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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Arial;color:#000000"><b>Call for Posters: 9th International Conference on Digital Libraries for Musicology (In Association with IAML 2021), July 28, 2022</b></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>CALL FOR POSTERS</b></p>
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The 9th DLfM conference (<a href="https://dlfm.web.ox.ac.uk/home"><span style="text-decoration:underline;color:#103cc0">https://dlfm.web.ox.ac.uk</span></a>) welcomes contributions related to any aspect of digital libraries and musicology, including topics
related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). This year’s conference will again be
<b>held in association with the IAML Congress</b> (<a href="https://www.iaml2022.cz/"><span style="font:12.0px 'Times New Roman';text-decoration:underline;color:#0000ff">https://www.iaml2022.cz/</span></a>) and will feature a joint paper session<b> as well
as a joint poster session.</b> In bringing these two conferences together we aim to encourage new collaborations and foster larger group discussions surrounding prominent issues in the digital humanities.</p>
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This year’s theme of <i>“</i>FAIR principles in Digital Libraries for Musicology<i>”
</i>is designed to bring together scholars working across the niche subfields of digital libraries and humanities, computational musicology, and MIR, to discuss topics relating to making data—and also tools and services—findable, accessible, interoperable and
reusable. In a world where technologies rapidly multiply, and where user needs and expectations as well as digital risks change extremely quickly, we consider these principles to be essential in the development of digital libraries tailored to musicology research.
What tools, practices, or perspectives can help us navigate these constantly fluctuating needs and technologies while still prioritizing accessibility and sustainability?</p>
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The conference strongly encourages <b>posters</b> that address this year’s theme, however, we welcome all posters addressing all traditional topics that fall under the scope of DLfM. Posters will be permanently placed on the DLfM website, and poster presenters
will have the opportunity to present their work in a dedicated poster session. More details will be announced on the DLfM website soon (<a href="https://dlfm.web.ox.ac.uk/home"><span style="text-decoration:underline;color:#103cc0">https://dlfm.web.ox.ac.uk</span></a><span style="font:12.0px 'Times New Roman'">).</span></p>
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The conference organizers are excited to return to our first in-person conference since 2019!<span class="Apple-converted-space"> </span></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>IMPORTANT DATES</b> (<a href="https://en.wikipedia.org/wiki/Anywhere_on_Earth"><span style="text-decoration:underline;color:#103cc0">AoE</span></a>)</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Poster abstract submission deadline: May 23<span style="font:7.3px Arial"><sup>rd</sup></span>, 2022</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Notification of Acceptance: May 30<span style="font:7.3px Arial"><sup>th</sup></span>, 2022</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Conference: July 28<span style="font:7.3px Arial"><sup>th</sup></span>, 2022</p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>POSTER SUBMISSION</b></p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">An abstract of the proposed poster of no more than 500 words must be submitted by May 23<span style="font:7.3px Arial"><sup>rd</sup></span>, 2022. Abstracts are to be emailed to:
<a href="mailto:dlfm2022@easychair.org"><span style="text-decoration:underline;color:#0000ff">dlfm2022@easychair.org</span></a> Details for poster formats will be updated to the DLfM website soon, and instructions will be emailed to authors following the review
period. Abstracts will be reviewed and decisions returned by May 30<span style="font:7.3px Arial"><sup>th</sup></span>, 2022. </p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>Contact email:
</b>dlfm2022@easychair.org<span class="Apple-converted-space"> </span></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>CONFERENCE ORGANISATION</b></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Programme Chair</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Laurent Pugin, RISM Digital Center</p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">General Chair</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Claire Arthur, Center for Music Technology, Georgia Tech</p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Proceedings and Publicity Chair</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">David John Baker, University of Amsterdam<span class="Apple-converted-space"> </span></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">IAML Programme Officer</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Rupert Rigewell</p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000"><b>CONFERENCE SPONSORS</b></p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">RISM Digital Center</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:11.0px Arial;color:#000000">Georgia Institute of Technology, School of Music</p>
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