From pstadler at mail.uni-paderborn.de  Mon Jan  3 09:34:15 2022
From: pstadler at mail.uni-paderborn.de (Peter Stadler)
Date: Mon, 3 Jan 2022 09:34:15 +0100
Subject: [MEI-L] 2021 MEI Board election results
Message-ID: <2CF0ABB7-1933-4FDA-A9E0-C9E63FD8BCCA@mail.uni-paderborn.de>

Dear MEI Community,

It is our pleasure to announce the results of the MEI Board elections (for the term 2022–2024). Elected by the MEI community are:

* Benjamin W. Bohl
* Anna E. Kijas
* Klaus Rettinghaus

Congratulations to our new Board members, and many thanks to *all* our excellent candidates!

Detailed results are available from OpaVote at
https://www.opavote.com/results/5454757360566272


Happy new year
Laurent & Peter
MEI election administrators 2021
by appointment of the MEI Board
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From kepper at edirom.de  Mon Jan  3 10:35:02 2022
From: kepper at edirom.de (Johannes Kepper)
Date: Mon, 3 Jan 2022 10:35:02 +0100
Subject: [MEI-L] 2021 MEI Board election results
In-Reply-To: <2CF0ABB7-1933-4FDA-A9E0-C9E63FD8BCCA@mail.uni-paderborn.de>
References: <2CF0ABB7-1933-4FDA-A9E0-C9E63FD8BCCA@mail.uni-paderborn.de>
Message-ID: <6CCA9E04-9707-4DD1-8067-AAAD70E29087@edirom.de>

Dear all,

As a member of the Board, I would like to the opportunity to thank our outgoing Board members. Elsa De Luca did an excellent job as our Administrative Chair of the MEI Board. Ichiro Fujinaga was a founding member of the Board and always provided extremely helpful advice. MEI owes both of you a lot for your service, so many many thanks for your dedication to MEI. 

Another thanks goes to all our candidates. I don't recall such an impressive slate of candidates from past elections. Each of you would have been a wonderful asset to the work of the Board, but unfortunately, there are only three seats to be filled each year. I am quite confident that everyone of you will continue to contribute to MEI, independent from being a member of the Board. As you know, a lot of important work is happening in the Interest Groups, and you're all heavily engaged in this work – many thanks for that – so we will continue to collaborate in different capacities. While it seems a shame that MEI has to "refuse" such qualified candidates, it also shows the liveliness and activity of this community. That said, congratulations and welcome on Board to Anna, Benjamin, and Klaus – I'm already looking forward to your work on the Board. 

Another thanks therefore goes to the community. This year, we had almost one hundred voters – people so passionate about MEI that they took the time to read candidates' statements and express their opinion who should serve in the Board. We should not take this for granted, as it really is an indicator for a high level of engagement within the community. So, thanks to everyone who cast their vote because they really care about MEI – it is wonderful to be a member of this great community. 

Finally, many thanks to Laurent and Peter for running these elections so smoothly. 

A Happy New Year, and all best to everyone,
For the MEI Board,
jo



> Am 03.01.2022 um 09:34 schrieb Peter Stadler <pstadler at mail.uni-paderborn.de>:
> 
> Dear MEI Community,
> 
> It is our pleasure to announce the results of the MEI Board elections (for the term 2022–2024). Elected by the MEI community are:
> 
> * Benjamin W. Bohl
> * Anna E. Kijas
> * Klaus Rettinghaus
> 
> Congratulations to our new Board members, and many thanks to *all* our excellent candidates!
> 
> Detailed results are available from OpaVote at
> https://www.opavote.com/results/5454757360566272
> 
> 
> Happy new year
> Laurent & Peter
> MEI election administrators 2021
> by appointment of the MEI Board
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l



From francesca.giannetti at gmail.com  Mon Jan  3 21:35:00 2022
From: francesca.giannetti at gmail.com (Francesca Giannetti)
Date: Mon, 3 Jan 2022 15:35:00 -0500
Subject: [MEI-L] New Resource: A Directory of Digital Scholarship in Music
Message-ID: <CAPg3XygGtZ1fxvRk0V=XUu9iYdOnx-imJ6ydsFG5xPiN33iG4Q@mail.gmail.com>

Dear MEI-L,

I am happy to announce that A Directory of Digital Scholarship in Music (aka
Music DH 2021) is now live at https://rutgersdh.github.io/musicdh/. On this
site,
you can browse or search an open-source bibliography of nearly 200
specialized
digital resources and born-digital projects in music.

I'd like to thank the members of this list, several of whom contributed
their own projects. We couldn't have done it without your contributions and
support.

I would be grateful if you could please include this site wherever you
discuss
resources for digital or computational musicology or just digital stuff in
music more generally. Any questions or error fixes can go to me.

With thanks,

Francesca Giannetti (she/her)
Digital Humanities Librarian
Rutgers University–New Brunswick
Email: francesca.giannetti at rutgers.edu
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From Anna.Kijas at tufts.edu  Wed Jan  5 13:36:40 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Wed, 5 Jan 2022 12:36:40 +0000
Subject: [MEI-L] Update from MEI Pedagogy Interest Group
Message-ID: <BLAPR05MB7458297B93B2543DD42AA59F944A9@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear MEI Community,

I would like to share with you that the MEI Pedagogy Interest Group welcomes a new co-administrator: Jessica Grimmer from the University of Maryland.

My sincerest thanks to Joy Calico who served as a co-administrator of the Pedagogy IG since its establishment in August 2020. I appreciate all of her contributions and commitment in getting this IG off the ground in its initial year. Thank you, Joy!!

We welcome everyone who is interested in music encoding and pedagogy to join the Pedagogy IG. To sign up for the mailing list, please visit: http://lists.uni-paderborn.de/mailman/listinfo/mei-pedagogy-ig.

Best,
Anna

MEI Pedagogy Interest Group, co-administrator

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From Anna.Kijas at tufts.edu  Wed Jan  5 13:37:11 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Wed, 5 Jan 2022 12:37:11 +0000
Subject: [MEI-L] Deadline extended for CfP for MEI Pedagogy Resource
In-Reply-To: <2E229582-A41C-4EF7-8FF1-0530DDD3275B@tufts.edu>
References: <2E229582-A41C-4EF7-8FF1-0530DDD3275B@tufts.edu>
Message-ID: <BLAPR05MB7458EC799284FFFB5D3DD480944A9@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear MEI community,

The MEI Digital Pedagogy Interest Group<https://music-encoding.org/community/interest-groups.html> is extending the deadline for this CfP to January 17, 2022.

We invite proposals for an online, open-access, peer-reviewed resource showcasing pedagogical use cases of MEI and music encoding more generally. We seek “music encoding” initiatives across the full spectrum of instruction in archives, library work, and music studies to demonstrate how we teach music encoding, how it can be used to help us answer specific research questions, and how to make it more accessible to students and instructors. We are interested in contributions that include, but are not limited to, lesson plans, instructional materials, short essays, tutorials, and examples drawn from existing projects.

Topics and Themes
We are interested in contributions that explore a variety of pedagogical topics and themes including, but not limited to, the following:

  *   How can instructors incorporate music encoding in the classroom to explore specific types of music research questions? For example, questions may be related to aspects of western and non-western musics, performance, or use of analytical or computational methods;
  *   Project use cases that highlight specific applications of music encoding, including challenges or failures, as well as success stories;
  *   Approaches to teaching music encoding in asynchronous and online learning environments;
  *   Incorporating musical examples by women and underrepresented composers into music encoding pedagogy;
  *   Foundational knowledge and skills needed before undertaking music encoding work;
  *   Methods for teaching and promoting music encoding amongst peers outside of the classroom setting

How to Participate

Interested contributors should submit this form<https://forms.gle/6FEeBMoVa6JsXnDcA> with a short proposal (up to 500 words) and/or to volunteer for a particular role. You can volunteer without contributing a proposal.

Timeframe

  *   Submit your proposal or express interest in a volunteer role by January 17, 2022
  *   Interested contributors and volunteers will be contacted by February 1, 2022
  *   Submit your manuscript (up to 7-8,000 words) by June 10, 2022
  *   Manuscripts will be peer-reviewed during Summer 2022
  *   Publication planned in late Fall 2022
Please reach out to Anna E. Kijas (anna.kijas at tufts.edu) and Jessica Grimmer (jgrimmer at umd.edu), co-administrators of the Pedagogy Interest Group, with any questions.

Share widely!

Best,
Anna

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155<webextlink://20%20Talbot%20Avenue,%20Medford,%20MA%2002155>
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846



Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846

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From b.w.bohl at gmail.com  Thu Jan 27 11:56:06 2022
From: b.w.bohl at gmail.com (Benjamin W. Bohl)
Date: Thu, 27 Jan 2022 11:56:06 +0100
Subject: [MEI-L] ODD Friday Jan 28 3pm UTC+1
Message-ID: <31479932-1E68-42CB-8D85-B67240D09550@gmail.com>

Dear MEI-L:isteners,

just a gentle reminder, that our next ODD meeting will be tomorrow (Friday 27 at 3:00 pm UTC+1; 9:00 am EST; and unfortunately 6:00 am PST [sorry for that]). Stefan Münnich and me, as Technical Team Co-Chairs, are looking forward to our first meeting this year.
There’s already a lot of stuff on the agenda but feel free to add your’s at: https://github.com/orgs/music-encoding/projects/2#column-17014377
Or if that’s too troublesome drop us a line ;-)

Looking forward to seeing you,
Stefan and Benni

From kepper at edirom.de  Thu Jan 27 17:38:17 2022
From: kepper at edirom.de (Johannes Kepper)
Date: Thu, 27 Jan 2022 17:38:17 +0100
Subject: [MEI-L] New Board Roles
Message-ID: <3584152B-906A-4736-837E-267C3F7B5F53@edirom.de>

Dear Community,

The Board has had it’s first meeting this year, and we welcomed our newly elected members. The main purpose of this first meeting is to determine the roles – who’s doing what. It is with great pleasure that I hereby introduce Anna Kijas as our Administrative Chair for the coming year(s?). Whenever you need an official representative of the community, Anna should be your first stop – but the rest of the Board will surely help ;-) I’m also very happy to say that we have two Technical Co-Chairs, Benjamin Bohl and Stefan Münnich, who have already taken up their job and are preparing tomorrow’s ODD Friday meeting (see Benni’s earlier message on that).

Thanks again to everyone who took the time for voting, and thanks to these three for serving in their roles for the coming year.

All best,
jo
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From Schulz at MaxWeberStiftung.de  Tue Feb  1 11:13:35 2022
From: Schulz at MaxWeberStiftung.de (Julian Schulz)
Date: Tue, 1 Feb 2022 10:13:35 +0000
Subject: [MEI-L] Job opportunity: 2x Consultant 50% position in the edition
 project Corpus Musicae Ottomanicae (MEI/TEI)
Message-ID: <4c55679301c342c993cbc994aa9575ce@MaxWeberStiftung.de>

Dear list,

The Max Weber Foundation - German Humanities Institutes Abroad (MWS) is seeking two new team members for its office in Bonn, beginning as soon as possible until 30 September 2024.

Since 2015, the MWS has been involved in the DFG-funded long-term project (expected to run until 2027) "Corpus Musicae Ottomanicae" (CMO), which presents critical editions of Near Eastern music manuscripts for the first time (https://www.uni-muenster.de/CMO-Edition). Under the project management of Prof. Dr. Ralf Martin Jäger (WWU Münster), both the Orient-Institut Istanbul and the MWS office in Bonn collaborate on the CMO project. The latter is responsible for the digital components of the project.

The new three-year project phase, which began in October 2021, focuses on the development of a user interface with a dynamic multi-format presentation layer. In the process, score data will be prepared according to MEI standards for digital collated complete editions (profile 1 "MEI"). In addition to this, it is also about the corresponding texts, which are to be prepared according to TEI standard (profile 2 "TEI"). Parallel to this, further development of the edition surroundings and the database will take place.

Detailed information on the job profiles and the tasks can be found in the attached files.

For further information, please contact Dr. Michael Kaiser (kaiser at maxweberstiftung.de).

Please  send  your  application  by  20  February  2022  to  the  following  e-mail  address: cmo_mei_perspectivia at maxweberstiftung.de or cmo_tei_perspectivia at maxweberstiftung.de

Kind regards,
Julian Schulz


--
Julian Schulz M.A.
Referent für Digital Humanities und Forschungsdatenmanagement
Max Weber Stiftung - Deutsche Geisteswissenschaftliche Institute im Ausland
Rheinallee 6, 53173 Bonn
_____________________________________________________________________
T +49 228 37786-30 -- F +49 228 37786-19
schulz at maxweberstiftung.de<mailto:schulz at maxweberstiftung.de>; www.maxweberstiftung.de<http://www.maxweberstiftung.de/>
http://mws.hypotheses.org/; twitter.com/webertweets<https://www.twitter.com/webertweets>;
https://www.perspectivia.net/; vimeo.com/maxweberstiftung<http://vimeo.com/maxweberstiftung>

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From luca.ludovico at unimi.it  Tue Feb  1 12:07:20 2022
From: luca.ludovico at unimi.it (Luca Andrea Ludovico)
Date: Tue, 01 Feb 2022 12:07:20 +0100
Subject: [MEI-L] Special session on Computer Supported Music Education @
 CSEDU 2022 - 3rd CFP
Message-ID: <C3CBB19D-8422-41E7-9D0F-557DFBFD46C0@unimi.it>

[Apologies for cross-postings]

[Please distribute]

 

14th International Conference on Computer Supported Education (CSEDU 2022)

Special session on Computer Supported Music Education (CSME 2022) – 3rd edition

 

The International Conference on Computer Supported Education is an annual meeting place for presenting and discussing new educational tools and environments, best practices and case studies on innovative technology-based learning strategies, and institutional policies on computer supported education, including open and distance education.

 

In this framework, the special session on Computer Supported Music Education aims to investigate the impact of computer-based approaches on music education. We welcome contributions on the design, development and use of advanced technologies to support learning and teaching actions in music creation, performance, and analysis.

 

Accepted papers, presented at the conference by one or more of the authors, will be published in the Proceedings of CSEDU under an ISBN and indexed by major systems, e.g., Thomson Reuters Conference Proceedings Citation Index (CPCI/ISI), DBLP, EI (Elsevier Engineering Village Index), Scopus, Semantic Scholar and Google Scholar.

 

Important dates

Paper Submission: February 24, 2022

Authors Notification: March 10, 2022

Camera Ready and Registration: March 18, 2022

 

For further information

Special session web page: http://www.csedu.org/CSME.aspx

Conference web page: http://www.csedu.org/Home.aspx

 

 

 

Organizer and chair

Luca A. Ludovico

Laboratory of Music Informatics (LIM), Department of Computer Science, University of Milan

luca.ludovico at unimi.it

 

 

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From d.j.baker at uva.nl  Mon Feb  7 21:56:13 2022
From: d.j.baker at uva.nl (Dave Baker)
Date: Mon, 7 Feb 2022 20:56:13 +0000
Subject: [MEI-L] Digital Libraries for Musicology '22 -- Call for Papers
Message-ID: <AM9PR10MB511506C5B43670BA850C9C09C52C9@AM9PR10MB5115.EURPRD10.PROD.OUTLOOK.COM>

CFP: 9th International Conference on Digital Libraries for Musicology (In Association with IAML 2022), July 28-29, 2022, Prague

CALL FOR PAPERS AND POSTERS

DLfM welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR).

The conference this year will welcome papers related to the 'FAIR principles' in Digital Libraries for Musicology and covering topics associated to making data - but also tools and services - findable, accessible, interoperable and reusable. In a world where technologies rapidly multiply, and where user needs and expectations as well as digital risks change extremely quickly, we consider these principles to be essential in the development of digital libraries tailored to musicology research. What tools, practices, or perspectives can help us navigate these constantly fluctuating needs and technologies while still prioritizing accessibility and sustainability?

The conference strongly encourages papers and posters that address this year's theme, however, we welcome all papers addressing all traditional topics that fall under the scope of DLfM. Specific examples of topics traditionally covered at DLfM can be found at https://dlfm.web.ox.ac.uk.

Proceedings of the DLfM 2022 are expected to be published in ACM ICPS as an Open Access publication as in previous years. Like last year, we are fortunate that in 2022 we again will be able to offer authors an open access proceedings paper without passing on the cost to authors.

IMPORTANT DATES (AoE)

* Paper (full paper and short paper) submission deadline: Monday, March 21, 2022
* Notification of paper acceptance: Monday, May 9, 2022
* Poster submission deadline: Monday, May 23, 2022
* Camera-ready submission deadline (full and short papers): Monday, June 13, 2022
* Conference registration deadline: TBC
* Conference: Thursday-Friday, July 28-29, 2022, at the Municipal Library in Prague

SUBMISSIONS

Paper submissions

* Paper length: We invite full papers (up to 8 pages excluding references) or short papers (up to 4 pages excluding references).
* Submissions: work is submitted to DLfM via EasyChair (https://easychair.org/conferences/?conf=dlfm2022).
* Format: Submissions must be in English, formatted according to the appropriate ACM template (see template below), in PDF format, and A4 size. Authors will need to follow ACM's instructions for formatting carefully. Assistance will be provided from the proceedings chair.
* Templates: Authors must use either the LaTeX template (https://www.acm.org/binaries/content/assets/publications/consolidated-tex-template/acmart-primary.zip), the LaTeX + Overleaf template (https://www.overleaf.com/gallery/tagged/acm-official#.WOuOk2e1taQ) (use the ACM Conference Proceedings template), or the MS Word template https://www.acm.org/binaries/content/assets/publications/word_style/interim-template-style/interim-layout.docx. Historically, LaTeX versions have been easier to process into camera-ready versions. Therefore, we encourage all authors to use the LaTeX (or LaTeX + Overleaf) template if possible.
* Page limits for submitted papers apply to all text, excluding the bibliography (i.e., references can be included on pages over the specified limits).

Poster submissions

* Submission: The initial poster submission consists of an abstract which outlines both the scholarly content and broad details of the proposed layout in 500 words or fewer.
* Format: Posters will be formatted in A0 specifications. A template will be sent closer to the conference date to authors of accepted poster abstracts. All accepted posters will also be required to submit before the conference date a digital copy to be shared publicly on the conference web page.

Review and Ethics

Papers (long and short) will be double blind peer reviewed by 2-3 members of the programme committee. For accepted paper submissions, at least one author must register for the conference (as a presenter) by the conference registration deadline.

DLfM conforms to the usual conventions for publication ethics. For instance, we endeavour to provide an effective double blind reviewing process that is fair to all submissions, with reviews from experts in the subject area. In turn, we expect authors to ensure anonymity in the original submission as far as practically possible, (for instance by not uploading the submission to public website and/or removing any currently public unpublished preprints while it is under review) and that submissions to DLfM are not under active consideration by another conference of journal.

Submission link: https://easychair.org/conferences/?conf=dlfm2022
Contact email: dlfm2022 at easychair.org

CONTINGENCY

We recognize that even in July 2022, in-person conferencing may still not be possible given the constantly changing landscape of the pandemic, and that we may have to revert to an online-format once again.

We also recognize that the pandemic has affected people unevenly, and we will consider individual situations on a case-by-case basis. For now, please simply submit your work with the assumption that at least one author will present in person. We will endeavour to work out any issues later (for instance through a limited amount of hybrid participation where possible and absolutely necessary).

CONFERENCE ORGANISATION

Programme Chair
Laurent Pugin, RISM Digital Center / University of Bern

General Chair
Claire Arthur, Center for Music Technology, Georgia Tech

Proceedings and Publicity Chair
David John Baker, University of Amsterdam

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From fabianmoss at gmail.com  Mon Feb 21 15:19:19 2022
From: fabianmoss at gmail.com (Fabian Moss)
Date: Mon, 21 Feb 2022 15:19:19 +0100
Subject: [MEI-L] Job: Music Encoding
Message-ID: <CAAFBpnwGCwXJKh0t0NKcVF7F3W8y+JeEXCyW+WtMHfypt0rV4Q@mail.gmail.com>

Hello everyone!

For a music-encoding project we are looking for someone to transcribe 368
examples from historical music theory textbooks to humdrum/**kern. The
examples vary in length, ranging between 2 and 20 measures (estimated). We
are able to pay 2000,- CHF (Swiss project) for this task. Here are two
examples:

[image: facs_66_Music_1614958470717_138.png]


[image: facs_23_Music_1614089062057_1227.png]

The catch is that we would need the transcriptions rather quickly, ideally
by the end of March (but this is negotiable). Preferably, we would like to
have a student do the job, so I'd like to ask you to distribute this among
your students. But, of course, post-graduates can also apply.

In case you are interested, please reach out to me *by February 28, 2022*
with a brief, informal description of your music encoding experience, your
current status (student, post-graduate) and affiliation.

Best wishes,
FabiaN


Fabian C. Moss
*Research Fellow in Cultural Analytics*

University of Amsterdam
Faculty of Humanities / Department of Media Studies
Data Science Centre

Room 3.08, BG1
Turfdraagsterpad 9
1012 XT Amsterdam
Homepage <https://fabian-moss.de/> | Twitter
<https://twitter.com/fabianmoss> | Zoom <https://uva-live.zoom.us/my/fmoss>
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From lars.henrik.johansen at gmail.com  Mon Feb 21 15:22:23 2022
From: lars.henrik.johansen at gmail.com (Lars Johansen)
Date: Mon, 21 Feb 2022 15:22:23 +0100
Subject: [MEI-L] Job: Music Encoding
In-Reply-To: <CAAFBpnwGCwXJKh0t0NKcVF7F3W8y+JeEXCyW+WtMHfypt0rV4Q@mail.gmail.com>
References: <CAAFBpnwGCwXJKh0t0NKcVF7F3W8y+JeEXCyW+WtMHfypt0rV4Q@mail.gmail.com>
Message-ID: <A25EA854-4CBD-40CB-A52C-CCA0E8A5A8C3@gmail.com>

Dear Fabian,

I can do it. In fact it is very interesting, as I am applying for a post doc that uses such transcriptions, implemented in a system programmed in Python, to do automatic analysis of scores.

If you need me, I’m free.

Best wishes,

Lars Henrik Johansen
http://casalemilio.wordpress.com/ <http://casalemilio.wordpress.com/> 

> 21. feb. 2022 kl. 15:19 skrev Fabian Moss <fabianmoss at GMAIL.COM>:
> 
> Hello everyone!
> 
> For a music-encoding project we are looking for someone to transcribe 368 examples from historical music theory textbooks to humdrum/**kern. The examples vary in length, ranging between 2 and 20 measures (estimated). We are able to pay 2000,- CHF (Swiss project) for this task. Here are two examples:
> 
> <facs_66_Music_1614958470717_138.png>
> 
> 
> <facs_23_Music_1614089062057_1227.png>
> 
> The catch is that we would need the transcriptions rather quickly, ideally by the end of March (but this is negotiable). Preferably, we would like to have a student do the job, so I'd like to ask you to distribute this among your students. But, of course, post-graduates can also apply. 
> 
> In case you are interested, please reach out to me by February 28, 2022 with a brief, informal description of your music encoding experience, your current status (student, post-graduate) and affiliation.
> 
> Best wishes,
> FabiaN
> 
> 
> Fabian C. Moss
> Research Fellow in Cultural Analytics
> 
> University of Amsterdam
> Faculty of Humanities / Department of Media Studies
> Data Science Centre
> 
> Room 3.08, BG1
> Turfdraagsterpad 9
> 1012 XT Amsterdam
> Homepage <https://fabian-moss.de/> | Twitter <https://twitter.com/fabianmoss> | Zoom <https://uva-live.zoom.us/my/fmoss>_______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l

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From Anna.Kijas at tufts.edu  Mon Feb 21 16:42:20 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Mon, 21 Feb 2022 15:42:20 +0000
Subject: [MEI-L] Call for MEC 2024 Hosts
Message-ID: <BLAPR05MB7458B7FD8D92B979260A934A943A9@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear Members of the MEI Community,



As many of you are aware, among its activities MEI oversees the organization of an annual conference, the Music Encoding Conference (MEC), to provide a meeting place for scholars and practitioners interested in discussing the modeling, generation, and uses of music encoding. While the conference has an emphasis on the development and uses of MEI, other contributions related to general approaches to music encoding are always welcome, as an opportunity for exchange between scholars from various research communities, including technologists, librarians, historians, and theorists.

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024. In order to address the uncertainty related to the current global health crisis, we have opted for a simplified application procedure. At this stage, it is not necessary to submit a full application; instead, an informal expression of interest will be enough to set the ball rolling (maximum word limit: 600 words). We are aware that it may seem difficult to think ahead while we are still in the midst of a pandemic and the future of traveling to conferences may feel uncertain, therefore we welcome proposals for hybrid conferences (both online and in person). Hosting guidelines are available at https://music-encoding.org/conference/hosting-guidelines.html.

Historically, the conference has been organized by institutions involved in MEI, such as MEI member institutions or those hosting MEI-based projects, but expressions of interest from any interested group or institution will be happily received. Although MEC venues have alternated between Europe and North America in the past, we encourage and invite proposals from the Global South and other parts of the world.

The deadline to make up your mind and get in touch with us is 29 April 2022. Please direct all proposals and inquiries to info at music-encoding.org. Looking forward to hearing from you! Please share with your colleagues and networks.



Best wishes,

Anna E. Kijas (on behalf of the MEI Board)

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From stefan.muennich at unibas.ch  Wed Feb 23 13:28:23 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Wed, 23 Feb 2022 12:28:23 +0000
Subject: [MEI-L] ODD Meeting Feb 23 2pm UTC+0
Message-ID: <e98ee0c8e8ae4c7cabbc4a920134fcee@unibas.ch>

Dear MEI list members,

Just a gentle reminder that our next MEI ODD meeting will be held tomorrow (Thursday, February 24 at 2:00 pm UTC+0, you can check your local timezone here: https://www.timeanddate.com/worldclock/converter.html?iso=20220224T140000&p1=1440).

The ODD meetings are open to anyone interested in the technical development and progress of MEI, and provide a space to discuss latest and pending Pull Requests, Issues, or other urgent technical questions.

Further information can be found at the #odd-meetings channel on SLACK.

Looking forward to seeing you,
Benni and Stefan
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From luca.ludovico at unimi.it  Wed Feb 23 18:17:03 2022
From: luca.ludovico at unimi.it (Luca Andrea Ludovico)
Date: Wed, 23 Feb 2022 18:17:03 +0100
Subject: [MEI-L] Computer Supported Music Education @ CSEDU 2022 - Last call
 and deadline extension
Message-ID: <388689E1-C18C-4D7E-9ABA-A647754956A9@unimi.it>

[Apologies for cross-postings]

[Please distribute]

 

14th International Conference on Computer Supported Education (CSEDU 2022)

Special session on Computer Supported Music Education (CSME 2022) – 3rd edition

 

The International Conference on Computer Supported Education is an annual meeting place for presenting and discussing new educational tools and environments, best practices and case studies on innovative technology-based learning strategies, and institutional policies on computer supported education, including open and distance education.

 

In this framework, the special session on Computer Supported Music Education aims to investigate the impact of computer-based approaches on music education. We welcome contributions on the design, development and use of advanced technologies to support learning and teaching actions in music creation, performance, and analysis.

 

Accepted papers, presented at the conference by one or more of the authors, will be published in the Proceedings of CSEDU under an ISBN and indexed by major systems, e.g., Thomson Reuters Conference Proceedings Citation Index (CPCI/ISI), DBLP, EI (Elsevier Engineering Village Index), Scopus, Semantic Scholar and Google Scholar.

 

Important dates

Extended Submission Date: February 28, 2022

Authors Notification: March 10, 2022

Camera Ready and Registration: March 18, 2022

 

 

 

For further information

Special session web page: http://www.csedu.org/CSME.aspx

Conference web page: http://www.csedu.org/Home.aspx

 

 

Organizer and chair

Luca A. Ludovico

Laboratory of Music Informatics (LIM), Department of Computer Science, University of Milan

luca.ludovico at unimi.it

 

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From weigl at mdw.ac.at  Thu Mar  3 12:20:10 2022
From: weigl at mdw.ac.at (David Morrison Weigl)
Date: Thu, 03 Mar 2022 12:20:10 +0100
Subject: [MEI-L] Announcement: MEC '22 Registration,
 Student Bursaries and Childcare Bursaries available! (BURSARIES
 DEADLINE: MARCH 10th!)
Message-ID: <5e999ed474d19c87d18a90062d9e7f6ec95a1c35.camel@mdw.ac.at>

Dear MEI Community,

I'm pleased to announce that registration for the Music Encoding
Conference '22 is now open via the conference ConfTool page:

https://www.conftool.net/music-encoding2022/index.php?page=participate

Please make use of the reduced-fee early registration rates (up to
March 20, 2022) if possible. Your early registration will help us
enormously with planning this complex hybrid conference! 

The conference webpage has been updated with a wealth of information
about MEC '22. Please have a look:

https://music-encoding.org/conference/2022/

BURSARIES FOR STUDENT PRESENTERS of approximately $800 CAD per
successful applicant are available. Please see the following page for
information on the simple application process, and note the urgent
deadline of March 10, 2022!

https://music-encoding.org/conference/2022/bursaries/

CHILDCARE BURSARIES of $50 CAD per day (up to a maximum of $200 CAD per
person) are also available. Please see the following page, noting the
same urgent deadline!

https://music-encoding.org/conference/2022/childcare/

We hope to see many of you (in-person at Dalhousie University, or
virtually) at the Music Encoding Conference '22!

On behalf of the conference organizers,

David M. Weigl


-- 
David M. Weigl, PhD
Department of Music Acoustics - Wiener Klangstil
University of Music and Performing Arts Vienna, Austria
P.I., FWF Signature Sound Vienna. Same procedure as every year?
https://iwk.mdw.ac.at/signature-sound-vienna/


From weigl at mdw.ac.at  Tue Mar  8 17:39:42 2022
From: weigl at mdw.ac.at (David M. Weigl)
Date: Tue, 08 Mar 2022 17:39:42 +0100
Subject: [MEI-L] Call for Late-Breaking Reports: Music Encoding Conference
 2022, Dalhousie University (Hybrid), 19-22 May 2022
Message-ID: <573e6a43145f6c348767eb3d2bc006696b63c9f7.camel@mdw.ac.at>

[With apologies for cross-posting. Please distribute widely!]

We are pleased to announce our call for late-breaking reports to the Music Encoding Conference 2022.

The Music Encoding Conference is the annual meeting of the Music Encoding Initiative (MEI) community
and all who are interested in the digital representation of music. This cross-disciplinary venue is
open to and brings together members from various encoding, analysis, and music research communities,
including musicologists, theorists, librarians, technologists, music scholars, teachers, and
students, and provides an opportunity for learning and engaging with and from each other.

The MEC 2022 will take place Thursday 19th – Sunday 22nd May, 2022, at Dalhousie University, Nova
Scotia, Canada. The Conference will run in hybrid mode, allowing remote attendance where travel
plans are affected by the ongoing pandemic.

A wealth of information about attending MEC 2022 is available from the Conference website at
https://music-encoding.org/conference/2022

What are late-breaking reports?
-------------------------------
Late-breaking reports (LBR) offer submitting authors an opportunity to share new work on relevant
topics (see "Topics", below), with a special focus on experimental ideas, novel perspectives, early-
stage research, and late-breaking developments.

LBR submission requirements (see "Submission", below) are intended to provide a low barrier of
access to community feedback, with shortened page-length prescriptions and a simplified review
procedure compared to submissions to the regular conference programme.

Following the conference, authors of accepted LBR may choose to submit camera-ready versions of
their submission for inclusion in the conference proceedings. The MEC proceedings will be published
under an open access license and with an individual DOI number for all papers. Note that late-
breaking reports will be marked as "not peer-reviewed" in the proceedings due to the reduced LBR
review process.

Submission
-------------------------------
LBR submissions should be formatted in A4 size with 2.5cm margins, font size 12, single space,
justified, in a sans-serif typeface (e.g. Calibri) according to the MEC 2022 LBR Submission Template
available at https://tinyurl.com/mec22-lbr-template

 * Length: Up to 2 pages (including figures and tables, but excluding references).

 * Submission process: The LBR submission process will open on April 3rd, 2022, with submissions
accepted until capacity is reached (latest date: April 19th). Submissions (PDFs) should be uploaded
during this window via the MEC '22 ConfTool website at https://www.conftool.net/music-encoding2022/

 * Review process: Submissions will be lightly reviewed for relevance to the conference (see
"Topics", below) and accepted in limited numbers based on the order in which they are received.

Please note the deadlines for the submission process outlined under "Important Dates", below.

Important Dates
-------------------------------
20 March: Early-bird conference registration deadline.

3-19 April: Submissions of late-breaking reports. Notifications of acceptance (pending light review)
will be provided within 3 working days from submission.

18 May: Final registration deadline (for in-person attendance).

19–22 May: Conference.

5 June: Final upload of camera-ready papers for publication in the proceedings. Camera-ready
versions are welcome to incorporate light modifications in response to feedback obtained during the
conference.

Topics
-------------------------------
The Conference welcomes contributions from all those who are developing or applying music encodings
in their work and research. Topics include, but are not limited to:

 * data structures for music encoding
 * music encoding standardisation
 * music encoding interoperability / universality
 * methodologies for encoding, music editing, description and analysis
 * computational analysis of encoded music
 * rendering of symbolic music data in audio and graphical forms
 * conceptual encoding of relationships between multimodal music forms (e.g. symbolic music data,
encoded text, facsimile images, audio)
 * capture, interchange, and re-purposing of musical data and metadata
 * ontologies, authority files, and linked data in music encoding and description
 * (symbolic) music information retrieval using music encoding
 * evaluation of music encodings
 * best practice in approaches to music encoding

and the use or application of music encodings in:

 * music theory and analysis
 * digital musicology and, more broadly, digital humanities 
 * digital editions
 * music digital libraries
 * bibliographies and bibliographic studies
 * catalogues and collection management
 * composition
 * performance
 * teaching and learning
 * search and browsing
 * multimedia music presentation, exploration, and exhibition
 * machine learning approaches.

Additional information
-------------------------------
While we look forward to welcoming as many of you as possible in person at Dalhousie University, we
are preparing for MEC ‘22 within the context of ongoing uncertainty due to the Covid-19 pandemic. To
allow the community to best accommodate to this situation, we are organising this year’s conference
with the following commitments in mind:

 * The conference will allow remote participation as in the previous years (MEC ‘20 and ‘21).
Decisions on the precise implementation of this year’s hybrid format will be announced in due course
and communicated widely (conference web page, mailing list, MEI Slack, Twitter) in the months
leading up to the event.

 * We commit to the announced dates for MEC ‘22 (19th-22nd May). There will be no rescheduling of
the conference to fit projected changes in the pandemic situation this year.

Additional details regarding registration, accommodation, travel, and Covid guidelines are available
on the conference web page: https://music-encoding.org/conference/2022 

In case of questions, feel free to contact: conference2022 at music-encoding.org.

Programme Committee
-------------------------------
Daniel Bangert, Digital Repository of Ireland, Royal Irish Academy
Benjamin Bohl, Department of Musicology, Goethe-Universität Frankfurt
Susanne Cox, Beethoven-Haus Bonn
Timothy Duguid, School of Humanities, University of Glasgow
Norbert Dubowy, Digital Mozart Edition, Salzburg Mozarteum Foundation
Maristella Feustle, University of North Texas Libraries Music Library
Estelle Joubert, Dalhousie University
Anna Kijas, Lilly Music Library, Tufts University
David Lewis, University of Oxford | Goldsmiths University of London
Sageev Oore, Dalhousie University | Vector Institute for Artificial Intelligence
Anna Plaksin, Johannes Gutenberg-Universität Mainz | Birmingham City University
Juliette Regimbal, McGill University
Kristina Richts-Matthaei, Paderborn University
David M. Weigl (Committee Chair), University of Music and Performing Arts Vienna

Local organizing Committee
-------------------------------
Jennifer Bain (Committee Chair), Dalhousie University
Estelle Joubert, Dalhousie University
Sageev Oore, Dalhousie University | Vector Institute for Artificial Intelligence
Morgan Paul, Dalhousie University


From weigl at mdw.ac.at  Mon Mar 14 17:30:37 2022
From: weigl at mdw.ac.at (David Morrison Weigl)
Date: Mon, 14 Mar 2022 17:30:37 +0100
Subject: [MEI-L] Reminder: MEC '22 Early-bird Registration ends March 20;
 Student Travel Bursaries and Childcare Bursaries deadline extended
 to March 18!
Message-ID: <e11a7d48ef1ed290c68a716798c36d14d6d37b48.camel@mdw.ac.at>

Dear MEI Community,

EARLY REGISTRATION:

A gentle reminder that the early-bird registration phase for MEC '22
ends on Sunday, March 20. This is also the presenter registration
deadline, meaning that at least one author for each presentation at MEC
must register by this date. Registration is available via Conftool at:

https://www.conftool.net/music-encoding2022/index.php?page=participate

Please make use of the significantly reduced early registration rates
if possible. Aside from saving you money, your early registration will
help us enormously with the planning of this complex hybrid conference!
We particularly appreciate early registration if you are going to
attend MEC in person this year.

STUDENT AND CHILD-CARE BURSARIES: Deadline extended to March 18!

Student travel bursaries of approximately $800 CAD, and childcare
bursaries of $50 CAD per day (up to $200 CAD per person) remain
available up to an extended deadline of March 18. Please consult the
following pages for information on the simple application process:

Student travel bursaries:
https://music-encoding.org/conference/2022/bursaries/

Childcare bursaries: 
https://music-encoding.org/conference/2022/childcare/

Please note that:

* Student travel bursaries are also available to students intending to
submit late-breaking reports (subject to the receipt of a report within
the submission window of April 3 - 19);

* Childcare bursaries are available both to in-person and online
attendees;

* Eligible applicants are encouraged to apply to both bursaries! 

A wealth of information about MEC '22 is available from the conference
website at: https://music-encoding.org/conference/2022/

We hope to see many of you (in-person at Dalhousie University, or
virtually) at the Music Encoding Conference '22!

On behalf of the conference organizers,

David M. Weigl


From Anna.Kijas at tufts.edu  Tue Mar 22 16:29:04 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Tue, 22 Mar 2022 15:29:04 +0000
Subject: [MEI-L] Reminder: Call for MEC 2024 Hosts
Message-ID: <BLAPR05MB74588A35202A7D11CCD9707294179@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear Members of the MEI Community,



Quick details

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024.





As many of you are aware, among its activities MEI oversees the organization of an annual conference, the Music Encoding Conference (MEC), to provide a meeting place for scholars and practitioners interested in discussing the modeling, generation, and uses of music encoding. While the conference has an emphasis on the development and uses of MEI, other contributions related to general approaches to music encoding are always welcome, as an opportunity for exchange between scholars from various research communities, including technologists, librarians, historians, and theorists.

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024. In order to address the uncertainty related to the current global health crisis, we have opted for a simplified application procedure. At this stage, it is not necessary to submit a full application; instead, an informal expression of interest will be enough to set the ball rolling (maximum word limit: 600 words). We are aware that it may seem difficult to think ahead while we are still in the midst of a pandemic and the future of traveling to conferences may feel uncertain, therefore we welcome proposals for hybrid conferences (both online and in person). Hosting guidelines are available at https://music-encoding.org/conference/hosting-guidelines.html.

Historically, the conference has been organized by institutions involved in MEI, such as MEI member institutions or those hosting MEI-based projects, but expressions of interest from any interested group or institution will be happily received. Although MEC venues have alternated between Europe and North America in the past, we encourage and invite proposals from the Global South and other parts of the world.

The deadline to make up your mind and get in touch with us is 29 April 2022. Please direct all proposals and inquiries to info at music-encoding.org<mailto:info at music-encoding.org>. Looking forward to hearing from you! Please share with your colleagues and networks.



Best wishes,

Anna E. Kijas (on behalf of the MEI Board)

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From Anna.Kijas at tufts.edu  Tue Mar 22 16:32:53 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Tue, 22 Mar 2022 15:32:53 +0000
Subject: [MEI-L] Reminder: Call for MEC 2024 Hosts
In-Reply-To: <BLAPR05MB74588A35202A7D11CCD9707294179@BLAPR05MB7458.namprd05.prod.outlook.com>
References: <BLAPR05MB74588A35202A7D11CCD9707294179@BLAPR05MB7458.namprd05.prod.outlook.com>
Message-ID: <BLAPR05MB7458C0B95CE6DC904119077094179@BLAPR05MB7458.namprd05.prod.outlook.com>

Apologies! The email was sent off before I finished writing all of the details so I’m giving it a second go…


Quick Read:

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024. If you are interested in hosting at a future date, please get in touch and let us know!

The deadline to send your expressions of interest is 29 April 2022. Please direct all proposals and inquiries to info at music-encoding.org<mailto:info at music-encoding.org>.


Longer Read:

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024. In order to address the uncertainty related to the current global health crisis, we have opted for a simplified application procedure. At this stage, it is not necessary to submit a full application; instead, an informal expression of interest will be enough to set the ball rolling (maximum word limit: 600 words). We are aware that it may seem difficult to think ahead while we are still in the midst of a pandemic and the future of traveling to conferences may feel uncertain, therefore we welcome proposals for hybrid conferences (both online and in person). Hosting guidelines are available at https://music-encoding.org/conference/hosting-guidelines.html.

Historically, the conference has been organized by institutions involved in MEI, such as MEI member institutions or those hosting MEI-based projects, but expressions of interest from any interested group or institution will be happily received. Although MEC venues have alternated between Europe and North America in the past, we encourage and invite proposals from the Global South and other parts of the world.

The deadline to make up your mind and get in touch with us is 29 April 2022. Please direct all proposals and inquiries to info at music-encoding.org<mailto:info at music-encoding.org>. Looking forward to hearing from you! Please share with your colleagues and networks.
Best,
Anna (on behalf of the MEI Board)

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846

From: Kijas, Anna E <Anna.Kijas at tufts.edu>
Date: Tuesday, March 22, 2022 at 11:29 AM
To: Music Encoding Initiative <mei-l at lists.uni-paderborn.de>
Subject: Reminder: Call for MEC 2024 Hosts

Dear Members of the MEI Community,



Quick details

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024.





As many of you are aware, among its activities MEI oversees the organization of an annual conference, the Music Encoding Conference (MEC), to provide a meeting place for scholars and practitioners interested in discussing the modeling, generation, and uses of music encoding. While the conference has an emphasis on the development and uses of MEI, other contributions related to general approaches to music encoding are always welcome, as an opportunity for exchange between scholars from various research communities, including technologists, librarians, historians, and theorists.

The MEI Board invites expressions of interest for the organization of the 12th edition of the annual Music Encoding Conference, to be held in 2024. In order to address the uncertainty related to the current global health crisis, we have opted for a simplified application procedure. At this stage, it is not necessary to submit a full application; instead, an informal expression of interest will be enough to set the ball rolling (maximum word limit: 600 words). We are aware that it may seem difficult to think ahead while we are still in the midst of a pandemic and the future of traveling to conferences may feel uncertain, therefore we welcome proposals for hybrid conferences (both online and in person). Hosting guidelines are available at https://music-encoding.org/conference/hosting-guidelines.html.

Historically, the conference has been organized by institutions involved in MEI, such as MEI member institutions or those hosting MEI-based projects, but expressions of interest from any interested group or institution will be happily received. Although MEC venues have alternated between Europe and North America in the past, we encourage and invite proposals from the Global South and other parts of the world.

The deadline to make up your mind and get in touch with us is 29 April 2022. Please direct all proposals and inquiries to info at music-encoding.org<mailto:info at music-encoding.org>. Looking forward to hearing from you! Please share with your colleagues and networks.



Best wishes,

Anna E. Kijas (on behalf of the MEI Board)

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From anne.ferger at uni-paderborn.de  Thu Apr 14 15:15:28 2022
From: anne.ferger at uni-paderborn.de (Anne Ferger)
Date: Thu, 14 Apr 2022 15:15:28 +0200
Subject: [MEI-L] OxGarage Meeting Monday April 25 3pm UTC+0
Message-ID: <7299b3d7-321f-4753-e364-294908eb07d0@uni-paderborn.de>

Dear MEI list members,

as you might know, the OxGarage is a RESTful webservice to manage 
transformations between a variety of text formats. Recently, the MEI 
community has adapted the OxGarage for transformations between various 
music notation formats. Now, to merge these efforts and to enhance and 
refactor the (more than 10 years old) code base, we are happy to 
announce that we can take on this venture with funding from the German 
NFDI4Culture initiative.

We invite all interested users and developers of both MEIGarage and 
OxGarage (TEIGarage) to a very first community meeting on Monday, April 
25 at 3:00 pm UTC+0 (you can check your local timezone here: 
https://www.timeanddate.com/worldclock/converter.html?iso=20220425T150000&p1=37&p2=1440). 
We'll discuss usage scenarios as well as some of the current developments.

Zoom details:
https://uni-paderborn-de.zoom.us/j/98154560347?pwd=elozMGlNeVpQQVpxZHZSMldjY3JlZz09
Meeting ID: 981 5456 0347
Passcode: 883875

Looking forward to seeing you there,
Daniel Röwenstrunk, Peter Stadler and Anne Ferger

-- 
Anne Ferger, M.A.
http://orcid.org/0000-0002-1382-265827

NFDI4Culture
https://nfdi4culture.de

Universität Paderborn
Heinz Nixdorf Institut
Fürstenallee 11
33102 Paderborn

anne.ferger at uni-paderborn.de



From dennis.ried at uni-paderborn.de  Thu Apr 28 14:47:03 2022
From: dennis.ried at uni-paderborn.de (Dennis Ried)
Date: Thu, 28 Apr 2022 14:47:03 +0200
Subject: [MEI-L] =?utf-8?q?Edirom_Summer_School_=E2=80=93_Course_Programm?=
 =?utf-8?q?_announced?=
Message-ID: <DBFAAD8C-B2BC-4767-B825-5DE9FA156BDB@uni-paderborn.de>

>>> Apologies for cross-posting <<<

Dear List,

I am happy to announce the course program <https://ess.uni-paderborn.de/2022/programm.html> for the 13th Edirom Summer School (5th to 9th September in Paderborn/Germany).
The detailed course descriptions are expected to follow at the end of May.

I would like to emphasize that we will also offer a course on MEI Mensural this year. This course and also the Verovio course will be held in English.

All information will be posted as usual to https://ess.uni-paderborn.de <https://ess.uni-paderborn.de/>

Best regards

Dennis Ried M.A.

Wissenschaftlicher Mitarbeiter im DFG-Projekt
»Henze Digital« <https://www.muwi-detmold-paderborn.de/forschung/1-2> – Hans Werner Henzes künstlerisches Netzwerk
__________________________________________





Forum Wissenschaft | Bibliothek | Musik
Hornsche Straße 44 | Büro E.09
32756 Detmold

Mail: dennis.ried at uni-paderborn.de <mailto:dennis.ried at uni-paderborn.de>
ORCID: 0000-0001-5545-2088 <https://orcid.org/0000-0001-5545-2088>
__________________________________________

#WirFeiernZukunft
 <https://upb50.de/>https://upb50.de/ <https://upb50.de/>



 __________________________________________


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From d.j.baker at uva.nl  Tue May  3 15:52:45 2022
From: d.j.baker at uva.nl (Dave Baker)
Date: Tue, 3 May 2022 13:52:45 +0000
Subject: [MEI-L] Call for Posters: 9th International Conference on Digital
 Libraries for Musicology
Message-ID: <AM0PR10MB336389F0BDF127BCB8E58BE1C5C09@AM0PR10MB3363.EURPRD10.PROD.OUTLOOK.COM>

Call for Posters: 9th International Conference on Digital Libraries for Musicology (In Association with IAML 2021), July 28, 2022


CALL FOR POSTERS


The 9th DLfM conference (https://dlfm.web.ox.ac.uk<https://dlfm.web.ox.ac.uk/home>) welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). This year’s conference will again be held in association with the IAML Congress (https://www.iaml2022.cz/) and will feature a joint paper session as well as a joint poster session. In bringing these two conferences together we aim to encourage new collaborations and foster larger group discussions surrounding prominent issues in the digital humanities.

This year’s theme of “FAIR principles in Digital Libraries for Musicology” is designed to bring together scholars working across the niche subfields of digital libraries and humanities, computational musicology, and MIR, to discuss topics relating to making data—and also tools and services—findable, accessible, interoperable and reusable. In a world where technologies rapidly multiply, and where user needs and expectations as well as digital risks change extremely quickly, we consider these principles to be essential in the development of digital libraries tailored to musicology research. What tools, practices, or perspectives can help us navigate these constantly fluctuating needs and technologies while still prioritizing accessibility and sustainability?

The conference strongly encourages posters that address this year’s theme, however, we welcome all posters addressing all traditional topics that fall under the scope of DLfM. Posters will be permanently placed on the DLfM website, and poster presenters will have the opportunity to present their work in a dedicated poster session. More details will be announced on the DLfM website soon (https://dlfm.web.ox.ac.uk<https://dlfm.web.ox.ac.uk/home>).

The conference organizers are excited to return to our first in-person conference since 2019!



IMPORTANT DATES (AoE<https://en.wikipedia.org/wiki/Anywhere_on_Earth>)

Poster abstract submission deadline: May 23rd, 2022

Notification of Acceptance: May 30th, 2022

Conference: July 28th, 2022



POSTER SUBMISSION

An abstract of the proposed poster of no more than 500 words must be submitted by May 23rd, 2022. Abstracts are to be emailed to: dlfm2022 at easychair.org<mailto:dlfm2022 at easychair.org> Details for poster formats will be updated to the DLfM website soon, and instructions will be emailed to authors following the review period. Abstracts will be reviewed and decisions returned by May 30th, 2022.



Contact email: dlfm2022 at easychair.org



CONFERENCE ORGANISATION



Programme Chair

Laurent Pugin, RISM Digital Center


General Chair

Claire Arthur, Center for Music Technology, Georgia Tech



Proceedings and Publicity Chair

David John Baker, University of Amsterdam



IAML Programme Officer

Rupert Rigewell





CONFERENCE SPONSORS

RISM Digital Center

Georgia Institute of Technology, School of Music

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From stefan.muennich at unibas.ch  Thu May 19 11:58:39 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Thu, 19 May 2022 09:58:39 +0000
Subject: [MEI-L] MEC 2021: Proceedings (publication)
Message-ID: <6d28f9b8818343fa85945db6c86f152c@unibas.ch>

Dear MEI-L,


It is our great pleasure to announce the upload of the MEC 2021 Proceedings to Humanities Commons: https://doi.org/10.17613/fc1c-mx52

You find an overview of all published items, including individual contributions, bibtex metadata and abstracts, here: https://music-encoding.org/conference/proceedings.html


A huge collective effort and teamwork made it possible to get this volume with 24 contributions, 57 distinct authors and with a magical 222 (+2) pages ready for publication, just in time before MEC 2022. Many thanks to everyone involved!

And I would also like to take this opportunity to thank the wonderful David Rizo, who tirelessly handled all the technical issues and challenges (especially the idiosyncrasies of InDesign) and took care of the lovely layout and design. Thank you so much, David, magnífico grandioso!

We wish you an exciting read, and for all those attending MEC2022, a great conference.

Cheers, y un abrazo,
David and Stefan




---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>
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From Anna.Kijas at tufts.edu  Fri Jun  3 17:10:02 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Fri, 3 Jun 2022 15:10:02 +0000
Subject: [MEI-L] Feedback for MEI Community Code of Conduct
Message-ID: <BLAPR05MB7458FBBDA789C246C48274E694A19@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear Colleagues,

At the MEC 2022 in Halifax we shared a draft MEI Community Code of Conduct at the Community Meeting. We would like to request your feedback on the text of this document, which will be reviewed by the MEI Board and considered as we revise and finalize the document.

Here is the link to the draft MEI Code of Conduct: https://bit.ly/3PBCmb2.

Please share your feedback through June 6, 2022 via MEI Slack, add comments in the document, or email the MEI Board (mei-board at lists.uni-paderborn.de<mailto:mei-board at lists.uni-paderborn.de>).

Best,
Anna

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From craigsapp at gmail.com  Fri Jun  3 18:21:40 2022
From: craigsapp at gmail.com (Craig Sapp)
Date: Fri, 3 Jun 2022 09:21:40 -0700
Subject: [MEI-L] Feedback for MEI Community Code of Conduct
In-Reply-To: <BLAPR05MB7458FBBDA789C246C48274E694A19@BLAPR05MB7458.namprd05.prod.outlook.com>
References: <BLAPR05MB7458FBBDA789C246C48274E694A19@BLAPR05MB7458.namprd05.prod.outlook.com>
Message-ID: <CAPcjuFc_w4YP-fzH0yJCZdh-vLLqLsX24z6B_AZoKxgNjqhWYw@mail.gmail.com>

These codes of conduct originate with this case from a meeting of the
Society for Music Theory a few years ago:

https://www.nytimes.com/2021/02/14/arts/musicology-journal-race-free-speech.html

Notice that legal action was involved, so you should have a lawyer review
the final form (presumably in Germany or possibly Canada -- wherever the
MEI board is a legal entity) for possible implications.



On Fri, 3 Jun 2022 at 08:10, Kijas, Anna E <Anna.Kijas at tufts.edu> wrote:

> Dear Colleagues,
>
>
>
> At the MEC 2022 in Halifax we shared a draft MEI Community Code of Conduct
> at the Community Meeting. We would like to request your feedback on the
> text of this document, which will be reviewed by the MEI Board and
> considered as we revise and finalize the document.
>
>
>
> Here is the link to the draft MEI Code of Conduct: https://bit.ly/3PBCmb2.
>
>
>
>
> Please share your feedback through June 6, 2022 via MEI Slack, add
> comments in the document, or email the MEI Board (
> mei-board at lists.uni-paderborn.de).
>
>
>
> Best,
>
> Anna
>
>
>
> Anna E. Kijas
>
> Head, Lilly Music Library
>
> Granoff Music Center
>
> Tufts University
>
> 20 Talbot Avenue, Medford, MA 02155
>
> Pronouns: she, her, hers
>
> Book an appointment <https://tufts.libcal.com/appointments/kijas/lilly> |
> (617) 627-2846
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
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From stefan.muennich at unibas.ch  Sun Jun  5 17:16:06 2022
From: stefan.muennich at unibas.ch (=?Windows-1252?Q?Stefan_M=FCnnich?=)
Date: Sun, 5 Jun 2022 15:16:06 +0000
Subject: [MEI-L] MEI Developer Workshop
Message-ID: <16d1e15102b947578082804a03b83d5b@unibas.ch>

Dear MEI Community,

We’re happy to announce that Enote in Berlin (Germany) will host the next MEI Developer Meeting. The meeting is scheduled for October 1–3, 2022, and, at least at this point, we assume that it can be held as an in-person event.

The main objective of this working meeting is to discuss and work on various topics and ideas related to the technical development of MEI.

To facilitate the preparation and organization of the meeting for our local organizer, Klaus Rettinghaus, we would like to ask everyone interested in joining the meeting to fill out this registration form: https://forms.gle/F2HvxxpFQyejwjA6A

Please find below additional information about the venue, and a list of recommended accomodations.

Looking forward to meeting you in Berlin,
Klaus, Benni & Stefan



Venue address:
Enote GmbH
Gontardstrasse 11
10178 Berlin
Germany


List of some accomodations:$$$
Park Inn by Radisson Berlin Alexanderplatz
https://www.radissonhotels.com/en-us/hotels/park-inn-berlin-alexanderplatz$$
Motel One Berlin-Alexanderplatz
https://www.motel-one.com/en/hotels/berlin/hotel-berlin-alexanderplatz/B&B Hotel Berlin-Alexanderplatz
https://www.hotel-bb.com/en/hotel/berlin-alexanderplatz$
One80° Hostel
https://one80hostels.com/en/St Christopher’s Inn Berlin Alexanderplatz
https://www.st-christophers.co.uk/berlin/alexanderplatz-hostel/


<https://www.unibas.ch/><https://www.unibas.ch/>
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From rfreedma at haverford.edu  Sun Jun  5 18:39:07 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 12:39:07 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
Message-ID: <CA+zvZGeBzMeugemZwSo80C3Dosfduj=bO7z9mgQwuxaY7R5b7w@mail.gmail.com>

Friends,

I am wondering whether someone can help me with confusion about the
encoding of mRests.

Our MEI 3.0 files have certain bars with mRest under a time signature of
3/1.

The dur of these mRests is recorded as breve in MEI 3.0.  We need, however,
to add dots="1" to these for subsequent processing with music21.  This
works.

However, when I convert these files to MEI 4.0. I also see a dur of "breve
1", and the dots="1" are gone.

What is the meaning of "breve 1" here?  I cannot seem to find the
documentation of this attribute value.

Thanks!

Richard

-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From andrew.hankinson at gmail.com  Sun Jun  5 19:19:54 2022
From: andrew.hankinson at gmail.com (Andrew Hankinson)
Date: Sun, 5 Jun 2022 19:19:54 +0200
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <CA+zvZGeBzMeugemZwSo80C3Dosfduj=bO7z9mgQwuxaY7R5b7w@mail.gmail.com>
References: <CA+zvZGeBzMeugemZwSo80C3Dosfduj=bO7z9mgQwuxaY7R5b7w@mail.gmail.com>
Message-ID: <0DB0B37E-E23A-41DA-9A6D-E432A18CB981@gmail.com>

Hi Richard,

How are you converting the files? What script or service are you using?

-Andrew

> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
> 
> 
> Friends,
> 
> I am wondering whether someone can help me with confusion about the encoding of mRests.
> 
> Our MEI 3.0 files have certain bars with mRest under a time signature of 3/1.
> 
> The dur of these mRests is recorded as breve in MEI 3.0.  We need, however, to add dots="1" to these for subsequent processing with music21.  This works.
> 
> However, when I convert these files to MEI 4.0. I also see a dur of "breve 1", and the dots="1" are gone.
> 
> What is the meaning of "breve 1" here?  I cannot seem to find the documentation of this attribute value.
> 
> Thanks!
> 
> Richard
> 
> -- 
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
> 
> 610-389-0595
> 
> 
> http://www.haverford.edu/users/rfreedma
> 
> Schedule meeting time: https://bit.ly/3D0NAQ4
> 
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
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From rfreedma at haverford.edu  Sun Jun  5 19:25:33 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 13:25:33 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <0DB0B37E-E23A-41DA-9A6D-E432A18CB981@gmail.com>
References: <CA+zvZGeBzMeugemZwSo80C3Dosfduj=bO7z9mgQwuxaY7R5b7w@mail.gmail.com>
 <0DB0B37E-E23A-41DA-9A6D-E432A18CB981@gmail.com>
Message-ID: <CA+zvZGdPBR3K2ufp60NeF1++bcWz8uMPKn6m=CkM1_pB1aVc0w@mail.gmail.com>

I am using MEI garage.  We have a script by Raff Viglianti that passes
each of our MEI 3 files to garage, then
saves them locally.

richard

On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <andrew.hankinson at gmail.com>
wrote:

> Hi Richard,
>
> How are you converting the files? What script or service are you using?
>
> -Andrew
>
> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> 
> Friends,
>
> I am wondering whether someone can help me with confusion about the
> encoding of mRests.
>
> Our MEI 3.0 files have certain bars with mRest under a time signature of
> 3/1.
>
> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
> however, to add dots="1" to these for subsequent processing with music21.
> This works.
>
> However, when I convert these files to MEI 4.0. I also see a dur of "breve
> 1", and the dots="1" are gone.
>
> What is the meaning of "breve 1" here?  I cannot seem to find the
> documentation of this attribute value.
>
> Thanks!
>
> Richard
>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From andrew.hankinson at rism.digital  Sun Jun  5 19:56:04 2022
From: andrew.hankinson at rism.digital (Andrew Hankinson)
Date: Sun, 5 Jun 2022 19:56:04 +0200
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <CA+zvZGdPBR3K2ufp60NeF1++bcWz8uMPKn6m=CkM1_pB1aVc0w@mail.gmail.com>
References: <CA+zvZGeBzMeugemZwSo80C3Dosfduj=bO7z9mgQwuxaY7R5b7w@mail.gmail.com>
 <0DB0B37E-E23A-41DA-9A6D-E432A18CB981@gmail.com>
 <CA+zvZGdPBR3K2ufp60NeF1++bcWz8uMPKn6m=CkM1_pB1aVc0w@mail.gmail.com>
Message-ID: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>

I can't tell you exactly why it's happening, but I suspect there's something going wrong here:

https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415 <https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415>

Particularly lines 410-413.



> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
> 
> I am using MEI garage.  We have a script by Raff Viglianti that passes
> each of our MEI 3 files to garage, then
> saves them locally.  
> 
> richard 
> 
> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <andrew.hankinson at gmail.com <mailto:andrew.hankinson at gmail.com>> wrote:
> Hi Richard,
> 
> How are you converting the files? What script or service are you using?
> 
> -Andrew
> 
>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu <mailto:rfreedma at haverford.edu>> wrote:
>> 
>> 
>> Friends,
>> 
>> I am wondering whether someone can help me with confusion about the encoding of mRests.
>> 
>> Our MEI 3.0 files have certain bars with mRest under a time signature of 3/1.
>> 
>> The dur of these mRests is recorded as breve in MEI 3.0.  We need, however, to add dots="1" to these for subsequent processing with music21.  This works.
>> 
>> However, when I convert these files to MEI 4.0. I also see a dur of "breve 1", and the dots="1" are gone.
>> 
>> What is the meaning of "breve 1" here?  I cannot seem to find the documentation of this attribute value.
>> 
>> Thanks!
>> 
>> Richard
>> 
>> -- 
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>> 
>> 610-389-0595
>> 
>> 
>> http://www.haverford.edu/users/rfreedma <http://www.haverford.edu/users/rfreedma>
>> 
>> Schedule meeting time: https://bit.ly/3D0NAQ4 <https://bit.ly/3D0NAQ4>
>> 
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
> -- 
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
> 
> 610-389-0595
> 
> 
> http://www.haverford.edu/users/rfreedma <http://www.haverford.edu/users/rfreedma>
> 
> Schedule meeting time: https://bit.ly/3D0NAQ4 <https://bit.ly/3D0NAQ4>
> 
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l

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From klaus.rettinghaus at gmail.com  Sun Jun  5 22:04:41 2022
From: klaus.rettinghaus at gmail.com (Klaus Rettinghaus)
Date: Sun, 5 Jun 2022 22:04:41 +0200
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
Message-ID: <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>

Hi Richard, 

the main problem is that the dots attribute has been removed in MEI 4.
See
https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
and
https://github.com/music-encoding/music-encoding/issues/429

—
Dr. Klaus Rettinghaus 

> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson <andrew.hankinson at rism.digital>:
> 
> I can't tell you exactly why it's happening, but I suspect there's something going wrong here:
> 
> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
> 
> Particularly lines 410-413.
> 
> 
> 
>> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>> 
>> I am using MEI garage.  We have a script by Raff Viglianti that passes
>> each of our MEI 3 files to garage, then
>> saves them locally.  
>> 
>> richard 
>> 
>>> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <andrew.hankinson at gmail.com> wrote:
>>> Hi Richard,
>>> 
>>> How are you converting the files? What script or service are you using?
>>> 
>>> -Andrew
>>> 
>>>>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
>>>>> 
>>>> 
>>>> Friends,
>>>> 
>>>> I am wondering whether someone can help me with confusion about the encoding of mRests.
>>>> 
>>>> Our MEI 3.0 files have certain bars with mRest under a time signature of 3/1.
>>>> 
>>>> The dur of these mRests is recorded as breve in MEI 3.0.  We need, however, to add dots="1" to these for subsequent processing with music21.  This works.
>>>> 
>>>> However, when I convert these files to MEI 4.0. I also see a dur of "breve 1", and the dots="1" are gone.
>>>> 
>>>> What is the meaning of "breve 1" here?  I cannot seem to find the documentation of this attribute value.
>>>> 
>>>> Thanks!
>>>> 
>>>> Richard
>>>> 
>>>> -- 
>>>> Richard Freedman
>>>> Professor of Music
>>>> John C. Whitehead '43 Professor of Humanities
>>>> Chair, Department of Music
>>>> Haverford College
>>>> Haverford, PA 19041
>>>> 
>>>> 610-389-0595
>>>> 
>>>> 
>>>> http://www.haverford.edu/users/rfreedma
>>>> 
>>>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>>> 
>>>> _______________________________________________
>>>> mei-l mailing list
>>>> mei-l at lists.uni-paderborn.de
>>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>> -- 
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>> 
>> 610-389-0595
>> 
>> 
>> http://www.haverford.edu/users/rfreedma
>> 
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>> 
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
> 
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
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From rfreedma at haverford.edu  Sun Jun  5 23:00:44 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 17:00:44 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
Message-ID: <CA+zvZGcJ4_aLNc+Rn-1uPh--xK_YU7a8CjnoprZ5p8re53cASw@mail.gmail.com>

Thank you Klaus (and Andrew!).

It seems I am a bit stuck here, since Music21 does not correctly interpret
mRest = Breve under a 3/1 measure.  It regards the Breve as 8.0 beats, not
12.  Adding the dots="1" in MEI 3 worked.  But "breve 1" in MEI 4.0 (which
might or might not mean a dotted breve rest) does not seem to work, since
Music21 is not compliant with MEI 4.

Richard



On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <
klaus.rettinghaus at gmail.com> wrote:

> Hi Richard,
>
> the main problem is that the dots attribute has been removed in MEI 4.
> See
> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
> and
> https://github.com/music-encoding/music-encoding/issues/429
>
> —
> Dr. Klaus Rettinghaus
>
> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson
> <andrew.hankinson at rism.digital>:
>
> I can't tell you exactly why it's happening, but I suspect there's
> something going wrong here:
>
>
> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
>
> Particularly lines 410-413.
>
>
>
> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> I am using MEI garage.  We have a script by Raff Viglianti that passes
> each of our MEI 3 files to garage, then
> saves them locally.
>
> richard
>
> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <
> andrew.hankinson at gmail.com> wrote:
>
>> Hi Richard,
>>
>> How are you converting the files? What script or service are you using?
>>
>> -Andrew
>>
>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
>>
>> 
>> Friends,
>>
>> I am wondering whether someone can help me with confusion about the
>> encoding of mRests.
>>
>> Our MEI 3.0 files have certain bars with mRest under a time signature of
>> 3/1.
>>
>> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
>> however, to add dots="1" to these for subsequent processing with music21.
>> This works.
>>
>> However, when I convert these files to MEI 4.0. I also see a dur of
>> "breve 1", and the dots="1" are gone.
>>
>> What is the meaning of "breve 1" here?  I cannot seem to find the
>> documentation of this attribute value.
>>
>> Thanks!
>>
>> Richard
>>
>> --
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>>
>> 610-389-0595
>>
>>
>> http://www.haverford.edu/users/rfreedma
>>
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>


-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From andrew.hankinson at rism.digital  Sun Jun  5 23:49:04 2022
From: andrew.hankinson at rism.digital (Andrew Hankinson)
Date: Sun, 5 Jun 2022 23:49:04 +0200
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <CA+zvZGcJ4_aLNc+Rn-1uPh--xK_YU7a8CjnoprZ5p8re53cASw@mail.gmail.com>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
 <CA+zvZGcJ4_aLNc+Rn-1uPh--xK_YU7a8CjnoprZ5p8re53cASw@mail.gmail.com>
Message-ID: <F89B6BC7-AB82-4A9C-845C-400FABCACE58@rism.digital>

Actually, scratch my last message -- `breve 1` is a valid duration, but music21 does not recognize multiple values for the @dur element. It means a breve + whole note. 

music21 does have a 'Rest.fullMeasure' object, which is probably more appropriate to use in this situation. You would need to test and see if it works, but this function is probably where you would want to make the changes:

https://github.com/cuthbertLab/music21/blob/master/music21/mei/base.py#L2312-L2331 <https://github.com/cuthbertLab/music21/blob/master/music21/mei/base.py#L2312-L2331>

See: https://web.mit.edu/music21/doc/moduleReference/moduleNote.html#music21.note.Rest.fullMeasure <https://web.mit.edu/music21/doc/moduleReference/moduleNote.html#music21.note.Rest.fullMeasure>

If you don't want to make changes to the music21 code, then a "hack" would be to detect values of "breve 1" on `mRest` elements and manually set the object appropriately in the music21 object tree prior to running your analysis. 

-Andrew

> On 5 Jun 2022, at 23:00, Richard Freedman <rfreedma at haverford.edu> wrote:
> 
> Thank you Klaus (and Andrew!).
> 
> It seems I am a bit stuck here, since Music21 does not correctly interpret mRest = Breve under a 3/1 measure.  It regards the Breve as 8.0 beats, not 12.  Adding the dots="1" in MEI 3 worked.  But "breve 1" in MEI 4.0 (which might or might not mean a dotted breve rest) does not seem to work, since Music21 is not compliant with MEI 4.
> 
> Richard
> 
> 
> 
> On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <klaus.rettinghaus at gmail.com <mailto:klaus.rettinghaus at gmail.com>> wrote:
> Hi Richard, 
> 
> the main problem is that the dots attribute has been removed in MEI 4.
> See
> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes <https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes>
> and
> https://github.com/music-encoding/music-encoding/issues/429 <https://github.com/music-encoding/music-encoding/issues/429>
> 
> —
> Dr. Klaus Rettinghaus 
> 
>> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson <andrew.hankinson at rism.digital>:
>> 
>> I can't tell you exactly why it's happening, but I suspect there's something going wrong here:
>> 
>> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415 <https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415>
>> 
>> Particularly lines 410-413.
>> 
>> 
>> 
>>> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu <mailto:rfreedma at haverford.edu>> wrote:
>>> 
>>> I am using MEI garage.  We have a script by Raff Viglianti that passes
>>> each of our MEI 3 files to garage, then
>>> saves them locally.  
>>> 
>>> richard 
>>> 
>>> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <andrew.hankinson at gmail.com <mailto:andrew.hankinson at gmail.com>> wrote:
>>> Hi Richard,
>>> 
>>> How are you converting the files? What script or service are you using?
>>> 
>>> -Andrew
>>> 
>>>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu <mailto:rfreedma at haverford.edu>> wrote:
>>>> 
>>>> 
>>>> Friends,
>>>> 
>>>> I am wondering whether someone can help me with confusion about the encoding of mRests.
>>>> 
>>>> Our MEI 3.0 files have certain bars with mRest under a time signature of 3/1.
>>>> 
>>>> The dur of these mRests is recorded as breve in MEI 3.0.  We need, however, to add dots="1" to these for subsequent processing with music21.  This works.
>>>> 
>>>> However, when I convert these files to MEI 4.0. I also see a dur of "breve 1", and the dots="1" are gone.
>>>> 
>>>> What is the meaning of "breve 1" here?  I cannot seem to find the documentation of this attribute value.
>>>> 
>>>> Thanks!
>>>> 
>>>> Richard
>>>> 
>>>> -- 
>>>> Richard Freedman
>>>> Professor of Music
>>>> John C. Whitehead '43 Professor of Humanities
>>>> Chair, Department of Music
>>>> Haverford College
>>>> Haverford, PA 19041
>>>> 
>>>> 610-389-0595
>>>> 
>>>> 
>>>> http://www.haverford.edu/users/rfreedma <http://www.haverford.edu/users/rfreedma>
>>>> 
>>>> Schedule meeting time: https://bit.ly/3D0NAQ4 <https://bit.ly/3D0NAQ4>
>>>> 
>>>> _______________________________________________
>>>> mei-l mailing list
>>>> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
>>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
>>> -- 
>>> Richard Freedman
>>> Professor of Music
>>> John C. Whitehead '43 Professor of Humanities
>>> Chair, Department of Music
>>> Haverford College
>>> Haverford, PA 19041
>>> 
>>> 610-389-0595
>>> 
>>> 
>>> http://www.haverford.edu/users/rfreedma <http://www.haverford.edu/users/rfreedma>
>>> 
>>> Schedule meeting time: https://bit.ly/3D0NAQ4 <https://bit.ly/3D0NAQ4>
>>> 
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
>> 
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
> 
> 
> -- 
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
> 
> 610-389-0595
> 
> 
> http://www.haverford.edu/users/rfreedma <http://www.haverford.edu/users/rfreedma>
> 
> Schedule meeting time: https://bit.ly/3D0NAQ4 <https://bit.ly/3D0NAQ4>
> 
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l

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From rfreedma at haverford.edu  Mon Jun  6 00:00:12 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 18:00:12 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <F89B6BC7-AB82-4A9C-845C-400FABCACE58@rism.digital>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
 <CA+zvZGcJ4_aLNc+Rn-1uPh--xK_YU7a8CjnoprZ5p8re53cASw@mail.gmail.com>
 <F89B6BC7-AB82-4A9C-845C-400FABCACE58@rism.digital>
Message-ID: <CA+zvZGfOvNRN1yCynVZtgKfk3=vd1dXmPEG3Wq-twokDie-QLw@mail.gmail.com>

Thank you !

On Sun, Jun 5, 2022 at 5:50 PM Andrew Hankinson
<andrew.hankinson at rism.digital> wrote:

> Actually, scratch my last message -- `breve 1` is a valid duration, but
> music21 does not recognize multiple values for the @dur element. It means a
> breve + whole note.
>
> music21 does have a 'Rest.fullMeasure' object, which is probably more
> appropriate to use in this situation. You would need to test and see if it
> works, but this function is probably where you would want to make the
> changes:
>
>
> https://github.com/cuthbertLab/music21/blob/master/music21/mei/base.py#L2312-L2331
>
> See:
> https://web.mit.edu/music21/doc/moduleReference/moduleNote.html#music21.note.Rest.fullMeasure
>
> If you don't want to make changes to the music21 code, then a "hack" would
> be to detect values of "breve 1" on `mRest` elements and manually set the
> object appropriately in the music21 object tree prior to running your
> analysis.
>
> -Andrew
>
> On 5 Jun 2022, at 23:00, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> Thank you Klaus (and Andrew!).
>
> It seems I am a bit stuck here, since Music21 does not correctly interpret
> mRest = Breve under a 3/1 measure.  It regards the Breve as 8.0 beats, not
> 12.  Adding the dots="1" in MEI 3 worked.  But "breve 1" in MEI 4.0 (which
> might or might not mean a dotted breve rest) does not seem to work, since
> Music21 is not compliant with MEI 4.
>
> Richard
>
>
>
> On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <
> klaus.rettinghaus at gmail.com> wrote:
>
>> Hi Richard,
>>
>> the main problem is that the dots attribute has been removed in MEI 4.
>> See
>> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
>> and
>> https://github.com/music-encoding/music-encoding/issues/429
>>
>> —
>> Dr. Klaus Rettinghaus
>>
>> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson <
>> andrew.hankinson at rism.digital>:
>>
>> I can't tell you exactly why it's happening, but I suspect there's
>> something going wrong here:
>>
>>
>> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
>>
>> Particularly lines 410-413.
>>
>>
>>
>> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>>
>> I am using MEI garage.  We have a script by Raff Viglianti that passes
>> each of our MEI 3 files to garage, then
>> saves them locally.
>>
>> richard
>>
>> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <
>> andrew.hankinson at gmail.com> wrote:
>>
>>> Hi Richard,
>>>
>>> How are you converting the files? What script or service are you using?
>>>
>>> -Andrew
>>>
>>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu>
>>> wrote:
>>>
>>> 
>>> Friends,
>>>
>>> I am wondering whether someone can help me with confusion about the
>>> encoding of mRests.
>>>
>>> Our MEI 3.0 files have certain bars with mRest under a time signature of
>>> 3/1.
>>>
>>> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
>>> however, to add dots="1" to these for subsequent processing with music21.
>>> This works.
>>>
>>> However, when I convert these files to MEI 4.0. I also see a dur of
>>> "breve 1", and the dots="1" are gone.
>>>
>>> What is the meaning of "breve 1" here?  I cannot seem to find the
>>> documentation of this attribute value.
>>>
>>> Thanks!
>>>
>>> Richard
>>>
>>> --
>>> Richard Freedman
>>> Professor of Music
>>> John C. Whitehead '43 Professor of Humanities
>>> Chair, Department of Music
>>> Haverford College
>>> Haverford, PA 19041
>>>
>>> 610-389-0595
>>>
>>>
>>> http://www.haverford.edu/users/rfreedma
>>>
>>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>>
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>>
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>>
>> --
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>>
>> 610-389-0595
>>
>>
>> http://www.haverford.edu/users/rfreedma
>>
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>
>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>


-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From rfreedma at haverford.edu  Mon Jun  6 00:13:00 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 18:13:00 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <F89B6BC7-AB82-4A9C-845C-400FABCACE58@rism.digital>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
 <CA+zvZGcJ4_aLNc+Rn-1uPh--xK_YU7a8CjnoprZ5p8re53cASw@mail.gmail.com>
 <F89B6BC7-AB82-4A9C-845C-400FABCACE58@rism.digital>
Message-ID: <CA+zvZGfbZkbno406Xja6+HH5e1Frav-augpjFuhEsbKRqoxa=Q@mail.gmail.com>

I am wondering what would happen if in place of the mRest, the relevant
bars simply encoded two rests, one after the next.

It seems to be valid MEI 4.0 according to MEI Friend and Atom.

<rest dur="breve" xml:id="m-2475"/>

<rest dur="1" xml:id="m-24751000"/>




On Sun, Jun 5, 2022 at 5:50 PM Andrew Hankinson
<andrew.hankinson at rism.digital> wrote:

> Actually, scratch my last message -- `breve 1` is a valid duration, but
> music21 does not recognize multiple values for the @dur element. It means a
> breve + whole note.
>
> music21 does have a 'Rest.fullMeasure' object, which is probably more
> appropriate to use in this situation. You would need to test and see if it
> works, but this function is probably where you would want to make the
> changes:
>
>
> https://github.com/cuthbertLab/music21/blob/master/music21/mei/base.py#L2312-L2331
>
> See:
> https://web.mit.edu/music21/doc/moduleReference/moduleNote.html#music21.note.Rest.fullMeasure
>
> If you don't want to make changes to the music21 code, then a "hack" would
> be to detect values of "breve 1" on `mRest` elements and manually set the
> object appropriately in the music21 object tree prior to running your
> analysis.
>
> -Andrew
>
> On 5 Jun 2022, at 23:00, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> Thank you Klaus (and Andrew!).
>
> It seems I am a bit stuck here, since Music21 does not correctly interpret
> mRest = Breve under a 3/1 measure.  It regards the Breve as 8.0 beats, not
> 12.  Adding the dots="1" in MEI 3 worked.  But "breve 1" in MEI 4.0 (which
> might or might not mean a dotted breve rest) does not seem to work, since
> Music21 is not compliant with MEI 4.
>
> Richard
>
>
>
> On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <
> klaus.rettinghaus at gmail.com> wrote:
>
>> Hi Richard,
>>
>> the main problem is that the dots attribute has been removed in MEI 4.
>> See
>> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
>> and
>> https://github.com/music-encoding/music-encoding/issues/429
>>
>> —
>> Dr. Klaus Rettinghaus
>>
>> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson <
>> andrew.hankinson at rism.digital>:
>>
>> I can't tell you exactly why it's happening, but I suspect there's
>> something going wrong here:
>>
>>
>> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
>>
>> Particularly lines 410-413.
>>
>>
>>
>> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>>
>> I am using MEI garage.  We have a script by Raff Viglianti that passes
>> each of our MEI 3 files to garage, then
>> saves them locally.
>>
>> richard
>>
>> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <
>> andrew.hankinson at gmail.com> wrote:
>>
>>> Hi Richard,
>>>
>>> How are you converting the files? What script or service are you using?
>>>
>>> -Andrew
>>>
>>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu>
>>> wrote:
>>>
>>> 
>>> Friends,
>>>
>>> I am wondering whether someone can help me with confusion about the
>>> encoding of mRests.
>>>
>>> Our MEI 3.0 files have certain bars with mRest under a time signature of
>>> 3/1.
>>>
>>> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
>>> however, to add dots="1" to these for subsequent processing with music21.
>>> This works.
>>>
>>> However, when I convert these files to MEI 4.0. I also see a dur of
>>> "breve 1", and the dots="1" are gone.
>>>
>>> What is the meaning of "breve 1" here?  I cannot seem to find the
>>> documentation of this attribute value.
>>>
>>> Thanks!
>>>
>>> Richard
>>>
>>> --
>>> Richard Freedman
>>> Professor of Music
>>> John C. Whitehead '43 Professor of Humanities
>>> Chair, Department of Music
>>> Haverford College
>>> Haverford, PA 19041
>>>
>>> 610-389-0595
>>>
>>>
>>> http://www.haverford.edu/users/rfreedma
>>>
>>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>>
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>>
>>> _______________________________________________
>>> mei-l mailing list
>>> mei-l at lists.uni-paderborn.de
>>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>>
>> --
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>>
>> 610-389-0595
>>
>>
>> http://www.haverford.edu/users/rfreedma
>>
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>
>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>


-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From rfreedma at haverford.edu  Mon Jun  6 03:16:49 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Sun, 5 Jun 2022 21:16:49 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
Message-ID: <CA+zvZGfGc1=swPf5ouz9K=nNMSBwGL8x_sWiiihnJ+sDGfrS9w@mail.gmail.com>

The odd thing:

If I replace the mRest with <rest dur="breve" dots="1"> in MEI Friend/Atom
with MEI.40 file, it works.

Dots are needed in our case because of a quirk in music21, which does not
read the prevailing time signature correctly (or at all), and thus reads
these rests (in our context) as 8-beat breves instead of 12-beat breves.

Including that dot attribute is enough to convince Music21 of the correct
count of the rests.

Thoughts?

Richard

On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <
klaus.rettinghaus at gmail.com> wrote:

> Hi Richard,
>
> the main problem is that the dots attribute has been removed in MEI 4.
> See
> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
> and
> https://github.com/music-encoding/music-encoding/issues/429
>
> —
> Dr. Klaus Rettinghaus
>
> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson
> <andrew.hankinson at rism.digital>:
>
> I can't tell you exactly why it's happening, but I suspect there's
> something going wrong here:
>
>
> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
>
> Particularly lines 410-413.
>
>
>
> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> I am using MEI garage.  We have a script by Raff Viglianti that passes
> each of our MEI 3 files to garage, then
> saves them locally.
>
> richard
>
> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <
> andrew.hankinson at gmail.com> wrote:
>
>> Hi Richard,
>>
>> How are you converting the files? What script or service are you using?
>>
>> -Andrew
>>
>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
>>
>> 
>> Friends,
>>
>> I am wondering whether someone can help me with confusion about the
>> encoding of mRests.
>>
>> Our MEI 3.0 files have certain bars with mRest under a time signature of
>> 3/1.
>>
>> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
>> however, to add dots="1" to these for subsequent processing with music21.
>> This works.
>>
>> However, when I convert these files to MEI 4.0. I also see a dur of
>> "breve 1", and the dots="1" are gone.
>>
>> What is the meaning of "breve 1" here?  I cannot seem to find the
>> documentation of this attribute value.
>>
>> Thanks!
>>
>> Richard
>>
>> --
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>>
>> 610-389-0595
>>
>>
>> http://www.haverford.edu/users/rfreedma
>>
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>


-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From rfreedma at haverford.edu  Mon Jun  6 20:22:47 2022
From: rfreedma at haverford.edu (Richard Freedman)
Date: Mon, 6 Jun 2022 14:22:47 -0400
Subject: [MEI-L] Question about mRest, dur and dots in MEI 3 and 4
In-Reply-To: <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
References: <C81A39C4-8CF2-446E-80BC-496957F5D86A@rism.digital>
 <1648F026-8694-4F59-BB0E-BBE11D1895A4@gmail.com>
Message-ID: <CA+zvZGe-5Hq3oxi16UYymJbaa0PwBAj4ZQbFP9gxZY=S5G0wYQ@mail.gmail.com>

Friends,

Final outcome of my little quest.  I went back and edited our original
Sibelius files again, now with three whole notes in place of a breve rests
for 3/1 bars.  These electronic editions are just for the MEI in any case
(in the PDF graphical editions we still use the breve rests).  But for use
with our CRIM Intervals (music21) analysis system, all is well.

The 3/1 measure tag with rests looks like this:

[image: screenshot_100.png]

Thanks to all who responded!

richard


On Sun, Jun 5, 2022 at 4:06 PM Klaus Rettinghaus <
klaus.rettinghaus at gmail.com> wrote:

> Hi Richard,
>
> the main problem is that the dots attribute has been removed in MEI 4.
> See
> https://music-encoding.org/guidelines/v4/elements/mrest.html#attributes
> and
> https://github.com/music-encoding/music-encoding/issues/429
>
> —
> Dr. Klaus Rettinghaus
>
> Am 05.06.2022 um 19:56 schrieb Andrew Hankinson
> <andrew.hankinson at rism.digital>:
>
> I can't tell you exactly why it's happening, but I suspect there's
> something going wrong here:
>
>
> https://github.com/music-encoding/encoding-tools/blob/main/mei30To40/mei30To40.xsl#L367-L415
>
> Particularly lines 410-413.
>
>
>
> On 5 Jun 2022, at 19:25, Richard Freedman <rfreedma at haverford.edu> wrote:
>
> I am using MEI garage.  We have a script by Raff Viglianti that passes
> each of our MEI 3 files to garage, then
> saves them locally.
>
> richard
>
> On Sun, Jun 5, 2022 at 1:21 PM Andrew Hankinson <
> andrew.hankinson at gmail.com> wrote:
>
>> Hi Richard,
>>
>> How are you converting the files? What script or service are you using?
>>
>> -Andrew
>>
>> On 5 Jun 2022, at 18:39, Richard Freedman <rfreedma at haverford.edu> wrote:
>>
>> 
>> Friends,
>>
>> I am wondering whether someone can help me with confusion about the
>> encoding of mRests.
>>
>> Our MEI 3.0 files have certain bars with mRest under a time signature of
>> 3/1.
>>
>> The dur of these mRests is recorded as breve in MEI 3.0.  We need,
>> however, to add dots="1" to these for subsequent processing with music21.
>> This works.
>>
>> However, when I convert these files to MEI 4.0. I also see a dur of
>> "breve 1", and the dots="1" are gone.
>>
>> What is the meaning of "breve 1" here?  I cannot seem to find the
>> documentation of this attribute value.
>>
>> Thanks!
>>
>> Richard
>>
>> --
>> Richard Freedman
>> Professor of Music
>> John C. Whitehead '43 Professor of Humanities
>> Chair, Department of Music
>> Haverford College
>> Haverford, PA 19041
>>
>> 610-389-0595
>>
>>
>> http://www.haverford.edu/users/rfreedma
>>
>> Schedule meeting time: https://bit.ly/3D0NAQ4
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
>> _______________________________________________
>> mei-l mailing list
>> mei-l at lists.uni-paderborn.de
>> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>>
> --
> Richard Freedman
> Professor of Music
> John C. Whitehead '43 Professor of Humanities
> Chair, Department of Music
> Haverford College
> Haverford, PA 19041
>
> 610-389-0595
>
>
> http://www.haverford.edu/users/rfreedma
>
> Schedule meeting time: https://bit.ly/3D0NAQ4
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l
>


-- 
Richard Freedman
Professor of Music
John C. Whitehead '43 Professor of Humanities
Chair, Department of Music
Haverford College
Haverford, PA 19041

610-389-0595


http://www.haverford.edu/users/rfreedma

Schedule meeting time: https://bit.ly/3D0NAQ4
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From Anna.Kijas at tufts.edu  Wed Jun 22 22:59:07 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Wed, 22 Jun 2022 20:59:07 +0000
Subject: [MEI-L] Save the Date for MEC 2023!
Message-ID: <BLAPR05MB745838A376E822801191D8F094B29@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear MEI Community,

MEC 2023 will be held as a joint conference with the Text Encoding Initiative (TEI)! To accommodate members of the music encoding and text encoding communities we have shifted our conference date in 2023.

The conference will take place on 4-8 September 2023 in Paderborn, Germany. The annual MEI developer workshop will be held in Spring 2023.

Additional details about the conference will be shared over the next few months. Please feel free to share the conference details with your networks.

Best,
Anna
(On behalf of the MEI Board)

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center
Tufts University
20 Talbot Avenue, Medford, MA 02155
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
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From stefan.muennich at unibas.ch  Tue Jun 28 08:00:48 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Tue, 28 Jun 2022 06:00:48 +0000
Subject: [MEI-L] Find a date: MEI Community Workshop
Message-ID: <73110701f9164c349ff35f8970254be4@unibas.ch>

Dear MEI community,

during the Community Meeting at MEC 2022, we had presented some community feedback and questions about the process of technical contribution to MEI that circled roles and responsibilities or general community communication & contribution guidelines. We would like to pick up on this topic to identify wishes, needs and requirements from within the community.

Thus we happily invite you to the first "MEI Community Workshop". During this 2-hour online meeting, we want to start/continue/facilitate discussion of:
- the roles of different groups in the development process of MEI,
- communication processes within the community, and
- possible improvements or clarifications to our GitHub workflows.

The meeting is open to all interested community members, especially those involved in the technical development of MEI (technical team members, interest group members, tool developers, etc.).

If you are interested, we would like you to participate in the following poll by July 6 to determine a possible date for the meeting at the end of July: https://whenisgood.net/xf3kq2s/ (you may want to adjust your timezone at the top of the page).

Looking forward to seeing you in July,
Benni and Stefan



---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>
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From stefan.muennich at unibas.ch  Fri Jul 15 12:44:21 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Fri, 15 Jul 2022 10:44:21 +0000
Subject: [MEI-L] Find a date: MEI Community Workshop
In-Reply-To: <73110701f9164c349ff35f8970254be4@unibas.ch>
References: <73110701f9164c349ff35f8970254be4@unibas.ch>
Message-ID: <2fefec3f9110416d9edbd6b43a55aee5@unibas.ch>

Dear MEI community,

thank you to everyone who filled out the form for our planned community workshop. Accordingly, the best possible date according to the survey is Thursday, 21 July, at 4pm CEST. Unfortunately, there was no date on which everyone was available, so apologies to anyone for whom the date is inconvenient. Anyone who can't attend but would still like to provide their feedback, please contact Benni or myself via Slack or email by Wednesday, 20 July.

We will send a reminder and zoom link closer to the event.

Looking forward to the meeting,
Benni and Stefan


---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>

________________________________
Von: mei-l <mei-l-bounces+stefan.muennich=unibas.ch at lists.uni-paderborn.de> im Auftrag von Stefan Münnich <stefan.muennich at unibas.ch>
Gesendet: Dienstag, 28. Juni 2022 08:00:48
An: Music Encoding Initiative
Betreff: [MEI-L] Find a date: MEI Community Workshop


Dear MEI community,

during the Community Meeting at MEC 2022, we had presented some community feedback and questions about the process of technical contribution to MEI that circled roles and responsibilities or general community communication & contribution guidelines. We would like to pick up on this topic to identify wishes, needs and requirements from within the community.

Thus we happily invite you to the first "MEI Community Workshop". During this 2-hour online meeting, we want to start/continue/facilitate discussion of:
- the roles of different groups in the development process of MEI,
- communication processes within the community, and
- possible improvements or clarifications to our GitHub workflows.

The meeting is open to all interested community members, especially those involved in the technical development of MEI (technical team members, interest group members, tool developers, etc.).

If you are interested, we would like you to participate in the following poll by July 6 to determine a possible date for the meeting at the end of July: https://whenisgood.net/xf3kq2s/ (you may want to adjust your timezone at the top of the page).

Looking forward to seeing you in July,
Benni and Stefan



---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>
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From stefan.muennich at unibas.ch  Wed Jul 20 18:43:27 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Wed, 20 Jul 2022 16:43:27 +0000
Subject: [MEI-L] MEI Community Workshop
In-Reply-To: <2fefec3f9110416d9edbd6b43a55aee5@unibas.ch>
References: <73110701f9164c349ff35f8970254be4@unibas.ch>,
 <2fefec3f9110416d9edbd6b43a55aee5@unibas.ch>
Message-ID: <547dbe90437445b8969b1d2f50e8c3fe@unibas.ch>

Dear MEI Community,


Our Community Workshop is scheduled for tomorrow, 21 July, at 4pm CEST (you can check your local timezone here: https://www.timeanddate.de/zeitzonen/zeitzonenrechner?iso=20220721T140000&p1=994). The meeting is open to everyone. The main agenda items can be found in our previous communications below.


We will use this Zoom link for the meeting:


Benjamin W. Bohl is inviting you to a scheduled Zoom meeting.Topic: MEI Community Workshop
Time: Jul 21, 2022 04:00 PM Amsterdam, Berlin, Rome, Stockholm, ViennaJoin Zoom Meeting
https://uni-paderborn-de.zoom.us/j/98144546334?pwd=TzFwV1ZXSENpZUE3MmVqcjhvdFJGUT09Meeting ID: 981 4454 6334
Passcode: 172700Join by SIP
98144546334 at call.easymeet24.com<mailto:98144546334 at call.easymeet24.com>Join by H.323
call.easymeet24.com<http://call.easymeet24.com/>
Meeting ID: 981 4454 6334
Passcode: 172700Join by Skype for Business
https://uni-paderborn-de.zoom.us/skype/98144546334



We invite you to bring your ideas, thoughts, feedback, and - given the current weather - a few cool drinks and towels.


Looking forward to the meeting,

Benni and Stefan




---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>

________________________________
Von: mei-l <mei-l-bounces at lists.uni-paderborn.de> im Auftrag von Stefan Münnich <stefan.muennich at unibas.ch>
Gesendet: Freitag, 15. Juli 2022 12:44:21
An: Music Encoding Initiative
Betreff: Re: [MEI-L] Find a date: MEI Community Workshop


Dear MEI community,

thank you to everyone who filled out the form for our planned community workshop. Accordingly, the best possible date according to the survey is Thursday, 21 July, at 4pm CEST. Unfortunately, there was no date on which everyone was available, so apologies to anyone for whom the date is inconvenient. Anyone who can't attend but would still like to provide their feedback, please contact Benni or myself via Slack or email by Wednesday, 20 July.

We will send a reminder and zoom link closer to the event.

Looking forward to the meeting,
Benni and Stefan


---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>

________________________________
Von: mei-l <mei-l-bounces+stefan.muennich=unibas.ch at lists.uni-paderborn.de> im Auftrag von Stefan Münnich <stefan.muennich at unibas.ch>
Gesendet: Dienstag, 28. Juni 2022 08:00:48
An: Music Encoding Initiative
Betreff: [MEI-L] Find a date: MEI Community Workshop


Dear MEI community,

during the Community Meeting at MEC 2022, we had presented some community feedback and questions about the process of technical contribution to MEI that circled roles and responsibilities or general community communication & contribution guidelines. We would like to pick up on this topic to identify wishes, needs and requirements from within the community.

Thus we happily invite you to the first "MEI Community Workshop". During this 2-hour online meeting, we want to start/continue/facilitate discussion of:
- the roles of different groups in the development process of MEI,
- communication processes within the community, and
- possible improvements or clarifications to our GitHub workflows.

The meeting is open to all interested community members, especially those involved in the technical development of MEI (technical team members, interest group members, tool developers, etc.).

If you are interested, we would like you to participate in the following poll by July 6 to determine a possible date for the meeting at the end of July: https://whenisgood.net/xf3kq2s/ (you may want to adjust your timezone at the top of the page).

Looking forward to seeing you in July,
Benni and Stefan



---

Stefan Münnich | Dr. des | Research associate

University of Basel | Department Arts, Media, Philosophy | Musicology | Anton Webern Gesamtausgabe
Petersgraben 27/29 | CH-4051 Basel | Schweiz
Tel: +41 61 207 28 08
E-Mail: stefan.muennich at unibas.ch | https://www.anton-webern.ch



This e-mail and any attachments to it may contain confidential information, which is for the sole attention and use of the intended recipient. If you are not the correct addressee or have received this email in error, please notify us immediately and delete this email. Copying and forwarding this message without consent of the sender is not permitted.

<https://www.anton-webern.ch><https://www.unibas.ch/><https://www.unibas.ch/>
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From reinierdevalk at gmail.com  Sat Jul 23 14:13:32 2022
From: reinierdevalk at gmail.com (Reinier de Valk)
Date: Sat, 23 Jul 2022 14:13:32 +0200
Subject: [MEI-L] Barline issues
Message-ID: <CAC7npKVNdCV8szOcoZPB+0queG46apY==h6d9PNGmHQ9VsoGWg@mail.gmail.com>

Hello all,

Here is an issue that I hope is not too difficult to solve. (I also posted
this on the MEI Slack channel - apologies if you already saw it there.)

I have a transcription, in CMN, of a piece in tablature, with the tablature
shown on top of the CMN system. The problem now is that the piece is in
3/2, but the tablature is 'barred' as if it were in 2/2 - so with a barline
every (equivalent of a) two half notes - and I can't get this to show
correctly.

I would like to keep the tablature barring, but also the actual metric
barring - i.e., a tab barline in the tab staff after every two half notes,
and a metric barline in the CMN staff after every three.

My initial thought was to use <barLine> in the tablature staff, and this
almost works - the problem now is that the metric barlines coming from
<measure> extend up to the tab staff, dividing some tab bars in two. See
the attached example 1 (circled in red are the problem areas). As the
example shows, the final barlines also don't line up, but I could just
remove all <barLine>s that coincide with a metric barline coming from
<measure> to solve that.

So regarding this first solution, I would like to know if it is possible to
have the metric barline NOT extend up to the tablature staff. I guess this
should be regulated in the <tabGrp>, but I could not figure out how.

As an alternative solution, I set all barlines coming from <measure> to
invisible, and 'hardcoded' <barLine>s wherever I need them. This also
almost works - but now I get two separate barlines in the upper and lower
CMN staves (see example 2 attached) - while I want a single barline that
connects both staves. Again, I tried several things, but couldn't get it to
work.

Regarding this second solution the following question: how could I replace
the separate staff-wide barlines with one barline that spans both CMN
staves?

And then finally: which of these approaches would be preferable? I like the
first one best (minimal adaptation) - if I can get it to work. Or is there
yet another, better solution to my problem?

I've also attached the encodings for both examples.

Any help would be greatly appreciated!

With best wishes,
Reinier
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From Anna.Kijas at tufts.edu  Thu Oct  6 20:17:44 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Thu, 6 Oct 2022 18:17:44 +0000
Subject: [MEI-L] We need your feedback about using MEI Slack
Message-ID: <BLAPR05MB74588C8EDADEA42D8C4F1736945C9@BLAPR05MB7458.namprd05.prod.outlook.com>

Dear MEI Members,

The MEI Board is in the process of reviewing whether to continue using Slack as the community management tool or select a different tool. We are considering this because we use the free version of Slack, which has changed their data retention policy to only keeping messages and files from the last 90 days. All messages and files after the last 90 days are hidden and inaccessible to users. The Slack owners can export content from public channels, but any private or direct messages will not be accessible after the last 90 days.

To help us explore potential options we ask for your feedback to this short survey: https://tufts.qualtrics.com/jfe/form/SV_9H6ykqknetN5eUC.
You are also welcome to email the MEI Board at mei-board at lists.uni-paderborn.de<mailto:mei-board at lists.uni-paderborn.de> if you’d like to share feedback directly.

Best,
Anna

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center | Tufts University
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO)<http://sucho.org/>
Administrative Chair, Music Encoding Initiative<https://music-encoding.org/community/mei-board.html>
Editor, Technical Reports and Monographs in Music Librarianship<https://www.musiclibraryassoc.org/page/techreports> (MLA)
Council Representative, Association for Computers and the Humanities<https://ach.org/about-ach/officers/> (ACH)
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From luca.ludovico at unimi.it  Fri Sep  9 23:28:25 2022
From: luca.ludovico at unimi.it (luca.ludovico at unimi.it)
Date: Fri, 09 Sep 2022 21:28:25 -0000
Subject: [MEI-L] Computer Supported Music Education @ CSEDU 2023 - 1st CFP
Message-ID: <006f01d8c493$127d5570$37780050$@unimi.it>

[Apologies for cross-postings]

[Please distribute]

 

15th International Conference on Computer Supported Education (CSEDU 2023)

Special session on Computer Supported Music Education (CSME 2023) - 4th
edition

 

The International Conference on Computer Supported Education is an annual
meeting place for presenting and discussing new educational tools and
environments, best practices and case studies on innovative technology-based
learning strategies, and institutional policies on computer-supported
education, including open and distance education. The next edition will be
held in Prague, Czech Republic, on April 21-23, 2023.

 

In this framework, the special session on Computer Supported Music Education
aims to investigate the impact of computer-based approaches on music
education. We welcome contributions focusing on the design, development, and
use of advanced technologies to support learning and teaching actions in
music creation, performance, and analysis.

 

Accepted papers, presented at the conference by one or more of the authors,
will be published in the Proceedings of CSEDU under an ISBN and indexed by
major systems, e.g., Thomson Reuters Conference Proceedings Citation Index
(CPCI/ISI), DBLP, EI (Elsevier Engineering Village Index), Scopus, Semantic
Scholar, and Google Scholar.

 

Important dates

Paper Submission: February 23, 2023

Authors Notification: March 9, 2023

Camera Ready and Registration: March 17, 2023

 

For further information

Special session web page:
<https://csedu.scitevents.org/CSME.aspxConference>
https://csedu.scitevents.org/CSME.aspxConference 

General conference web page:  <https://csedu.scitevents.org/>
https://csedu.scitevents.org/

 

Organizer and chair

Luca A. Ludovico

Laboratory of Music Informatics (LIM), Department of Computer Science,
University of Milan

luca.ludovico at unimi.it <mailto:luca.ludovico at unimi.it> 

 




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From stefan.muennich at unibas.ch  Mon Oct 10 19:57:22 2022
From: stefan.muennich at unibas.ch (=?iso-8859-1?Q?Stefan_M=FCnnich?=)
Date: Mon, 10 Oct 2022 17:57:22 +0000
Subject: [MEI-L] Update of the MEI website publication process
Message-ID: <9d52d4d6f5cc4f91b28ddd066b35f0f5@unibas.ch>

Dear MEI community,
we are in the process of switching our internal mechanisms how to publish the MEI website with Github (music-encoding.org<http://music-encoding.org/>). Thanks to Sophia Dörner, Klaus Rettinghaus and Dennis Riedd<https://music-encoding.slack.com/team/U5JUUNTSQ>, the new workflow could be implemented and tested during the MEI Developer Workshop at Berlin last week. Ideally, you should not be affected by any of the changes.However, if you notice some errors or unavailabilities of the MEI website in the next few hours, do not hesitate to let us know here on Slack, or feel free to contact any member of the Technical Team (https://web.archive.org/web/20221010175336/https://music-encoding.org/community/technical-team.html).Many thanks in advance,
(for the Technical Team) Benni and Stefan
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From b.w.bohl at gmail.com  Mon Oct 10 20:45:41 2022
From: b.w.bohl at gmail.com (Benjamin W. Bohl)
Date: Mon, 10 Oct 2022 20:45:41 +0200
Subject: [MEI-L] Update of the MEI website publication process
In-Reply-To: <9d52d4d6f5cc4f91b28ddd066b35f0f5@unibas.ch>
References: <9d52d4d6f5cc4f91b28ddd066b35f0f5@unibas.ch>
Message-ID: <1E80D54B-E51B-4E2B-B19F-086450390A47@gmail.com>

Many thanks to the Technical Team, and especially Sophia, Klaus, Dennis and you, Stefan ^^

/benni

> On 10. Oct 2022, at 19:57, Stefan Münnich <stefan.muennich at unibas.ch> wrote:
> 
> Dear MEI community,
> we are in the process of switching our internal mechanisms how to publish the MEI website with Github (music-encoding.org <http://music-encoding.org/>). Thanks to Sophia Dörner, Klaus Rettinghaus and Dennis Riedd <https://music-encoding.slack.com/team/U5JUUNTSQ>, the new workflow could be implemented and tested during the MEI Developer Workshop at Berlin last week. Ideally, you should not be affected by any of the changes.
> However, if you notice some errors or unavailabilities of the MEI website in the next few hours, do not hesitate to let us know here on Slack, or feel free to contact any member of the Technical Team (https://web.archive.org/web/20221010175336/https://music-encoding.org/community/technical-team.html <https://web.archive.org/web/20221010175336/https://music-encoding.org/community/technical-team.html>).
> Many thanks in advance,
> (for the Technical Team) Benni and Stefan
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de <mailto:mei-l at lists.uni-paderborn.de>
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l <https://lists.uni-paderborn.de/mailman/listinfo/mei-l>
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From dennis.ried at uni-paderborn.de  Fri Oct 14 11:21:48 2022
From: dennis.ried at uni-paderborn.de (Dennis Ried)
Date: Fri, 14 Oct 2022 11:21:48 +0200
Subject: [MEI-L] Job offer, 2 Professorships, Paderborn University
Message-ID: <143697D1-CC03-47AE-99EA-C694DFAEF5B6@uni-paderborn.de>

Dear List,

the Paderborn University offers two Professorships which might be interesting. One Professorship is for Digital Methods in Music and Media Edition  (Reference 5493) and the other one is
for Modeling Linked Virtual Data Spaces (in the field of music and media) (Reference 5494).

The tender (one document contains it all) can be found here: https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer5493-5494_Englisch.pdf <https://www.uni-paderborn.de/fileadmin/zv/4-4/stellenangebote/Kennziffer5493-5494_Englisch.pdf>
All the best,

Dennis



Dennis Ried M.A.

Wissenschaftlicher Mitarbeiter im DFG-Projekt
»Henze Digital« <https://www.muwi-detmold-paderborn.de/forschung/1-2> – Hans Werner Henzes künstlerisches Netzwerk
__________________________________________







Forum Wissenschaft | Bibliothek | Musik
Hornsche Straße 44 | Büro E.09
32756 Detmold

Tel.: +49 5231 975-854
Mail: dennis.ried at uni-paderborn.de <mailto:dennis.ried at uni-paderborn.de>
ORCID: 0000-0001-5545-2088 <https://orcid.org/0000-0001-5545-2088>

Zentrum Musik – Edition – Medien
https://zenmem.de <http://zenmem.de/>

#WirFeiernZukunft
https://upb50.de/ <https://upb50.de/>

 __________________________________________

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From goebl at mdw.ac.at  Tue Oct 25 18:44:30 2022
From: goebl at mdw.ac.at (Werner Goebl)
Date: Tue, 25 Oct 2022 18:44:30 +0200
Subject: [MEI-L] New version of mei-friend released
Message-ID: <1ee7b643-ca65-2aee-ea5d-ece5a59ce9e8@mdw.ac.at>

Dear MEI community,

We are happy to announce a new release (version 0.6) of mei-friend, the 
online “last-mile” MEI editor available at https://mei-friend.mdw.ac.at. 
You may have noticed a rolling release over the past week or two.

The most important new features include:

*Validation against MEI schema.* Based on the code of the Verovio editor 
kindly provided by Laurent Pugin, mei-friend automatically loads the RNG 
schema specified in the MEI file to validate the encoding. It makes use 
of Gnome’s libxml2. Validation behaviour is configurable (automatic or 
on-demand) through the mei-friend settings.

*Select Verovio toolkit version.* You may choose the Verovio toolkit 
version for engraving your music encoding through the mei-friend 
settings panel, starting from version 3.7.0. (There are known memory 
issues with versions before 3.11.0 that may require a reload of the 
application.)

*Extended support for URL parameters* to remote-control mei-friend, 
intended particularly to support applications in pedagogical settings. 
These parameters are summarised on the Help page 
(https://mei-friend.mdw.ac.at/help), and allow various options to be set 
or toggled, MEI file URLs to be supplied, and automated forking to be 
requested. The automated forking walks a user through the process of 
forking and opening their own version of an MEI file in a GitHub 
repository. Try it out:
https://mei-friend.mdw.ac.at/?file=https://raw.githubusercontent.com/trompamusic-encodings/Beethoven_Op120_BreitkopfHaertel/master/Beethoven_Op120-Breitkopf.mei&speed=true&fork=true&autoValidate=false&notationOrientation=top 


*Facsimile support.* mei-friend makes the content of the facsimile 
element accessible by displaying zone elements on top of the surface 
images in a dedicated facsimile panel, providing interactive zone 
editing functionality (resizing, panning, inserting & deleting zones) as 
well as an automated workflow for ingesting external facsimile content 
into MEI encodings. Try it out: 
https://mei-friend.mdw.ac.at/?notationOrientation=top&notationProportion=.6&facsimileOrientation=left&facsimileProportion=.45&breaks=line&file=https://raw.githubusercontent.com/trompamusic-encodings/Beethoven_Op76_BreitkopfHaertel/master/Beethoven_Op76-Breitkopf-Haertel.mei 


*Annotation support.* The annotation panel provides tooling for 
generating in-line <annot> elements, as well as for listing, navigating 
between, and visualising annotations of different types – currently: 
highlighting, describing, and linking. More extensive support for 
annotation activities, including generating stand-off Web Annotations, 
is planned for future development. Try it out (open annotation panel 
through pencil icon at the top-right corner): 
https://mei-friend.mdw.ac.at/?file=https://raw.githubusercontent.com/musicog/Beethoven_WoO80_BreitkopfHaertel/master/Beethoven_WoO80-Breitkopf.mei&breaks=line 


If you have comments or suggestions for improvements, we would love to 
hear from you! Please use the Help -> Provide Feedback menu option in 
mei-friend to send us your feature request, bug report, or proposed 
addition to mei-friend’s list of public repertoire.

All the best,

Werner and David

-- 
Univ.-Prof. Dr. Werner Goebl
Department of Music Acoustics – Wiener Klangstil (IWK)
University of Music and Performing Arts Vienna
Anton-von-Webern-Platz 1
1030 Vienna, Austria
Tel. +43 1 71155 4311
Fax. +43 1 71155 4399
http://iwk.mdw.ac.at/goebl


From ichiro.fujinaga at mcgill.ca  Sun Oct 30 15:44:03 2022
From: ichiro.fujinaga at mcgill.ca (Ichiro Fujinaga, Prof.)
Date: Sun, 30 Oct 2022 14:44:03 +0000
Subject: [MEI-L] Two Postdoc positions in music data science at McGill
References: <C1251DF3-C8D1-4F20-BEBF-39EDE242A779@mcgill.ca>
Message-ID: <1C052807-270C-4618-BB98-F158601D5E31@mcgill.ca>

Dear MEI Community,

Please consider joining us in this exciting new project called LinkedMusic (https://linkedmusic.ca<https://linkedmusic.ca/>).
See below for the description of the two positions.

Deadline: 5 December 2022

Please forward this announcement widely.

Ichiro

==============================================================

The LinkedMusic Project at McGill University’s Schulich School of Music seeks a postdoctoral researcher with a demonstrable interest and strengths in musical metadata to work on the creation of a metadata schema. This is a one-year position (renewable for up to three years), starting January 2023.

LinkedMusic (https://linkedmusic.ca/) is a seven-year research partnership grant funded by the Social Sciences and Humanities Research Council of Canada, headed by Ichiro Fujinaga, Principal Investigator. The aim of the LinkedMusic Project is to link music databases through metadata schemas: structures for organizing information stored in a database. The team brings together cutting-edge researchers with the digital musical resources and expertise of partner institutions, including DIAMM, RISM, Cantus Ultimus, Global Jukebox, and MetaBrainz. The goal is a global digital music library that connects all kinds of music data and enables users to make queries across multiple databases. This will go a long way towards bringing online music search to the same level of sophistication currently possible for text-based resources, allowing us to answer fundamental questions about music and how it interacts with human creativity, society, culture, and history.

Over the course of the project, the research team will develop tools to convert existing metadata schemas into a flexible and extensible format using Linked Data principles, in addition to creating a virtual instrument museum with Linked Data content. The postdoctoral researcher will aid in the first phase of the project, the development of a multilingual metadata schema for music and easy-to-use, semi-automatic mapping tools to align existing metadata schemas to the new schema through a Linked Data format. As part of their work, they will help supervise a research group of graduate and undergraduate student developers and collaborate with a variety of content teams from partner institutions.

Preferred Qualifications:

    PhD (required before start-date) in Information Science, Library Science, Musicology, or related fields
    Experience with library cataloguing and/or music metadata
    Experience with Linked Open Data
    Familiarity with standard metadata schemas of music databases
    Track record of publications and presentations in relevant fields
    Track record of supervision of students
    Work with large, multi-part projects or partnerships
    Knowledge of multiple languages
    Strong written and verbal communication skills

Interested people should apply even if they do not feel that their background is a 100% match with the position description. All candidates will be given full consideration.

Practicalities:

The salary will be $61,000 CAD per annum with a health and dental plan. The one-year position will begin in January 2023, or as soon as the candidate is available; there is a possibility of a renewal for up to 3 years. The candidate will be full-time. Working hours are flexible, with some obligation to participate in scheduled meetings. A shared office space will be provided to the postdoctoral researcher, as well as access to university services.

Applications should consist of:

    A brief cover letter outlining relevant experience
    A resume
    Additional materials (e.g., examples of previous work) are welcome, but not required
    Candidates short-listed for an interview may be asked for two confidential reference letters

McGill University hires on the basis of merit and is strongly committed to equity and diversity within its community. We welcome applications from racialized persons/visible minorities, women, Indigenous persons, persons with disabilities, ethnic minorities, and persons of minority sexual orientations and gender identities, as well as from all qualified candidates with the skills and knowledge to productively engage with diverse communities. McGill further recognizes and fairly considers the impact of leaves (e.g., family care or health-related) that may contribute to career interruptions or slowdowns. Candidates are encouraged to signal any leave that affected productivity and may have had an effect on their career path. This information will be considered to ensure the equitable assessment of the candidate’s record. Applicants may be citizens of any country. Though there are no restrictions regarding nationality of applicants, successful candidates must be able to meet all Canadian immigration requirements.

Materials should be addressed to Ichiro Fujinaga, but sent to Anna de Bakker, Research Associate, at anna.debakker at mcgill.ca<mailto:anna.debakker at mcgill.ca> with the subject line: LinkedMusic Postdoctoral Researcher: Metadata. The closing date for the position is 5 December 2022.

==============================================================

The LinkedMusic Project at McGill University’s Schulich School of Music seeks a postdoctoral researcher with experience in web development to work on the Virtual Instrument Museum. This is a one-year position (renewable for up to three years), starting January 2023.

LinkedMusic (https://linkedmusic.ca/) is a seven-year research partnership grant funded by the Social Sciences and Humanities Research Council of Canada, headed by Ichiro Fujinaga, Principal Investigator. The aim of the LinkedMusic Project is to link music databases through metadata schemas: structures for organizing information stored in a database. The team brings together cutting-edge researchers with the digital musical resources and expertise of partner institutions, including DIAMM, RISM, Cantus Ultimus, Global Jukebox, and MetaBrainz. The goal is a global digital music library that connects all kinds of music data and enables users to make queries across multiple databases. This will go a long way towards bringing online music search to the same level of sophistication currently possible for text-based resources, allowing us to answer fundamental questions about music and how it interacts with human creativity, society, culture, and history.

Over the course of the project, the research team will develop tools to convert existing metadata schemas into a flexible and extensible format using Linked Data principles, in addition to creating a virtual instrument museum with Linked Data content. The postdoctoral researcher will help develop a unique, crowd-sourced musical instrument picture dictionary, the Virtual Instrument Museum (VIM), which will include pictures and videos of instruments and their names in different locations and local languages, and develop the necessary tools to map them to a Uniform Resource Identifier. This website will help expand vocabularies for Linked Data in music and improve online queries involving instruments. The postdoctoral researcher will also help supervise a research group of graduate and undergraduate student developers and collaborate with a variety of content teams.

Preferred Qualifications:

    PhD (required before start-date) in Information Science, Library Science, Computer Science, Musicology, or related fields
    Experience with designing and/or managing websites and databases
    Expert knowledge of Javascript and/or web development
    Knowledge of organology and instruments of different cultures and/or periods
    Experience with scholarly crowdsourcing
    Experience with library cataloguing and/or music metadata
    Familiarity with Linked Open Data
    Track record of publications and presentations in relevant fields
    Track record of supervision of students
    Work with large, multi-part projects or partnerships
    Knowledge of multiple languages
    Strong written and verbal communication skills

Interested people should apply even if they do not feel that their background is a 100% match with the position description. All candidates will be given full consideration.

Practicalities:

The salary will be $61,000 CAD per annum with a health and dental plan. The one-year position will begin in January 2023, or as soon as the candidate is available; there is a possibility of a renewal for up to 3 years. The candidate will be full-time. Working hours are flexible, with some obligation to participate in scheduled meetings. A shared office space will be provided to the postdoctoral researcher, as well as access to university services.

Applications should consist of:

    A brief cover letter outlining relevant experience
    A resume
    Additional materials (e.g., examples of previous work) are welcome, but not required
    Candidates short-listed for an interview may be asked for two confidential reference letters

McGill University hires on the basis of merit and is strongly committed to equity and diversity within its community. We welcome applications from racialized persons/visible minorities, women, Indigenous persons, persons with disabilities, ethnic minorities, and persons of minority sexual orientations and gender identities, as well as from all qualified candidates with the skills and knowledge to productively engage with diverse communities. McGill further recognizes and fairly considers the impact of leaves (e.g., family care or health-related) that may contribute to career interruptions or slowdowns. Candidates are encouraged to signal any leave that affected productivity and may have had an effect on their career path. This information will be considered to ensure the equitable assessment of the candidate’s record. Applicants may be citizens of any country. Though there are no restrictions regarding nationality of applicants, successful candidates must be able to meet all Canadian immigration requirements.

Materials should be addressed to Ichiro Fujinaga, but sent to Anna de Bakker, Research Associate, at anna.debakker at mcgill.ca<mailto:anna.debakker at mcgill.ca> with the subject line: LinkedMusic Postdoctoral Researcher: Virtual Instrument Museum. The closing date for the position is 5 December 2022.



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From pstadler at mail.uni-paderborn.de  Mon Nov  7 15:45:56 2022
From: pstadler at mail.uni-paderborn.de (Peter Stadler)
Date: Mon, 7 Nov 2022 15:45:56 +0100
Subject: [MEI-L] =?utf-8?q?MEI_Board_elections_2022_=E2=80=93_Call_for_no?=
 =?utf-8?q?minations?=
Message-ID: <AF072DA8-1973-4675-A6FE-CC522B999117@mail.uni-paderborn.de>

**Too long to read?** visit:
https://forms.gle/oAB1HaBya3BAyzJZ7 <https://forms.gle/oAB1HaBya3BAyzJZ7>

Dear MEI Community,

on 31 December 2022, the terms of three MEI Board members will end. In the name of the entire MEI community, the MEI Board expresses its gratitude to Johannes Kepper, Perry Roland, and Martha Thomae for their service and dedication to MEI.

In the 2022 MEI Board elections, the MEI community will determine three MEI Board members for the term 2023–2025. The election process will take place in accordance with the Music Encoding Initiative By-Laws.[1]

To nominate candidates, please do so via this form:
https://forms.gle/oAB1HaBya3BAyzJZ7 <https://forms.gle/oAB1HaBya3BAyzJZ7>

The timeline of the elections will be as follows:

Nomination phase (7 November – 21 November 2022 [2])
- You can submit nominations by filling in the form linked above.
- Any person who today is a subscriber of the MEI-L mailing list has the right to nominate candidates.
- Any individual is eligible for nomination, including those who have previously served on the MEI Board. Candidates in the election must be members of the MEI-L mailing list but may register until 23 November 2022.
- Self-nominations are welcome.
- Individuals will be informed of their nomination when received and asked to confirm their willingness to serve on the MEI Board.
- Acceptance of a nomination requires submission of a short CV and a personal statement of interest in MEI (a maximum of 200 words each) to elections at music-encoding.org by 23 November 2022.
- Candidates who have been nominated but have not confirmed their willingness by 23 November 2022 will not be included on the ballot.
- Candidates must be members of the MEI-L mailing list and may register until 23 November 2022.

Election phase (28 November – 18 December 2022)
- The election will take place using OpaVote and the Scottish STV Ranked Choice Voting method (https://www.opavote.com/methods/single-transferable-vote#scottish-stv <https://www.opavote.com/methods/single-transferable-vote#scottish-stv>).
- We will inform you in separate emails about the start of the election and your individual voting tokens.

Post-election phase
- Election results will be announced after the elections have closed.
- The term of the elected candidates starts on 1 January 2023.
- The first meeting of the new MEI Board will be held on
Monday, 16 January 2023, 7:00 pm UTC

The election of Board members is an opportunity for each of you to have a voice in determining the future of MEI.

Thank you for your support,
Peter Stadler and Benjamin W. Bohl
MEI election administrators 2022
by appointment of the MEI Board

[1] The By-laws of the Music Encoding Initiative are available online at: http://music-encoding.org/community/mei-by-laws.html <http://music-encoding.org/community/mei-by-laws.html>
[2] All deadlines are 11:59 pm (UTC)

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From b.w.bohl at gmail.com  Mon Nov 14 09:35:53 2022
From: b.w.bohl at gmail.com (Benjamin W. Bohl)
Date: Mon, 14 Nov 2022 09:35:53 +0100
Subject: [MEI-L] 
 =?utf-8?q?MEI_Board_elections_2022_=E2=80=93_Call_for_no?=
 =?utf-8?q?minations?=
In-Reply-To: <AF072DA8-1973-4675-A6FE-CC522B999117@mail.uni-paderborn.de>
References: <AF072DA8-1973-4675-A6FE-CC522B999117@mail.uni-paderborn.de>
Message-ID: <6F4FEA39-D7F4-41A5-9ADD-386AA9E10AC8@gmail.com>

Dear MEI-L,

this is just a gentle reminder that our nomination phase for the 2022 MEI Board elections is running. For details, see below ;-)

Benni and Peter

> On 7. Nov 2022, at 15:45, Peter Stadler <pstadler at mail.uni-paderborn.de> wrote:
> 
> **Too long to read?** visit:
> https://forms.gle/oAB1HaBya3BAyzJZ7 <https://forms.gle/oAB1HaBya3BAyzJZ7> 
> 
> Dear MEI Community,
> 
> on 31 December 2022, the terms of three MEI Board members will end. In the name of the entire MEI community, the MEI Board expresses its gratitude to Johannes Kepper, Perry Roland, and Martha Thomae for their service and dedication to MEI.
> 
> In the 2022 MEI Board elections, the MEI community will determine three MEI Board members for the term 2023–2025. The election process will take place in accordance with the Music Encoding Initiative By-Laws.[1]
> 
> To nominate candidates, please do so via this form:
> https://forms.gle/oAB1HaBya3BAyzJZ7 <https://forms.gle/oAB1HaBya3BAyzJZ7> 
> 
> The timeline of the elections will be as follows:
> 
> Nomination phase (7 November – 21 November 2022 [2])
> - You can submit nominations by filling in the form linked above.
> - Any person who today is a subscriber of the MEI-L mailing list has the right to nominate candidates.
> - Any individual is eligible for nomination, including those who have previously served on the MEI Board. Candidates in the election must be members of the MEI-L mailing list but may register until 23 November 2022.
> - Self-nominations are welcome.
> - Individuals will be informed of their nomination when received and asked to confirm their willingness to serve on the MEI Board.
> - Acceptance of a nomination requires submission of a short CV and a personal statement of interest in MEI (a maximum of 200 words each) to elections at music-encoding.org <mailto:elections at music-encoding.org> by 23 November 2022.
> - Candidates who have been nominated but have not confirmed their willingness by 23 November 2022 will not be included on the ballot.
> - Candidates must be members of the MEI-L mailing list and may register until 23 November 2022.
> 
> Election phase (28 November – 18 December 2022)
> - The election will take place using OpaVote and the Scottish STV Ranked Choice Voting method (https://www.opavote.com/methods/single-transferable-vote#scottish-stv <https://www.opavote.com/methods/single-transferable-vote#scottish-stv>).
> - We will inform you in separate emails about the start of the election and your individual voting tokens.
> 
> Post-election phase
> - Election results will be announced after the elections have closed.
> - The term of the elected candidates starts on 1 January 2023.
> - The first meeting of the new MEI Board will be held on
> Monday, 16 January 2023, 7:00 pm UTC
> 
> The election of Board members is an opportunity for each of you to have a voice in determining the future of MEI.
> 
> Thank you for your support,
> Peter Stadler and Benjamin W. Bohl
> MEI election administrators 2022
> by appointment of the MEI Board
> 
> [1] The By-laws of the Music Encoding Initiative are available online at: http://music-encoding.org/community/mei-by-laws.html <http://music-encoding.org/community/mei-by-laws.html> 
> [2] All deadlines are 11:59 pm (UTC)
> 
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l

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From b.w.bohl at gmail.com  Mon Nov 28 17:33:21 2022
From: b.w.bohl at gmail.com (Benjamin W. Bohl)
Date: Mon, 28 Nov 2022 17:33:21 +0100
Subject: [MEI-L] 2022 MEI Board elections started
Message-ID: <8FCF9EA8-F0F9-4ABA-A367-28355F914446@gmail.com>

Dear MEI Community,
the 2022 MEI Board elections for the term 2023–2025 started a few moments ago. You should receive individual voting tokens by email from OpaVote (the system we’re using for the elections) with noreply at opavote.com as the sender. If by any chance you do not receive such an email, please check your junk mail folders and feel free to contact us at elections at music-encoding.org

You can find the candidate statements online at https://music-encoding.org/community/mei-board/elections/2022/candidates <https://music-encoding.org/community/mei-board/elections/2022/candidates>.

Use this chance to get involved in the future of MEI ;-)

With all the best wishes,
Peter Stadler and Benjamin W. Bohl

MEI election administrators 2022
by appointment of the MEI Board

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From matthias.nowakowski at hfm-detmold.de  Thu Dec  1 11:09:32 2022
From: matthias.nowakowski at hfm-detmold.de (Matthias Nowakowski)
Date: Thu, 1 Dec 2022 10:09:32 +0000
Subject: [MEI-L] New Survey on Music Notation Software
Message-ID: <80AC489F-2669-403D-9FD5-F906AEAC9FAF@hfm-detmold.de>

Dear all,

We would like to invite you again on a survey about music notation softwares. This a follow-up on a survey we already sent in June this year in the context of my PhD thesis about musical notation software. We are thankful for many responses, and we had lots of feedback via private messages. This time the survey consists of mostly open questions.

Link: https://forms.gle/16GmchaaaamV1g9S7

Duration: 5 - 30 Minutes (depending on how detailed you answer). You can complete multiple loops for different programs in one session.

You don't have to log in to take part in the survey, your participation will be therefore anonymous. Nevertheless, we ask you in the end to leave your email address if you want to be invited for personal interviews in the future.

Thanks again for your help!

All the best,
Matthias Nowakowski


-------------------
Matthias Nowakowski, M.A. B.Sc.

Center of Music and Film Informatics
Detmold University of Music
Phone: +49(0)5231 / 975 874
Hornsche Strasse 44, 32756 Detmold, Germany

[cidimage001.png at 01D75C85.CBB5E420]<http://www.cemfi.de/>[cidimage002.png at 01D75C85.CBB5E420]<http://www.hfm-detmold.de/>

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From Anna.Kijas at tufts.edu  Mon Dec  5 21:04:09 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Mon, 5 Dec 2022 20:04:09 +0000
Subject: [MEI-L] MEI Community Code of Conduct is now published
Message-ID: <DM4PR05MB94645276C84197014E059E7194189@DM4PR05MB9464.namprd05.prod.outlook.com>

Dear MEI Community,

The Music Encoding Initiative Community Code of Conduct, which was originally shared around the time of the MEC 2022 conference in May has been revised and published, thanks to your input. It is now available on the website and can be accessed from the menu under "Community." A direct link to the page is https://music-encoding.org/community/code-of-conduct.html.

Thank you to all who provided suggestions and to the MEI Board for reviewing numerous drafts of this document.

Best,
Anna

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center | Tufts University
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO)<http://sucho.org/>
Administrative Chair, Music Encoding Initiative<https://music-encoding.org/community/mei-board.html>
Editor, Technical Reports and Monographs in Music Librarianship<https://www.musiclibraryassoc.org/page/techreports> (MLA)
Council Representative, Association for Computers and the Humanities<https://ach.org/about-ach/officers/> (ACH)
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From b.w.bohl at gmail.com  Mon Dec 19 09:44:33 2022
From: b.w.bohl at gmail.com (Benjamin W. Bohl)
Date: Mon, 19 Dec 2022 09:44:33 +0100
Subject: [MEI-L] MEI Board elections results
Message-ID: <F599B76D-F2BB-4BED-A583-74A5A07028E1@gmail.com>

Dear MEI Community,

it is our pleasure to announce the results of the MEI Board elections (for the term 2023–2025). Elected by the MEI community are:

* Johannes Kepper
* Anna Plaksin
* David M. Weigl

Congratulations to our new Board members, and many thanks to *all* our excellent candidates!

Detailed results are available from OpaVote at:
https://www.opavote.com/results/5158308313825280

Happy new year
Peter & Benjamin
MEI election administrators 2022
by appointment of the MEI Board






From dennis.ried at uni-paderborn.de  Wed Dec 21 08:23:30 2022
From: dennis.ried at uni-paderborn.de (Dennis Ried)
Date: Wed, 21 Dec 2022 08:23:30 +0100
Subject: [MEI-L] =?utf-8?q?Save_the_date_=E2=80=93_Edirom-Summer-School_2?=
 =?utf-8?q?023?=
Message-ID: <ED3F0A51-41A7-4DD7-AE36-E7A4FE98A550@uni-paderborn.de>

Dear List,

with the request to forward it to interested colleagues and your students.

Since the big TEI/MEI Joint Conference will take place in Paderborn from September 4th–8th, 2023, we have decided to hold the 14th Edirom Summer School a little earlier. It will already take place in from May 31st to June 2nd, 2023, and is aimed specifically at beginners (as a preparatory additional offer for the big Joint Conference in September). In addition, the courses are part of the "Reading Week" at the Faculty of Cultural Studies at the University of Paderborn, so that teaching, further education and networking can go hand in hand.

Details on the schedule and course offerings will follow at the end of January 2023.


With kind regards from Detmold/Paderborn

Dennis Ried M.A.

Wissenschaftlicher Mitarbeiter im DFG-Projekt
»Henze Digital« <https://www.muwi-detmold-paderborn.de/forschung/1-2> – Hans Werner Henzes künstlerisches Netzwerk
__________________________________________







Forum Wissenschaft | Bibliothek | Musik
Hornsche Straße 44 | Büro E.09
32756 Detmold

Tel.: +49 5231 975-854
Mail: dennis.ried at uni-paderborn.de <mailto:dennis.ried at uni-paderborn.de>
ORCID: 0000-0001-5545-2088 <https://orcid.org/0000-0001-5545-2088>

Zentrum Musik – Edition – Medien
https://zenmem.de <http://zenmem.de/>

#WirFeiernZukunft
https://upb50.de/


 __________________________________________
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From mkirsch at musik.uni-kiel.de  Wed Dec 21 08:31:24 2022
From: mkirsch at musik.uni-kiel.de (Matthias Kirsch)
Date: Wed, 21 Dec 2022 08:31:24 +0100
Subject: [MEI-L] 
 =?utf-8?q?Save_the_date_=E2=80=93_Edirom-Summer-School_2?=
 =?utf-8?q?023?=
In-Reply-To: <ED3F0A51-41A7-4DD7-AE36-E7A4FE98A550@uni-paderborn.de>
References: <ED3F0A51-41A7-4DD7-AE36-E7A4FE98A550@uni-paderborn.de>
Message-ID: <552b3616ea3c289244a3a9c7b43be7ac@musik.uni-kiel.de>



Lieber Dennis,

Vielen Dank für die Nachricht und die Ausrichtung auf "beginners", von 
denen es bei uns inzwischen auch ein paar gibt. Vielleicht treffen 
dieses Mal also schon im Mai zusammen?

Herzlichen Gruß, Matthias

---
Dr. Matthias Kirsch
Musikwissenschaftliches Institut
der Christian-Albrechts-Universität Kiel
Olshausenstr. 40
24098 Kiel
Tel.: +49(0)431-880-5788

Am 2022-12-21 08:23, schrieb Dennis Ried:

> Dear List,
> 
> with the request to forward it to interested colleagues and your 
> students.
> 
> Since the big TEI/MEI Joint Conference will take place in Paderborn 
> from September 4th-8th, 2023, we have decided to hold the 14th Edirom 
> Summer School a little earlier. It will already take place in from May 
> 31st to June 2nd, 2023, and is aimed specifically at beginners (as a 
> preparatory additional offer for the big Joint Conference in 
> September). In addition, the courses are part of the "Reading Week" at 
> the Faculty of Cultural Studies at the University of Paderborn, so that 
> teaching, further education and networking can go hand in hand.
> 
> Details on the schedule and course offerings will follow at the end of 
> January 2023.
> 
> With kind regards from Detmold/Paderborn
> 
> Dennis Ried M.A.
> 
> Wissenschaftlicher Mitarbeiter im DFG-Projekt
> »Henze Digital« [1] - Hans Werner Henzes künstlerisches Netzwerk
> __________________________________________
> 
> Forum Wissenschaft | Bibliothek | Musik
> Hornsche Straße 44 | Büro E.09
> 32756 Detmold
> 
> Tel.: +49 5231 975-854
> Mail: dennis.ried at uni-paderborn.de
> ORCID: 0000-0001-5545-2088 [2]
> 
> Zentrum Musik - Edition - Medien
> https://zenmem.de [3]
> 
> #WirFeiernZukunft
> https://upb50.de/
> 
> __________________________________________
> _______________________________________________
> mei-l mailing list
> mei-l at lists.uni-paderborn.de
> https://lists.uni-paderborn.de/mailman/listinfo/mei-l


Links:
------
[1] https://www.muwi-detmold-paderborn.de/forschung/1-2
[2] https://orcid.org/0000-0001-5545-2088
[3] http://zenmem.de
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From Anna.Kijas at tufts.edu  Wed Dec 21 12:46:00 2022
From: Anna.Kijas at tufts.edu (Kijas, Anna E)
Date: Wed, 21 Dec 2022 11:46:00 +0000
Subject: [MEI-L] [External]  MEI Board elections results
Message-ID: <43FAC352-15D6-40A3-A758-022045B52F30@tufts.edu>


Dear MEI Community,

Congratulations to the incoming MEI Board members for the term 2023-2025: Johannes Kepper, Anna Plaksin, and David M. Weigl. I look forward to welcoming you to the MEI Board in January! And, thank you to all of the candidates who put in the time and effort to run for the Board this year!

I would also like to extend a thank you and appreciation on behalf of the MEI Community for our outgoing Board members:
Perry Roland and Martha Thomae. Thank you for your service!

Best,
Anna

Anna E. Kijas
Head, Lilly Music Library
Granoff Music Center | Tufts University
Pronouns: she, her, hers
Book an appointment<https://tufts.libcal.com/appointments/kijas/lilly> | (617) 627-2846
Co-founder of Saving Ukrainian Cultural Heritage Online (SUCHO)<http://sucho.org/>
Administrative Chair, Music Encoding Initiative<https://music-encoding.org/community/mei-board.html>
Editor, Technical Reports and Monographs in Music Librarianship<https://www.musiclibraryassoc.org/page/techreports> (MLA)
Council Representative, Association for Computers and the Humanities<https://ach.org/about-ach/officers/> (ACH)

From: mei-l <mei-l-bounces at lists.uni-paderborn.de> on behalf of Benjamin W. Bohl <b.w.bohl at gmail.com>
Date: Monday, December 19, 2022 at 3:45 AM
To: MEI-L <mei-l at lists.uni-paderborn.de>
Subject: [External] [MEI-L] MEI Board elections results
Dear MEI Community,

it is our pleasure to announce the results of the MEI Board elections (for the term 2023–2025). Elected by the MEI community are:

* Johannes Kepper
* Anna Plaksin
* David M. Weigl

Congratulations to our new Board members, and many thanks to *all* our excellent candidates!

Detailed results are available from OpaVote at:
https://www.opavote.com/results/5158308313825280

Happy new year
Peter & Benjamin
MEI election administrators 2022
by appointment of the MEI Board





_______________________________________________
mei-l mailing list
mei-l at lists.uni-paderborn.de
https://lists.uni-paderborn.de/mailman/listinfo/mei-l

Caution: This message originated from outside of the Tufts University organization. Please exercise caution when clicking links or opening attachments. When in doubt, email the TTS Service Desk at it at tufts.edu<mailto:it at tufts.edu> or call them directly at 617-627-3376.
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From weigl at mdw.ac.at  Wed Dec 21 15:48:37 2022
From: weigl at mdw.ac.at (David M. Weigl)
Date: Wed, 21 Dec 2022 15:48:37 +0100
Subject: [MEI-L] Six funded PhD opportunities in AT / DE / CH: E-LAUTE -
 Electronic Linked Annotated Unified Tablature Edition
Message-ID: <7065c331-28b6-7631-36fb-d96b85da78d1@mdw.ac.at>

Dear MEI Community, (with apologies for cross-posting),

Season's greetings!

I'm writing to alert you to six diverse PhD opportunities in the digital 
musicology space, in the upcoming international Weave-funded project 
E-LAUTE (Electronic Linked Annotated Unified Tablature Edition): The 
Lute in the German-Speaking Area 1450-1550 (https://e-laute.info)

E-LAUTE aims to create an open-access comprehensive and interactive 
edition of the lute tablatures of the German-speaking area between 1450 
and 1550. The corpus (2,000 pages) has not yet been investigated as a 
whole and is barely accessible to scholars and professional musicians as 
well as to the broad public, has not been deciphered and has therefore 
been evaluated only selectively. The project has two closely related 
parts: the edition itself and pilot studies in the fields of musicology, 
music informatics, German studies, and performance practice. These two 
parts will be worked on in parallel. As a result, we will create a novel 
form of music edition: an ‘open knowledge platform’ in which the 
research fields intertwine and transform the ‘classic’ edition into a 
space of interdisciplinary and discipline-specific work.

The following funded PhD positions are available:

* Austria
     Musicology, 75%, Dept. of Musicology, University of Vienna
     Music Informatics – Information Retrieval, 75%, TU Wien
     Music Informatics – Data Modelling, 75%, Austrian National Library 
(ONB)

* Germany
     Medieval German Studies / Musicology, 65%, University of Bayreuth
     Musicology, 65%, Ludwig Maximilian University of Munich

* Switzerland
     Performance practice: Lute, Hochschule für Musik FHNW, Schola 
Cantorum Basiliensis

Deadlines are all coming up in mid-January, with an expected starting 
date of March 1st 2023.

For further information including links to the individual application 
platforms, please go to https://e-laute.info/jobs_en

Kind regards,

David M. Weigl

-- 
David M. Weigl, PhD
Department of Music Acoustics - Wiener Klangstil
University of Music and Performing Arts Vienna, Austria
P.I., FWF Signature Sound Vienna. Same procedure as every year?
https://iwk.mdw.ac.at/signature-sound-vienna/



From luca.ludovico at unimi.it  Fri Dec 30 11:07:09 2022
From: luca.ludovico at unimi.it (luca.ludovico at unimi.it)
Date: Fri, 30 Dec 2022 11:07:09 +0100
Subject: [MEI-L] Computer Supported Music Education @ CSEDU 2023 - 2nd CFP
Message-ID: <007201d91c36$7b03ab30$710b0190$@unimi.it>

[Apologies for cross-postings]

[Please distribute]

 

15th International Conference on Computer Supported Education (CSEDU 2023)

Special session on Computer Supported Music Education (CSME 2023) - 4th
edition

 

The International Conference on Computer Supported Education is an annual
meeting place for presenting and discussing new educational tools and
environments, best practices and case studies on innovative technology-based
learning strategies, and institutional policies on computer-supported
education, including open and distance education. The next edition will be
held in Prague, Czech Republic, on April 21-23, 2023.

 

In this framework, the special session on Computer Supported Music Education
aims to investigate the impact of computer-based approaches on music
education. We welcome contributions focusing on the design, development, and
use of advanced technologies to support learning and teaching actions in
music creation, performance, and analysis.

 

Accepted papers, presented at the conference by one or more of the authors,
will be published in the Proceedings of CSEDU under an ISBN and indexed by
major systems, e.g., Thomson Reuters Conference Proceedings Citation Index
(CPCI/ISI), DBLP, EI (Elsevier Engineering Village Index), Scopus, Semantic
Scholar, and Google Scholar.

 

Important dates

Paper Submission: February 23, 2023

Authors Notification: March 9, 2023

Camera Ready and Registration: March 17, 2023

 

For further information

Special session web page:
<https://csedu.scitevents.org/CSME.aspxConference>
https://csedu.scitevents.org/CSME.aspxConference 

General conference web page:  <https://csedu.scitevents.org/>
https://csedu.scitevents.org/

 

Organizer and chair

Luca A. Ludovico

Laboratory of Music Informatics (LIM), Department of Computer Science,
University of Milan

luca.ludovico at unimi.it <mailto:luca.ludovico at unimi.it> 

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