and Territory > School of Social Sciences and Humanities > NOVA University of Lisbon > > https://sites.google.com/fcsh.unl.pt/elsadeluca/ > > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > -------------- next part -------------- An HTML attachment was scrubbed... URL: From elsadeluca at fcsh.unl.pt Wed Jul 31 14:43:41 2024 From: elsadeluca at fcsh.unl.pt (Elsa De Luca) Date: Wed, 31 Jul 2024 13:43:41 +0100 Subject: [MEI-L] one-year position for an undergraduate software engineer in the ECHOES project In-Reply-To: References: Message-ID: Hi Tom, Yes, undergraduates from the U.S. are eligible to apply. Thank you, Elsa Tom Collins escreveu (quarta, 31/07/2024 à(s) 13:21): > Hi Elsa, > > Are undergraduates from the U.S. eligible to apply? > > Best wishes, > Tom > > > On Wed, Jul 31, 2024 at 12:49 PM Elsa De Luca > wrote: > >> Call for the attribution of one *(1) Research Initiation Scholarship* >> (BII) within the scope of the Project *Echoes from the Past: Unveiling a >> Lost Soundscape with Digital Analysis * >> (ECHOES) (2022.01957.PTDC). >> >> *Duration of the fellowship*: 12 months, starting on November 1, 2024. >> The Research Initiation Scholarship cannot be renewed. >> >> *Application Deadline*: 13 Aug 2024 - 23:59 (Europe/Lisbon) >> >> *Offer description*: This studentship is for a software engineer >> undergraduate student (or equivalent degree). The project ECHOES requires >> technical assistance from an undergraduate software engineer to continue >> the implementation in JavaScript of an algorithm for automatic analysis and >> deploy the Graphical User Interface for automatic analysis. The undergrad >> student might also help with the implementation in Python of an algorithm >> to be used in one of the steps of optical music recognition (OMR). >> >> *Salary*: The Studentship for scientific initiation corresponds to >> €601,12 monthly, according to the table of scholarships awarded directly by >> the FCT, I.P. in Portugal. (http://www.fct.pt/apoios/bolsas/valores). >> Added to this amount is the voluntary social insurance corresponding to the >> first category, if the candidate so chooses, as well as a personal accident >> insurance. >> >> *Work can be done remotely.* >> >> Info at https://euraxess.ec.europa.eu/jobs/260616 or email Elsa De Luca >> >> Please feel free to forward this information to people you think will >> benefit. Thank you! >> >> >> Elsa De Luca >> >> CESEM - Centre for the Study of the Sociology and Aesthetics of Music >> IN2PAST – Associate Laboratory for Research and Innovation in Heritage, >> Arts, Sustainability and Territory >> School of Social Sciences and Humanities >> NOVA University of Lisbon >> >> https://sites.google.com/fcsh.unl.pt/elsadeluca/ >> >> _______________________________________________ >> mei-l mailing list >> mei-l at lists.uni-paderborn.de >> https://lists.uni-paderborn.de/mailman/listinfo/mei-l >> > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > -------------- next part -------------- An HTML attachment was scrubbed... URL: From tomthecollins at gmail.com Wed Jul 31 16:16:09 2024 From: tomthecollins at gmail.com (Tom Collins) Date: Wed, 31 Jul 2024 15:16:09 +0100 Subject: [MEI-L] one-year position for an undergraduate software engineer in the ECHOES project In-Reply-To: References: Message-ID: OK, thanks Elsa. Best wishes, Tom Tom Collins, PhD Associate Professor of Music Engineering Technology Music Computing and Psychology Lab Frost School of Music University of Miami On Wed, 31 Jul 2024 at 13:44, Elsa De Luca wrote: > Hi Tom, > Yes, undergraduates from the U.S. are eligible to apply. > Thank you, > Elsa > > Tom Collins escreveu (quarta, 31/07/2024 à(s) > 13:21): > >> Hi Elsa, >> >> Are undergraduates from the U.S. eligible to apply? >> >> Best wishes, >> Tom >> >> >> On Wed, Jul 31, 2024 at 12:49 PM Elsa De Luca >> wrote: >> >>> Call for the attribution of one *(1) Research Initiation Scholarship* >>> (BII) within the scope of the Project *Echoes from the Past: Unveiling >>> a Lost Soundscape with Digital Analysis * >>> (ECHOES) (2022.01957.PTDC). >>> >>> *Duration of the fellowship*: 12 months, starting on November 1, 2024. >>> The Research Initiation Scholarship cannot be renewed. >>> >>> *Application Deadline*: 13 Aug 2024 - 23:59 (Europe/Lisbon) >>> >>> *Offer description*: This studentship is for a software engineer >>> undergraduate student (or equivalent degree). The project ECHOES requires >>> technical assistance from an undergraduate software engineer to continue >>> the implementation in JavaScript of an algorithm for automatic analysis and >>> deploy the Graphical User Interface for automatic analysis. The undergrad >>> student might also help with the implementation in Python of an algorithm >>> to be used in one of the steps of optical music recognition (OMR). >>> >>> *Salary*: The Studentship for scientific initiation corresponds to >>> €601,12 monthly, according to the table of scholarships awarded directly by >>> the FCT, I.P. in Portugal. (http://www.fct.pt/apoios/bolsas/valores). >>> Added to this amount is the voluntary social insurance corresponding to the >>> first category, if the candidate so chooses, as well as a personal accident >>> insurance. >>> >>> *Work can be done remotely.* >>> >>> Info at https://euraxess.ec.europa.eu/jobs/260616 or email Elsa De Luca >>> >>> Please feel free to forward this information to people you think will >>> benefit. Thank you! >>> >>> >>> Elsa De Luca >>> >>> CESEM - Centre for the Study of the Sociology and Aesthetics of Music >>> IN2PAST – Associate Laboratory for Research and Innovation in Heritage, >>> Arts, Sustainability and Territory >>> School of Social Sciences and Humanities >>> NOVA University of Lisbon >>> >>> https://sites.google.com/fcsh.unl.pt/elsadeluca/ >>> >>> _______________________________________________ >>> mei-l mailing list >>> mei-l at lists.uni-paderborn.de >>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l >>> >> _______________________________________________ >> mei-l mailing list >> mei-l at lists.uni-paderborn.de >> https://lists.uni-paderborn.de/mailman/listinfo/mei-l >> > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l > -------------- next part -------------- An HTML attachment was scrubbed... URL: From annplaksin at gmx.net Mon Aug 12 13:57:25 2024 From: annplaksin at gmx.net (annplaksin at gmx.net) Date: Mon, 12 Aug 2024 13:57:25 +0200 Subject: [MEI-L] Job opportunity: Digital Methods in Music and Media Editing at Paderborn University Message-ID: <012301daecae$cd1c2790$675476b0$@gmx.net> Dear list, the University of Paderborn's team at KreativInstitut.OWL in Detmold seeks for a new team member in the field of Digital Methods in Music and Media Editing. It is a 50 % position for a research associate (f/m/d), expected to run until 31st of December 2026, funded via the KreativInstitut.OWL project. The KreativInstitut.OWL is a scientific and artistic institute within the network of the University of Paderborn, Technische Hochschule Ostwestfalen-Lippe, and the Hochschule für Musik Detmold. It combines the areas of Digital Humanities, Digital Media Production, as well as Music and Film Informatics to sustainably strengthen the future viability of the cultural and creative industries through research and transfer in the field of digital media. The scope of work for the field of "Digital Methods in Music and Media Edition" includes the conception and development of software components and computer-based methods for the interaction and processing of digital representations of notated music. This includes, among other things, the development of comparative analysis methods and the conceptualization of new interactive interfaces for music-related content. Further detailed information can be found here: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6622 .pdf (German) https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6622 _englisch.pdf (English) Your applications are welcome. Kind regards, Anna Plaksin -------------- next part -------------- A non-text attachment was scrubbed... Name: Kennziffer6622 englisch.pdf Type: application/pdf Size: 875042 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Kennziffer6622.pdf Type: application/pdf Size: 875034 bytes Desc: not available URL: From mailinglists at dennisried.de Sat Aug 31 10:43:32 2024 From: mailinglists at dennisried.de (Dennis Ried) Date: Sat, 31 Aug 2024 10:43:32 +0200 Subject: [MEI-L] =?utf-8?q?15th_Edirom-Summer-School_2024_=28Sept=2E_23?= =?utf-8?b?4oCTMjcp?= Message-ID: <1292B275-B91C-4A48-A6C1-4BC3813207AB@dennisried.de> Dear List, the keynote for the Edirom Summer School is traditionally interdisciplinary. Therefore, we primarily invite scholars who are not from the field of musicology. We are very pleased to have Tessa Gengnagel for the 15th Edirom Summer School! The talk (in German) will take place on Monday, September 23, 2024, at 6:15 PM at the Heinz Nixdorf Forum in Paderborn (Germany) and is titled: “Walzerkrieg und Maschinengott: Zur Edition multimedialer Werkkomplexe am Beispiel von Film und Musik” I would also like to particularly highlight a portion of the extensive course offerings : Mon/Tue 23/24.09. MEI Introduction (in German) 23/24.09. TEI Introduction (in German) Wed 25.09. NFDI Forum Data Competence (in German) 25.09. Version Control with Git (in German) 25.09. TEI-ODD Introduction (in German) Thu/Fri 26/27.09. >>> MEI with a focus on Tablature (in English!) <<< 26/27.09. TEI with a focus on Correspondences (in German) I look forward to see you in Paderborn in September! With best regards, Yours, Dennis Ried Dr. Dennis Ried Wissenschaftlicher Mitarbeiter im DFG-Projekt »Henze Digital« – Hans Werner Henzes künstlerisches Netzwerk Musikphilologie & Digital Humanities __________________________________________ Forum Wissenschaft | Bibliothek | Musik Hornsche Straße 44 | Büro E.09 32756 Detmold Tel.: +49 5231 975-855 Mail: dennis.ried at uni-paderborn.de ORCID: 0000-0001-5545-2088 Zentrum Musik – Edition – Medien (ZenMEM) https://zenmem.de Virtueller Forschungsverbund Edirom (ViFE) https://edirom.de __________________________________________ -------------- next part -------------- An HTML attachment was scrubbed... URL: From atge at kb.dk Wed Sep 4 13:36:22 2024 From: atge at kb.dk (Axel Teich Geertinger) Date: Wed, 4 Sep 2024 11:36:22 +0000 Subject: [MEI-L] Scheibe/Gade/Nielsen/Hartmann catalogue data now online Message-ID: Dear all, I am happy to announce that a collection of MEI files used with thematic catalogues of selected composers’ works is now available for download at the Royal Danish Library’s research data repository: https://loar.kb.dk/handle/1902/49096 The files were produced between 2010 and 2020 by the former Danish Centre for Music Editing at the library. The composers covered are Carl Nielsen, Johann Adolph Scheibe, Niels Wilhelm Gade, and Johan Peter Emilius Hartmann. The files represent the state of the catalogues at the end of the centre’s existence in 2020. They may or may not be updated or enhanced at some point in the future. Please be aware the files contains only metadata, no music. Incipits are provided as images only. The catalogues have been published in print. Digital versions are running here: Catalogue of Carl Nielsen's Works (CNW): https://www.kb.dk/dcm/cnw.html Johann Adolph Scheibe. A Catalogue of his Works (SchW): https://www.kb.dk/dcm/schw.html Niels W. Gade. Thematic-Bibliographic Catalogue of his Works (NWGW): https://www.kb.dk/dcm/nwgw.html J.P.E. Hartmann. Thematic-Bibliographic Catalogue of his Works (HartW): https://www.kb.dk/dcm/hartw.html Best, Axel Axel Teich Geertinger Forskningsbibliotekar | Research Librarian Specialsamlingerne | Special Collections Folkemindesamlingen | Folklore Archives +45 9132 4706 atge at kb.dk [cid:image002.png at 01D504D0.C16D4490] Det Kgl. Bibliotek Royal Danish Library Søren Kierkegaards Plads 1 DK-1221 København K +45 3347 4747 CVR 2898 8842 EAN 5798 000 795297 -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 6924 bytes Desc: image001.png URL: From pstadler at mail.uni-paderborn.de Wed Sep 4 13:59:21 2024 From: pstadler at mail.uni-paderborn.de (Peter Stadler) Date: Wed, 4 Sep 2024 13:59:21 +0200 Subject: [MEI-L] Scheibe/Gade/Nielsen/Hartmann catalogue data now online In-Reply-To: References: Message-ID: Dear Axel, thank you so much for your efforts in making this invaluable material available in a sustainable manner! All the best from Paderborn Peter > Am 04.09.2024 um 13:36 schrieb Axel Teich Geertinger : > > Dear all, > > I am happy to announce that a collection of MEI files used with thematic catalogues of selected composers’ works is now available for download at the Royal Danish Library’s research data repository: > https://loar.kb.dk/handle/1902/49096 > > The files were produced between 2010 and 2020 by the former Danish Centre for Music Editing at the library. The composers covered are Carl Nielsen, Johann Adolph Scheibe, Niels Wilhelm Gade, and Johan Peter Emilius Hartmann. > > The files represent the state of the catalogues at the end of the centre’s existence in 2020. They may or may not be updated or enhanced at some point in the future. Please be aware the files contains only metadata, no music. Incipits are provided as images only. > > The catalogues have been published in print. Digital versions are running here: > Catalogue of Carl Nielsen's Works (CNW): https://www.kb.dk/dcm/cnw.html > Johann Adolph Scheibe. A Catalogue of his Works (SchW): https://www.kb.dk/dcm/schw.html > Niels W. Gade. Thematic-Bibliographic Catalogue of his Works (NWGW):https://www.kb.dk/dcm/nwgw.html > J.P.E. Hartmann. Thematic-Bibliographic Catalogue of his Works (HartW):https://www.kb.dk/dcm/hartw.html > > Best, > Axel > > Axel Teich Geertinger > Forskningsbibliotekar | Research Librarian > > Specialsamlingerne | Special Collections > Folkemindesamlingen | Folklore Archives > > +45 9132 4706 > atge at kb.dk > > > > > Det Kgl. Bibliotek > Royal Danish Library > > Søren Kierkegaards Plads 1 > DK-1221 København K > +45 3347 4747 > > CVR 2898 8842 > EAN 5798 000 795297 > > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From kevin.page at oerc.ox.ac.uk Thu Sep 5 20:27:16 2024 From: kevin.page at oerc.ox.ac.uk (Kevin Page) Date: Thu, 5 Sep 2024 19:27:16 +0100 Subject: [MEI-L] Job opportunity: postgraduate research assistant for 'Elgar's Themes: Analysis, Interpretation, Engagement', University of Oxford Message-ID: <9710d762-dc25-47c1-b823-13939d2b5b8d@oerc.ox.ac.uk> Dear all, I draw your attention to this exciting postgraduate research assistant position for the new project 'Elgar's Themes: Analysis, Interpretation, Engagement'. Please pass this opportunity on to any who may be interested. Based in the Faculty of Music at University of Oxford, the post-holder will also work closely with the Oxford e-Research Centre. The project will apply digital methods, including MEI, to undertake musicological research, including MerMEId to create the catalogue and the MELD framework for associated digital companions. Applications should be made by 13th September via: https://my.corehr.com/pls/uoxrecruit/erq_jobspec_details_form.jobspec?p_id=174852 Best wishes, Kevin. From annplaksin at gmx.net Fri Sep 27 17:29:12 2024 From: annplaksin at gmx.net (annplaksin at gmx.net) Date: Fri, 27 Sep 2024 17:29:12 +0200 Subject: [MEI-L] Call for Proposals for Music Encoding Conference 2025 Message-ID: <00d001db10f2$017f94b0$047ebe10$@gmx.net> [apologies for cross posting] Dear list, we are pleased to announce our call for papers, posters, panels, and workshops for the Music Encoding Conference 2025. The Music Encoding Conference brings together members from music encoding, analysis, performance, and research communities, including musicologists, theorists, librarians, technologists, music scholars, teachers, and students, providing an opportunity for all participants to learn from and engage with each other. The conference will be held 3-6 June 2025 at City University of London, UK, jointly organised by Goldsmiths University of London and City University of London on behalf of the Music Encoding Initiative community. For the full CfP, please visit: https://music-encoding.org/conference/2025/call/ For further questions, please e-mail conference2025 at music-encoding.org When the submission phase starts, we will send a follow-up notification with detailed instructions on how to submit your work. Kind regards, Anna Plaksin Programme Committee Chair, MEC 2025 From andrew.hankinson at gmail.com Thu Oct 24 14:06:41 2024 From: andrew.hankinson at gmail.com (Andrew Hankinson) Date: Thu, 24 Oct 2024 14:06:41 +0200 Subject: [MEI-L] Fwd: [ISMIR-Community] Sad News: Dr. Donald Byrd References: Message-ID: <80E97D84-EE01-4DEF-BB44-D4A4AB09001A@gmail.com> An HTML attachment was scrubbed... URL: From weigl at mdw.ac.at Mon Oct 28 09:52:52 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Mon, 28 Oct 2024 09:52:52 +0100 Subject: [MEI-L] Call for Nominations for the 2024 MEI Board Elections Message-ID: <4644cd13-3b3d-44ae-823e-8167ccd81ff8@mdw.ac.at> Call for Nominations for the 2024 MEI Board Elections **Too long to read?** visit: https://forms.gle/D6yw6Y5Wkg6U6Am38 Dear MEI Community, on 31 December 2024, the terms of three MEI Board members will end. In the name of the entire MEI community, the MEI Board expresses its gratitude to Benjamin W. Bohl, Anna E. Kijas, and Klaus Rettinghaus for their service and dedication to MEI. In the 2024 MEI Board elections, the MEI community will determine three MEI Board members for the term 2025–2027. The election process will take place in accordance with the Music Encoding Initiative By-Laws.[1] To nominate candidates, please do so via this form: https://forms.gle/D6yw6Y5Wkg6U6Am38 The timeline of the elections will be as follows: Nomination phase (28 October – 11 November 2024 [2]) - You can submit nominations by filling in the form linked above. - Any person who today is a subscriber of the MEI-L mailing list has the right to nominate candidates. - Any individual is eligible for nomination, including those who have previously served on the MEI Board. Candidates in the election must be members of the MEI-L mailing list but may register until 26 November 2024. - Self-nominations are welcome. - Individuals will be informed of their nomination when received and asked to confirm their willingness to serve on the MEI Board. - Acceptance of a nomination requires submission of a short CV and a personal statement of interest in MEI (a maximum of 200 words each) to elections at music-encoding.org by 26 November 2024. - Candidates who have been nominated but have not confirmed their willingness by 26 November 2024 will not be included on the ballot. Election phase (27 November – 15 December 2024) - The election will take place using OpaVote and the Scottish STV Ranked Choice Voting method (https://www.opavote.com/methods/single-transferable-vote#scottish-stv ). - We will inform you in separate emails about the start of the election and your individual voting tokens. Post-election phase - Election results will be announced after the elections have closed. - The term of the elected candidates starts on 1 January 2025. - The first meeting of the new MEI Board will be held in January, 2025 (precise date tbc). The election of Board members is an opportunity for each of you to have a voice in determining the future of MEI. Thank you for your support, David M. Weigl and Peter Stadler MEI election administrators 2024 by appointment of the MEI Board [1] The By-laws of the Music Encoding Initiative are available online at: http://music-encoding.org/community/mei-by-laws.html [2] All deadlines are 11:59 pm (UTC) -------------- next part -------------- An HTML attachment was scrubbed... URL: From annplaksin at gmx.net Mon Oct 28 11:58:30 2024 From: annplaksin at gmx.net (annplaksin at gmx.net) Date: Mon, 28 Oct 2024 11:58:30 +0100 Subject: [MEI-L] Submissions open for Music Encoding Conference 2025 Message-ID: <024701db2928$532b7830$f9826890$@gmx.net> [apologies for cross posting] Dear list, we are pleased to announce the start of the submission phase for the Music Encoding Conference 2025. The Music Encoding Conference brings together members from music encoding, analysis, performance, and research communities, including musicologists, theorists, librarians, technologists, music scholars, teachers, and students, providing an opportunity for all participants to learn from and engage with each other. The conference will be held 3-6 June 2025 at City University of London, UK, jointly organised by Goldsmiths University of London and City University of London on behalf of the Music Encoding Initiative community. Authors are invited to submit abstract proposals for papers, posters, panels, and workshops. All submissions should be uploaded for review to our ConfTool website. The deadline for all submissions is 13 December 2024. For further details on the submission process, please visit our CfP: https://music-encoding.org/conference/2025/call/ For further questions, please e-mail conference2025 at music-encoding.org Kind regards, Anna Plaksin Programme Committee Chair, MEC 2025 From Anna.Kijas at tufts.edu Mon Oct 28 14:52:46 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Mon, 28 Oct 2024 13:52:46 +0000 Subject: [MEI-L] MEC 2024 Abstracts Available Message-ID: Dear MEI Colleagues, I am pleased to share that the final abstracts from MEC 2024 are now available in Knowledge Commons (previously Humanities Commons). They are also available on the conference proceedings page on the MEI website. Thank you to Margrethe and Stefan for assisting with this process! Best, Anna Anna E. Kijas Assistant Director, Digital Scholarship & Lilly Music Library Tisch Library | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From weigl at mdw.ac.at Mon Nov 4 13:01:31 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Mon, 4 Nov 2024 13:01:31 +0100 Subject: [MEI-L] Reminder: Call for Nominations for the 2024 MEI Board Elections (Deadline: 11 Nov) Message-ID: <0a4191bf-729c-4b5c-be89-3bd73354e954@mdw.ac.at> Dear all, A gentle reminder of the ongoing Call for Nominations. There is one week left to nominate members of our community (self-nominations also welcome!) to stand as candidates in the upcoming MEI Board Elections! Please refer to the further details below. Call for Nominations for the 2024 MEI Board Elections **Too long to read?** visit: https://forms.gle/D6yw6Y5Wkg6U6Am38 Dear MEI Community, on 31 December 2024, the terms of three MEI Board members will end. In the name of the entire MEI community, the MEI Board expresses its gratitude to Benjamin W. Bohl, Anna E. Kijas, and Klaus Rettinghaus for their service and dedication to MEI. In the 2024 MEI Board elections, the MEI community will determine three MEI Board members for the term 2025–2027. The election process will take place in accordance with the Music Encoding Initiative By-Laws.[1] To nominate candidates, please do so via this form: https://forms.gle/D6yw6Y5Wkg6U6Am38 The timeline of the elections will be as follows: Nomination phase (28 October – 11 November 2024 [2]) - You can submit nominations by filling in the form linked above. - Any person who today is a subscriber of the MEI-L mailing list has the right to nominate candidates. - Any individual is eligible for nomination, including those who have previously served on the MEI Board. Candidates in the election must be members of the MEI-L mailing list but may register until 26 November 2024. - Self-nominations are welcome. - Individuals will be informed of their nomination when received and asked to confirm their willingness to serve on the MEI Board. - Acceptance of a nomination requires submission of a short CV and a personal statement of interest in MEI (a maximum of 200 words each) to elections at music-encoding.org by 26 November 2024. - Candidates who have been nominated but have not confirmed their willingness by 26 November 2024 will not be included on the ballot. Election phase (27 November – 15 December 2024) - The election will take place using OpaVote and the Scottish STV Ranked Choice Voting method (https://www.opavote.com/methods/single-transferable-vote#scottish-stv ). - We will inform you in separate emails about the start of the election and your individual voting tokens. Post-election phase - Election results will be announced after the elections have closed. - The term of the elected candidates starts on 1 January 2025. - The first meeting of the new MEI Board will be held in January, 2025 (precise date tbc). The election of Board members is an opportunity for each of you to have a voice in determining the future of MEI. Thank you for your support, David M. Weigl and Peter Stadler MEI election administrators 2024 by appointment of the MEI Board [1] The By-laws of the Music Encoding Initiative are available online at: http://music-encoding.org/community/mei-by-laws.html [2] All deadlines are 11:59 pm (UTC) -------------- next part -------------- An HTML attachment was scrubbed... URL: From Anna.Kijas at tufts.edu Tue Nov 5 15:42:36 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Tue, 5 Nov 2024 14:42:36 +0000 Subject: [MEI-L] MEI Community Meeting - December 2, 2024 Message-ID: Dear Colleagues, Please join us on December 2, 10 AM to 11:30 AM (EST) for a community meeting. For this meeting, we would like to invite MEI community members to share updates about their projects, new software or tools, teaching resources, etc. that are relevant to the music encoding community. Chairs of an MEI IG or working groups are also invited to share any updates on behalf of their groups. Please plan about 5-7 minutes per update. Sign up via this short form to be added to the agenda: https://forms.gle/tJmxemqtw4ciAZaC7. Meeting information Date: December 2, 2024 Time: 10 AM to 11:30 AM (EST) Zoom link: https://tufts.zoom.us/j/9420917662?omn=98285449736&from=addon Meeting ID: 942 091 7662 See you in December! Best, Anna Anna E. Kijas Assistant Director, Digital Scholarship & Lilly Music Library Tisch Library | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From d.lewis at gold.ac.uk Thu Nov 7 17:22:35 2024 From: d.lewis at gold.ac.uk (David Lewis) Date: Thu, 7 Nov 2024 16:22:35 +0000 Subject: [MEI-L] Annote project - Annotation of Musical Scores: requirements and considerations for digital implementation Message-ID: <1e6c6d36-5381-4cd6-be39-8b3478e5f88f@gold.ac.uk> Dear MEI community, Those of you following this list (or who were at the IAML conference this summer) will be aware that we have been surveying the use of musical annotations as part of our project 'Annote: Digital Notation Annotation for RISM'. We've drafted a report based on that survey, which we will use to inform extensions to the Verovio music engraving library. Before we start on that work, we would very much welcome feedback, observations and corrections on our report from the community (your input will also be acknowledged in future versions of this document). You can find the report here: https://docs.google.com/document/d/1Hhih8UKTRRhf_CObTL5Neo_2yaCx46SycDIesPj1mTY/edit?usp=sharing The document is open for commenting, but if you would prefer to contact us directly, we are happy to take feedback by e-mail or on the MEI slack as well. In addition, we will be adding a slot to the agenda of the MEI community meeting on December 2. We would like all feedback to reach us by ** 7 December ** (and be warned -- it's quite a long document). Please do help us by giving your opinions and expertise, and thank you to all those who participated in our survey. We are not yet ready to make the survey responses or summary publicly available (we expect to publish them in an academic venue in the near future and we are also evaluating them from a privacy and ethics point of view), but we may be able to share these in confidence on a one-to-one basis in some circumstances. Thank you again for your continued help and support. We look forward to your input! David Lewis Kevin Page University of Oxford e-Research Centre Department of Engineering Science From weigl at mdw.ac.at Mon Nov 11 16:51:14 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Mon, 11 Nov 2024 16:51:14 +0100 Subject: [MEI-L] Final reminder: Call for Nominations for the 2024 MEI Board Elections (Deadline: Midnight tonight, 11 Nov, UTC) Message-ID: <3b848a49-f91c-4006-871c-809a2b51bc71@mdw.ac.at> Dear all, A final reminder that today marks the end of the nominations phase for the 2024 MEI Board Elections. You have a few more hours, until midnight (UTC), to get in any further nominations (self-nominations are welcome too!) using the form at the following link: https://forms.gle/D6yw6Y5Wkg6U6Am38 See below for full information. Call for Nominations for the 2024 MEI Board Elections Dear MEI Community, on 31 December 2024, the terms of three MEI Board members will end. In the name of the entire MEI community, the MEI Board expresses its gratitude to Benjamin W. Bohl, Anna E. Kijas, and Klaus Rettinghaus for their service and dedication to MEI. In the 2024 MEI Board elections, the MEI community will determine three MEI Board members for the term 2025–2027. The election process will take place in accordance with the Music Encoding Initiative By-Laws.[1] To nominate candidates, please do so via this form: https://forms.gle/D6yw6Y5Wkg6U6Am38 The timeline of the elections will be as follows: Nomination phase (28 October – 11 November 2024 [2]) - You can submit nominations by filling in the form linked above. - Any person who today is a subscriber of the MEI-L mailing list has the right to nominate candidates. - Any individual is eligible for nomination, including those who have previously served on the MEI Board. Candidates in the election must be members of the MEI-L mailing list but may register until 26 November 2024. - Self-nominations are welcome. - Individuals will be informed of their nomination when received and asked to confirm their willingness to serve on the MEI Board. - Acceptance of a nomination requires submission of a short CV and a personal statement of interest in MEI (a maximum of 200 words each) to elections at music-encoding.org by 26 November 2024. - Candidates who have been nominated but have not confirmed their willingness by 26 November 2024 will not be included on the ballot. Election phase (27 November – 15 December 2024) - The election will take place using OpaVote and the Scottish STV Ranked Choice Voting method (https://www.opavote.com/methods/single-transferable-vote#scottish-stv ). - We will inform you in separate emails about the start of the election and your individual voting tokens. Post-election phase - Election results will be announced after the elections have closed. - The term of the elected candidates starts on 1 January 2025. - The first meeting of the new MEI Board will be held in January, 2025 (precise date tbc). The election of Board members is an opportunity for each of you to have a voice in determining the future of MEI. Thank you for your support, David M. Weigl and Peter Stadler MEI election administrators 2024 by appointment of the MEI Board [1] The By-laws of the Music Encoding Initiative are available online at: http://music-encoding.org/community/mei-by-laws.html [2] All deadlines are 11:59 pm (UTC) -------------- next part -------------- An HTML attachment was scrubbed... URL: From candidabillie.mantica at unipv.it Tue Nov 19 15:56:12 2024 From: candidabillie.mantica at unipv.it (Candida Billie Mantica) Date: Tue, 19 Nov 2024 15:56:12 +0100 Subject: [MEI-L] =?utf-8?q?Call_for_Applications=3A_One-Year_Research_Gra?= =?utf-8?q?nt_in_Digital_Musicology_=E2=80=93_University_of_Pavia?= =?utf-8?q?=2C_Department_of_Musicology_and_Cultural_Heritage_=28Cr?= =?utf-8?q?emona=29?= Message-ID: Dear Colleagues, The Department of Musicology and Cultural Heritage (Cremona) of the University of Pavia (Italy) invites applications for a one-year Research Grant (‘assegno di ricerca’) within the multidisciplinary project *VerDigital*, funded by the Ministry of University and Research under the National Recovery and Resilience Plan (NRRP), Mission 4, “Education and Research” – Component 2, “From Research to Business” – Investment line 1.2, “Funding projects presented by young researchers”, funded by the European Union – NextGenerationEU. In this context, the successful candidate will contribute to the following objectives: 1) design and develop a model for the digital critical edition of the full score of *Adelson e Salvini*, to be edited by the Principal Investigator, Dr Candida Billie Mantica; 2) design and develop an interactive system for the score’s fruition, which will support the use of alternative variants; 3) assist in completing a model for the digital critical edition of Bellini’s preparatory materials, in close collaboration with the Principal Investigator and the research team. Applicants should demonstrate: – mastery of commonly used music notation software (e.g., Sibelius and Finale); – experience with up-to-date tools for creating digital critical editions of musical texts, including MEI, TEI, Edirom, Verovio, and MEI-Friend. Further details, including application instructions, are available at https://unipv.portaleamministrazionetrasparente.it/archivio22_bandi-di-concorso_0_24602_639_1.html For additional information, please contact the project’s Principal Investigator at candidabillie.mantica at unipv.it. Please, note that the *deadline *for submission of applications is Thursday, *12th December 2024, 12 pm CET time*, and the Grant is expected to start on *1st January 2025*. Best regards, Candida Billie Mantica ------------------------- Dr Candida Billie Mantica Università degli Studi di Pavia Dipartimento di Musicologia e Beni Culturali Corso Garibaldi 178 – 26100, Cremona (Italia) *tel:* +39 0372 1800310 *e-mail*: candidabillie.mantica at unipv.it -------------- next part -------------- An HTML attachment was scrubbed... URL: From Anna.Kijas at tufts.edu Mon Nov 25 13:00:00 2024 From: Anna.Kijas at tufts.edu (Kijas, Anna E) Date: Mon, 25 Nov 2024 12:00:00 +0000 Subject: [MEI-L] Reminder: MEI Community Meeting - December 2, 2024 In-Reply-To: References: Message-ID: This is a reminder that there will be an MEI Community Meeting on December 2, 10 AM to 11:30 AM (EST). For this meeting, we would like to invite MEI community members to share updates about their projects, new software or tools, teaching resources, etc. that are relevant to the music encoding community. Chairs of an MEI IG or working groups are also invited to share any updates on behalf of their groups. Please plan about 5-7 minutes per update. Sign up via this short form to be added to the agenda: https://forms.gle/tJmxemqtw4ciAZaC7. Meeting information Date: December 2, 2024 Time: 10 AM to 11:30 AM (EST) Zoom link: https://tufts.zoom.us/j/9420917662?omn=98285449736&from=addon Meeting ID: 942 091 7662 See you in December! Best, Anna Anna E. Kijas Assistant Director, Digital Scholarship & Lilly Music Library Tisch Library | Tufts University Pronouns: she, her, hers Book an appointment | (617) 627-2846 Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) Administrative Chair, Music Encoding Initiative Editor, Technical Reports and Monographs in Music Librarianship (MLA) -------------- next part -------------- An HTML attachment was scrubbed... URL: From thomaemartha at gmail.com Mon Nov 25 13:26:00 2024 From: thomaemartha at gmail.com (Martha Thomae) Date: Mon, 25 Nov 2024 13:26:00 +0100 Subject: [MEI-L] Reminder: MEI Community Meeting - December 2, 2024 In-Reply-To: References: Message-ID: Hello everyone, I am sorry to say that I won’t be able to attend this meeting. I will be travelling to Guatemala on that date (it will take me all day). Looking forward to future MEI Community Meetings. Best, Martha — Martha E. Thomae (PhD Music Technology, McGill University) Postdoctoral Research Fellow at NOVA University Lisbon > On Nov 25, 2024, at 1:00 PM, Kijas, Anna E wrote: > > This is a reminder that there will be an MEI Community Meeting on December 2, 10 AM to 11:30 AM (EST). > > For this meeting, we would like to invite MEI community members to share updates about their projects, new software or tools, teaching resources, etc. that are relevant to the music encoding community. Chairs of an MEI IG or working groups are also invited to share any updates on behalf of their groups. Please plan about 5-7 minutes per update. > > Sign up via this short form to be added to the agenda: https://forms.gle/tJmxemqtw4ciAZaC7. > > Meeting information > Date: December 2, 2024 > Time: 10 AM to 11:30 AM (EST) > Zoom link: https://tufts.zoom.us/j/9420917662?omn=98285449736&from=addon > Meeting ID: 942 091 7662 > > See you in December! > > Best, > Anna > > Anna E. Kijas > Assistant Director, Digital Scholarship & Lilly Music Library > Tisch Library | Tufts University > Pronouns: she, her, hers > Book an appointment | (617) 627-2846 > > Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO) > Administrative Chair, Music Encoding Initiative > Editor, Technical Reports and Monographs in Music Librarianship (MLA) > _______________________________________________ > mei-l mailing list > mei-l at lists.uni-paderborn.de > https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From kepper at edirom.de Tue Nov 26 16:17:51 2024 From: kepper at edirom.de (Johannes Kepper) Date: Tue, 26 Nov 2024 16:17:51 +0100 Subject: [MEI-L] Job Posting for Weber-Gesamtausgabe Message-ID: Dear MEI, although there's only one week left to apply, I'm happy to advertise a job posting on behalf of the Carl-Maria-von-Weber-Gesamtausgabe: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6712.pdf. It's a full-time position located in Detmold./ Paderborn, and while the current offering ends in ~2 years, it is quite safe to expect another 8 years on top. I'm afraid that speaking German is a strict requirement on this one, but maybe it's still an interesting position. Happy to answer questions, but the application has to be sent to antje.tumat at uni-paderborn.de . All best, jo PS: There will be another job posting for Beethovens Werkstatt soon – now is the time to join the Detmold / Paderborn team ;-) From pstadler at mail.uni-paderborn.de Wed Nov 27 11:11:36 2024 From: pstadler at mail.uni-paderborn.de (Peter Stadler) Date: Wed, 27 Nov 2024 11:11:36 +0100 Subject: [MEI-L] 2024 MEI Board elections started Message-ID: <85CD6499-E19B-45E8-A2BF-F3081B2406D8@mail.uni-paderborn.de> Dear MEI Community, The 2024 MEI Board elections for the term 2025–2027 started a few moments ago. You should receive individual voting links by email from OpaVote (the system we use for the elections) with noreply at opavote.com as the sender. If by any chance you do not receive such an email, please check your junk mail folders and feel free to contact us at elections at music-encoding.org You can find the candidate statements online at https://music-encoding.org/community/mei-board/elections/2024/candidates. Use this chance to get involved in the future of MEI ;-) Yours sincerely, David M. Weigl and Peter Stadler MEI election administrators 2024 by appointment of the MEI Board From stefan.muennich at unibas.ch Mon Dec 2 12:38:26 2024 From: stefan.muennich at unibas.ch (=?Windows-1252?Q?Stefan_M=FCnnich?=) Date: Mon, 2 Dec 2024 11:38:26 +0000 Subject: [MEI-L] =?windows-1252?q?MEI_Developer_Meeting_2025_=284=967_Feb?= =?windows-1252?q?ruary=29?= Message-ID: <090235f512f840608a914ad7cb9d02af@unibas.ch> Dear MEI Community, We’re happy to announce that the Huygens Institute for History and Culture of the Netherlands (https://www.huygens.knaw.nl/en/home-english/) in Amsterdam will host the next MEI Developer Meeting. The event will take place from Tuesday, 4 February, at 4:00 PM, to Friday, 7 February, at midday. Schedule Overview: Tuesday: Informal floating opening, with the official start at 4:00 PM. Wednesday to Friday: Sessions focusing on MEI development, discussions, and collaborative work. This working meeting offers a valuable opportunity to collaborate, share insights, and discuss various topics and ideas related to the technical development of MEI. To facilitate the preparation and organization of the meeting for our local organizer, Marnix van Berchum, we would like to ask everyone interested in joining the meeting to fill out this registration form (please contact us if not available): https://forms.gle/cwL4GzCHUNQUv9UM9 Please find below additional information about the venue. Looking forward to meeting you in Amsterdam, Marnix, Benni & Stefan ------------------ You can find the Huygens Institute in the Spinhuis in the old city centre of Amsterdam. Address: Spinhuis Oudezijds Achterburgwal 185 1012 DK AMSTERDAM The Huygens Institute forms the KNAW Humanities Cluster together with the Meertens Institute and the International Institute of Social History (IISH). The institutes share a common operational management and services such as human resources, finance, building management and ICT. In addition, the DHLab, NL-Lab and the department for Digital Infrastructure are also part of the KNAW Humanities Cluster. -------------- next part -------------- An HTML attachment was scrubbed... URL: From annplaksin at gmx.net Mon Dec 2 17:16:31 2024 From: annplaksin at gmx.net (annplaksin at gmx.net) Date: Mon, 2 Dec 2024 17:16:31 +0100 Subject: [MEI-L] Submission deadline extended for Music Encoding Conference 2025 Message-ID: <003001db44d5$8c8cc480$a5a64d80$@gmx.net> [apologies for cross posting] Dear list, we are pleased to announce the extension of the submission deadline for the Music Encoding Conference 2025. The extended and final deadline for submissions is now Friday, 20 December 2024 (23:59 GMT). The Music Encoding Conference brings together members from music encoding, analysis, performance, and research communities, including musicologists, theorists, librarians, technologists, music scholars, teachers, and students, providing an opportunity for all participants to learn from and engage with each other. The conference will be held 3-6 June 2025 at City University of London, UK, jointly organised by Goldsmiths University of London and City University of London on behalf of the Music Encoding Initiative community. Authors are invited to submit abstract proposals for papers, posters, panels, and workshops. All submissions should be uploaded for review to our ConfTool website: https://www.conftool.net/mec2025/ There will be no further extension. For further details, please visit our CfP: https://music-encoding.org/conference/2025/call/ For further questions, please e-mail conference2025 at music-encoding.org Kind regards, Anna Plaksin Programme Committee Chair, MEC 2025 From ugo.bindini at fhnw.ch Fri Dec 6 11:18:25 2024 From: ugo.bindini at fhnw.ch (Ugo Bindini) Date: Fri, 6 Dec 2024 10:18:25 +0000 Subject: [MEI-L] =?utf-8?q?Call_for_papers=3A_Carmina_Burana_=E2=80=93_Fr?= =?utf-8?q?om_Source_to_Sound?= Message-ID: Dear MEI community, I would like to draw your attention to the conference "Carmina Burana - From Source to Sound”, to be held in Basel (Switzerland), 20-22 November 2025. Contributions from the MEI/TEI perspective, or more generally from the digital humanities are warmly welcome. Below you can find the call for papers. Best regards, Ugo Bindini Schola Cantorum Basiliensis -------------- next part -------------- A non-text attachment was scrubbed... Name: CFP_CBO2025.pdf Type: application/pdf Size: 142627 bytes Desc: CFP_CBO2025.pdf URL: From elsadeluca at fcsh.unl.pt Fri Dec 6 22:12:17 2024 From: elsadeluca at fcsh.unl.pt (Elsa De Luca) Date: Fri, 6 Dec 2024 22:12:17 +0100 Subject: [MEI-L] =?utf-8?q?=E2=80=8BTISMIR_special_collection_on_=22Digit?= =?utf-8?q?al_Musicology=22_-_Call_for_Papers?= Message-ID: TISMIR special collection - Call for Papers Digital Musicology Deadline for submissions 30.04.2025 *Scope of the collection* We invite submissions for a special collection of TISMIR on Digital Musicology, addressing trends and new directions at the intersection of scholarship, collections and technologies. This special collection serves as a platform for interdisciplinary dialogue between music technology and musicology, promoting scholarly discussions on the application and usability of digital technologies to enhance music research, and capturing contemporary trends and emerging directions in digital musicology scholarship. It is simultaneously inspired by the recent “Digital Technologies Applied to Music Research Conference : Methodologies, Projects and Challenges” (Lisbon, 06.2024), alongside reflections and consolidation celebrating a decade of contributions from the international Digital Libraries for Musicology conference (DLfM), which held its first event in London in September 2014. Specifically, it will host discussions on pressing issues in the digital humanities, such as cultural heritage preservation, FAIR principles and interconnected repertories, digital sustainability, and increasing awareness and access to digital music in non-academic contexts. While many digital libraries have long offered multimedia content, including music, DLfM has demonstrated an imperative to support the diverse forms of specifically musical data, their interconnections, and the broader scholarly context, as demanded by the evolving methodologies in musicology and the wider Digital Humanities. *Guest Editors* • Elsa De Luca (lead). Researcher at CESEM-IN2PAST, NOVA University Lisbon • Ichiro Fujinaga. Professor at McGill University • David Lewis. Lecturer at Goldsmiths, University of London • Kevin Page. Senior Researcher and Associate Faculty at the University of Oxford e-Research Centre • Martha Thomae. Post-doctoral researcher at CESEM-IN2PAST, NOVA University Lisbon *Topics *and *submission guidelines *at https://drive.google.com/file/d/1iXr3EeH-oJd0iw0y455P4KmGpfqhC-sS/view All the best, Elsa De Luca (on behalf of the GE) ___________________________________ Centre for the Study of the Sociology and Aesthetics of Music Faculty of Social and Human Sciences (FCSH)NOVA University Lisbon PI of Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis Personal website https://sites.google.com/fcsh.unl.pt/elsadeluca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From candidabillie.mantica at unipv.it Mon Dec 9 10:17:02 2024 From: candidabillie.mantica at unipv.it (Candida Billie Mantica) Date: Mon, 9 Dec 2024 10:17:02 +0100 Subject: [MEI-L] =?utf-8?q?REMINDER=3A_Call_for_Applications_=28deadline_?= =?utf-8?q?12_December=29=3A_One-Year_Research_Grant_in_Digital_Mus?= =?utf-8?q?icology_=E2=80=93_University_of_Pavia=2C_Department_of_M?= =?utf-8?q?usicology_and_Cultural_Heritage_=28Cremona=29?= Message-ID: Dear Colleagues, The Department of Musicology and Cultural Heritage (Cremona) of the University of Pavia (Italy) invites applications for a one-year Research Grant (‘assegno di ricerca’) within the multidisciplinary project *VerDigital*, funded by the Ministry of University and Research under the National Recovery and Resilience Plan (NRRP), Mission 4, “Education and Research” – Component 2, “From Research to Business” – Investment line 1.2, “Funding projects presented by young researchers”, funded by the European Union – NextGenerationEU. In this context, the successful candidate will contribute to the following objectives: 1) design and develop a model for the digital critical edition of the score of *Adelson e Salvini*, to be edited by the Principal Investigator, Dr Candida Billie Mantica; 2) design and develop an interactive system for the score’s fruition, which will support the use of alternative variants; 3) assist in completing a model for the digital critical edition of Bellini’s preparatory materials, in close collaboration with the Principal Investigator and the research team. Applicants should demonstrate: – mastery of commonly used music notation software (e.g., Sibelius and Finale); – experience with up-to-date tools for creating digital critical editions of musical texts, including MEI, TEI, Edirom, Verovio, and MEI-Friend. Further details, including application instructions, are available at https://unipv.portaleamministrazionetrasparente.it/archivio22_bandi-di-concorso_0_24602_639_1.html For additional information, please contact the project’s Principal Investigator at candidabillie.mantica at unipv.it. Please, note that the *deadline *for submission of applications is Thursday, *12th December 2024, 12 pm CET time*, and the Grant is expected to start on *1st January 2025*. Best regards, Candida Billie Mantica ------------------------- Dr Candida Billie Mantica Università degli Studi di Pavia Dipartimento di Musicologia e Beni Culturali Corso Garibaldi 178 – 26100, Cremona (Italia) *tel:* +39 0372 1800310 *e-mail*: candidabillie.mantica at unipv.it -------------- next part -------------- An HTML attachment was scrubbed... URL: From weigl at mdw.ac.at Mon Dec 16 09:52:06 2024 From: weigl at mdw.ac.at (David M. Weigl) Date: Mon, 16 Dec 2024 09:52:06 +0100 Subject: [MEI-L] MEI Elections 2024 Results Message-ID: <9a487cca-b855-4f9f-8f85-1deaf5e61e7e@mdw.ac.at> Dear MEI Community, It is our pleasure to announce the results of the MEI Board elections (for the term 2025–2027). Elected by the MEI community are: * Benjamin W. Bohl, * Martha Thomae Elias, and * Anna E. Kijas Congratulations to our new and returning Board members, and many thanks to *all* our excellent candidates! You will shortly receive an automated e-mail from the OpaVote system with a link to a detailed breakdown of the results. Please check your spam folder if this does not arrive in the next few minutes. Do not hesitate to contact us at elections at music-encoding.org if you require any assistance or further information. Yours sincerely, David M. Weigl and Peter Stadler MEI election administrators 2024 by appointment of the MEI Board From kepper at edirom.de Mon Dec 16 14:52:49 2024 From: kepper at edirom.de (Johannes Kepper) Date: Mon, 16 Dec 2024 14:52:49 +0100 Subject: [MEI-L] Job Offer Beethovens Werkstatt Message-ID: <98EE2CEE-58F5-4274-99E3-2014F9FB9C50@edirom.de> Dear MEI, I am pleased to be able to offer you a job posting for the coming year just before the holidays: At Beethovens Werkstatt, we are looking for reinforcement for the Bonn team and would like to fill a 65% qualification position there in the near future until the end of the project period, i.e. until the end of 2029. The job advertisement can be found here: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6776.pdf. I know, the job offer is in German only, and probably it makes sense to speak at least a little bit of german, but please don't hesitate to get in touch – also for any other questions about the job profile etc. This is a great opportunity to become part of a very "MEI-intense" project :) All best, jo From esteban.hernandez.castello at uni-hamburg.de Tue Dec 17 11:21:31 2024 From: esteban.hernandez.castello at uni-hamburg.de (Hernandez Castello, Dr. Esteban) Date: Tue, 17 Dec 2024 10:21:31 +0000 Subject: [MEI-L] Job Offer Beethovens Werkstatt In-Reply-To: <98EE2CEE-58F5-4274-99E3-2014F9FB9C50@edirom.de> References: <98EE2CEE-58F5-4274-99E3-2014F9FB9C50@edirom.de> Message-ID: <3DB9F4EA-42EA-4446-957D-15CB6B9FAEEE@uni-hamburg.de> Sehr geehrte Prof. Dr. Kepper, vielen Dank für die Weiterleitung der Stellenausschreibung bei Beethovens Werkstatt. Ich verfüge über die technische Qualifikation, die für eine Position dieser Art erforderlich ist; allerdings bin ich mir hinsichtlich der Sprache nicht ganz sicher. Obwohl ich seit mehr als zehn Jahren in Hamburg arbeite, erfolgte meine berufliche Tätigkeit bisher immer auf Englisch, sodass mein Deutsch (B2) nicht besonders fließend ist . Dennoch habe ich keine Schwierigkeiten, mich auf Deutsch zu verständigen, wie Sie sicherlich auch dieser Nachricht entnehmen können :-).. Ich bin an mehrsprachige und offene Arbeitsumgebungen gewöhnt und bin überzeugt, dass die Sprache kein unüberwindbares Hindernis darstellen würde. Vielen Dank nochmals für die Informationen. Für Rückfragen stehe ich jederzeit zur Verfügung. Mit freundlichen Grüßen, Dr. Esteban Hernández Castelló [image001.gif] Dr. Esteban Hernández Castelló Institut für Historische Musikwissenschaft Neue Rabenstr. 13 20354 Hamburg esteban.hernandez.castello at uni-hamburg.de El 16.12.2024, a las 14:52, Johannes Kepper escribió: Dear MEI, I am pleased to be able to offer you a job posting for the coming year just before the holidays: At Beethovens Werkstatt, we are looking for reinforcement for the Bonn team and would like to fill a 65% qualification position there in the near future until the end of the project period, i.e. until the end of 2029. The job advertisement can be found here: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6776.pdf. I know, the job offer is in German only, and probably it makes sense to speak at least a little bit of german, but please don't hesitate to get in touch – also for any other questions about the job profile etc. This is a great opportunity to become part of a very "MEI-intense" project :) All best, jo _______________________________________________ mei-l mailing list mei-l at lists.uni-paderborn.de https://lists.uni-paderborn.de/mailman/listinfo/mei-l -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.gif Type: image/gif Size: 3241 bytes Desc: image001.gif URL: From esteban.hernandez.castello at uni-hamburg.de Tue Dec 17 11:43:14 2024 From: esteban.hernandez.castello at uni-hamburg.de (Hernandez Castello, Dr. Esteban) Date: Tue, 17 Dec 2024 10:43:14 +0000 Subject: [MEI-L] Job Offer Beethovens Werkstatt In-Reply-To: <98EE2CEE-58F5-4274-99E3-2014F9FB9C50@edirom.de> References: <98EE2CEE-58F5-4274-99E3-2014F9FB9C50@edirom.de> Message-ID: <7CDC707C-B48E-4E1A-86B3-BCA26D3E5E98@uni-hamburg.de> Liebe Kolleginnen und Kollegen, ich möchte mich dafür entschuldigen, dass meine vorherige Antwort unbeabsichtigt an die gesamte Liste gegangen ist. Ich hatte übersehen, dass die automatische Antwortfunktion in solchen Fällen an die gesamte Liste adressiert wird. Man lernt eben nie aus! :-) Gleichzeitig danke ich nochmals herzlich für das Teilen dieser interessanten Stellenausschreibung. Vielen Dank für Ihr Verständnis und Ihre Geduld. Mit freundlichen Grüßen, Dr. Esteban Hernández Castelló El 16.12.2024, a las 14:52, Johannes Kepper escribió: Dear MEI, I am pleased to be able to offer you a job posting for the coming year just before the holidays: At Beethovens Werkstatt, we are looking for reinforcement for the Bonn team and would like to fill a 65% qualification position there in the near future until the end of the project period, i.e. until the end of 2029. The job advertisement can be found here: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer6776.pdf. I know, the job offer is in German only, and probably it makes sense to speak at least a little bit of german, but please don't hesitate to get in touch – also for any other questions about the job profile etc. This is a great opportunity to become part of a very "MEI-intense" project :) All best, jo _______________________________________________ mei-l mailing list mei-l at lists.uni-paderborn.de https://lists.uni-paderborn.de/mailman/listinfo/mei-l [image001.gif] Dr. Esteban Hernández Castelló Institut für Historische Musikwissenschaft Neue Rabenstr. 13 20354 Hamburg esteban.hernandez.castello at uni-hamburg.de -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.gif Type: image/gif Size: 3241 bytes Desc: image001.gif URL: