<div dir="ltr">In our experience the most useful approach is to create a 'minimal example' that contains all of the editorial features you want to use. This becomes the 'test' file for your post-processes, and also becomes the 'model' file for your editors. Our routines are designed around the needs of Renaissance music. Yours might need to be different (but can make use of the same concepts, such as color highlights or alternative staves, or special articulations, etc, that are in turn transformed during the processing stage to the final MEI encoding you prefer).<div><br></div><div>Richard</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, Mar 22, 2019 at 4:26 PM Zayne Upton <<a href="mailto:zayne@zayne.co.za" target="_blank">zayne@zayne.co.za</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div>Thanks Richard. I briefly had a look a while back so I’ll give this another look. <div><br></div><div>Cheers</div><div><br></div><div>Zayne<br><div><br><blockquote type="cite"><div>On 22 Mar 2019, at 15:52, Richard Freedman <<a href="mailto:rfreedma@haverford.edu" target="_blank">rfreedma@haverford.edu</a>> wrote:</div><br class="gmail-m_6090717712167728386gmail-m_5344402804119781414Apple-interchange-newline"><div><div dir="ltr">Zayne,<div><br></div><div>As part of <a href="http://digitalduchemin.org/piece/DC0221/" target="_blank">The Lost Voices Project</a>, we developed a set of routines for doing this sort of post-processing of MEI files using various Python scripts. </div><div><br></div><div>Read more <a href="https://www.dropbox.com/s/hgpk2xx960tsd1o/Sibelius_2_Mei_Example_9_9_2014.pdf?dl=0" target="_blank">here</a> and <a href="https://www.dropbox.com/s/1y70if6mbhfmnqk/MEIMassasing_Documentation.docx?dl=0" target="_blank">here</a>. </div><div><br></div><div>You could adapt these for your own use (the scripts are modular, and you could use/ignore any that are not relevant). Lost Voices uses VexFlow as the rendering engine. Verovio (which was not available at the time) is much better in many respects, and we are now using it in the <a href="https://dev.crimproject.org/relationships/145/" target="_blank">Citations Project</a>.<br></div><div><br></div><div>Richard</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Fri, Mar 22, 2019 at 9:32 AM Zayne Upton <<a href="mailto:zayne@zayne.co.za" target="_blank">zayne@zayne.co.za</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="ltr">I'm currently part of a research group that is compiling digital critical editions of African composers. Some of the team members are using Sibelius to notate the music in staff notation and I'm then using SibMEI to convert to MEI. The issue though is that the conversion is not completely accurate and I need to further edit the XML. What I'm struggling with is finding the best tools to do so. There is a plugin for Oxygen that I'm trying to get to work, but to no avail. <div><br></div><div>Can anyone offer any advice here?</div><div><br></div><div>Thanks</div><div><br></div><div>Zayne Upton</div></div>
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</blockquote></div><br clear="all"><div><br></div>-- <br><div dir="ltr" class="gmail-m_6090717712167728386gmail-m_5344402804119781414gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><font size="2">Richard Freedman</font></div><div><font size="2">Professor of Music<br>John C. Whitehead '43 Professor of Humanities</font></div><div><font size="2">Associate Provost for Curricular Development<br>Haverford College<br>Haverford, PA 19041<br><br>610-896-1007<br>610-896-4902 (fax)<br><br></font><a href="http://www.haverford.edu/users/rfreedma" target="_blank">http://www.haverford.edu/users/rfreedma</a><br></div><div><br></div><div>Schedule meeting time: <span style="color:rgb(68,68,68);font-family:Roboto,Helvetica,Arial,sans-serif;font-size:13px"><a href="https://goo.gl/3KN2hr" target="_blank">https://goo.gl/3KN2hr</a></span></div><div><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
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</blockquote></div><br clear="all"><div><br></div>-- <br><div dir="ltr" class="gmail-m_6090717712167728386gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><font size="2">Richard Freedman</font></div><div><font size="2">Professor of Music<br>John C. Whitehead '43 Professor of Humanities</font></div><div><font size="2">Associate Provost for Curricular Development<br>Haverford College<br>Haverford, PA 19041<br><br>610-896-1007<br>610-896-4902 (fax)<br><br></font><a href="http://www.haverford.edu/users/rfreedma" target="_blank">http://www.haverford.edu/users/rfreedma</a><br></div><div><br></div><div>Schedule meeting time: <span style="color:rgb(68,68,68);font-family:Roboto,Helvetica,Arial,sans-serif;font-size:13px"><a href="https://goo.gl/3KN2hr" target="_blank">https://goo.gl/3KN2hr</a></span></div><div><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>